Best Sound Editing and Best Sound Mixing are likely to go hand-in-hand this year, as they often have before, including four of the last six years: “Hugo” (2011), “Inception” (2010), “The Hurt Locker” (2009), and “The Bourne Ultimatum” (2007).
Hollywood’s sound guilds support that: “Gravity” won awards from both the Cinema Audio Society and the Motion Picture Sound Editors.
Who do you think is going to win Best Sound Editing? Vote below using our easy drag-and-drop menu. Come back and change your predictions as often as you like till Oscar night, March 2.