Will ‘Gravity’ be the latest 3D spectacle to win Cinematography Oscar?

The Oscar for Best Cinematography ostensibly honors a film’s camerawork, but in recent years it has become difficult to distinguish the award from Best Visual Effects; the two categories have gone hand-in-hand for the last four years: “Avatar” (2009), “Inception” (2010), “Hugo” (2011), and most recently “Life of Pi” (2012). Three of those films — all but “Inception” — were also in 3D.

This year, a 3D extravaganza could win again: Alfonso Cuaron‘s “Gravity” has earned raves for its visuals, and two previous Cuaron films have been nominated in the category: “A Little Princess” and “Children of Men.” Both of those films, as well as “Gravity,” were lensed by Emmanuel Lubezki, who has three other Oscar nominations but no wins. His most recent bid was for Terrence Malick‘s “The Tree of Life” in 2011.

A pair of previous winners could also compete in this year’s contest. Andrew Lesnie, who won for “The Lord of the Rings: The Fellowship of the Ring,” returns for the second part of Peter Jackson‘s prequel, “The Hobbit: The Desolation of Smaug.” And Anthony Dod Mantle, a winner for “Slumdog Millionaire,” could be nominated again for Ron Howard‘s racing drama “Rush.”

Roger Deakins has earned a whopping 10 Oscar nominations in this category — most recently for “Skyfall” — but has yet to win. This year, he’s a contender for the gritty crime drama “Prisoners.”

Bruno Delbonnel is a three-time previous nominee; he’s a contender for photographing the Coen Brothers’ “Inside Llewyn Davis.” Rodrigo Prieto earned a bid for “Brokeback Mountain” and hopes to earn another for Martin Scorsese‘s “The Wolf of Wall Street.”

Review the top contenders and make your predictions below:

3 thoughts on “Will ‘Gravity’ be the latest 3D spectacle to win Cinematography Oscar?

  1. Shame Lubezki won’t be up for both “Gravity” and “To the Wonder”. While the photography in the latter doesn’t reach the same rapturous feeling of “The Tree of Life” (a movie that was GROTESQUELY robbed of the Cinematography Oscar), it is a beautiful demonstration of Malick and Lubezki’s collaborative streak that should be remembered.

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