BEST SOUND EDITING/MIXING Thread

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  • Anonymous
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    #52256

    Thread to discuss the Sound categories.

    Cinema Audio Society nominees for Sound Mixing:
    HANNA
    HUGO
    MONEYBALL
    PIRATES OF THE CARIBBEAN: ON STRANGER TIDES
    SUPER 8

    Nominees for the Motion Picture Sound Editors Guild awards will be announced tomorrow, January 20th. 

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    Edwin Drood
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    #52258

    Every C.A.S. nominee includes previous AMPAS nominees in the crew…

    Craig Berkey and Christopher Scarabosio, the principal mixers and editors responsible for Hanna,had similar responsibilities on The Tree of Life

    Andy Nelson, nominated here for Super 8, is also one of the mixers credited on The Adventures of Tintin and War Horse

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    Scottferguson
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    #52259

    The sound categories could determine whether Hugo or The Artist leads in total nominations (Hugo also on the cusp for supporting actor, song, maybe score). And although the biggest nominee hardly is the inevitable winner, that would make people sit up and take notice a bit.

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    Edwin Drood
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    #52260

    The thing people are most likely to notice about any best picture nominee is not how many nominations it has but in what categories.  I don’t think anybody will expect a silent film to be nominated in the sound categories but any serious contender for best picture will be expected to have at least one acting nomination…

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    PaulHJR
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    #52261

    No Transformers: Dark of the Moon?  Crap. 

    No The Artist?  WTF!!?!?   

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    babypook
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    #52262

    The thing people are most likely to notice about any best picture nominee is not how many nominations it has but in what categories.  I don’t think anybody will expect a silent film to be nominated in the sound categories but any serious contender for best picture will be expected to have at least one acting nomination…

    Usually true, although there have been some exceptions. TLoTR/TRoTK, Braveheart, Slumdog Millionaire, The Greatest Show on Earth, Wings, The Last Emperor, and a few others.
    Oscar is changing, perhaps not by leaps and bounds, but so are their perceptions….hopefully anyways.

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    Scottferguson
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    #52263

    The thing people are most likely to notice about any best picture nominee is not how many nominations it has but in what categories.  I don’t think anybody will expect a silent film to be nominated in the sound categories but any serious contender for best picture will be expected to have at least one acting nomination…

    Again, I totally agree that in which films are nominated has as much or more meaning than the total, but the reality is that most stories about the nominations lead with what film has the most, and that is what gets through to a lot of people rather than where it was overlooked (often for good reasons).

    There is no question that Mid in Paris getting as few as three nominations (even if it is not considered likely in other categories for a variety of valid in many cases reasons) will hurt its perception as a serious contender.

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    Renaton
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    #52264

    “Drive” got some great sound design work, it’s a shame it got ignored. “Tintin” deserved a nomination too. But at least “Super 8” got in.

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    Carbon Based Lifeform
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    #52265

    Every C.A.S. nominee includes previous AMPAS nominees in the crew…

    Craig Berkey and Christopher Scarabosio, the principal mixers and editors responsible for Hanna,had similar responsibilities on The Tree of Life

    Andy Nelson, nominated here for Super 8, is also one of the mixers credited on The Adventures of Tintin and War Horse

    I am disappointed that THE TREE OF LIFE failed to garner a nomination
    for its phenomenal sound mixing, but perhaps they can honor it by
    rewarding HANNA…

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    Anonymous
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    #52266

    Motion Picture Sound Editors Guild nominees:

    Best Sound Editing: Sound Effects & Foley in a Feature Film
    DRIVE
    FAST FIVE
    THE GIRL WITH THE DRAGON TATTOO
    MISSION: IMPOSSIBLE – GHOST PROTOCOL
    RISE OF THE PLANET OF THE APES
    SUPER 8
    TRANSFORMERS: DARK OF THE MOON
    WAR HORSE

    Best Sound Editing: Music in a Feature Film
    DRIVE
    THE GIRL WITH THE DRAGON TATTOO
    HOP
    HUGO
    PRIEST
    SUPER 8
    TRANSFORMERS: DARK OF THE MOON
    THE TREE OF LIFE

    Best Sound Editing: Dialogue and ADR in a Feature Film
    ABDUCTION
    THE HELP
    MONEYBALL
    QUARANTINE II: TERMINAL
    RISE OF THE PLANET OF THE APES
    SUPER 8
    WAR HORSE
    THE WAY

    Best Sound Editing: Music in a Musical Feature Film
    FOOTLOOSE
    THE MUPPETS
    PERFECT AGE OF ROCK ‘N’ ROLL
    PINA

    Best Sound Editing: Sound Effects, Foley, Dialogue, and ADR in an Animated Feature Film
    THE ADVENTURES OF TINTIN
    CARS 2
    KUNG FU PANDA 2
    PUSS IN BOOTS
    RANGO
    RIO
    THE SMURFS

    Best Sound Editing: Sound Effects, Foley, Dialogue, ADR, and Music in a Feature Documentary
    BEING ELMO: A PUPPETEER’S JOURNEY
    CAVE OF FORGOTTEN DREAMS
    GEORGE HARRISON: LIVING IN THE MATERIAL WORLD
    LEMMY
    PEARL JAM TWENTY

    Best Sound Editing: Sound Effects, Foley, Dialogue, and ADR in a Feature Foreign Language Film
    1920 THE WORLD’S MOST IMPORTANT BATTLE
    CIRCUMSTANCE
    ELITE SQUAD 2: THE ENEMY WITHIN
    THE FLOWERS OF WAR
    IN THE LAND OF BLOOD AND HONEY
    SARAH’S KEY
    THE SKIN I LIVE IN 

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    Renaton
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    #52267

    I’m glad “Drive” did so well here. Now it can get at least one fo the nominations it deserves.

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    Anonymous
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    #52268

    Academy Award nominees:

    SOUND EDITING

    DRIVE
    Lon Bender and Victor Ray Ennis

    THE GIRL WITH THE DRAGON TATTOO
    Ren Klyce

    HUGO
    Philip Stocken and Eugene Gearty

    TRANSFORMERS: DARK OF THE MOON
    Ethan Van der Ryn and Erik Aadahl

    WAR HORSE
    Richard Hymns and Gary Rydstrom

    SOUND MIXING

    THE GIRL WITH THE DRAGON TATTOO
    David Parker, Michael Semanick, Ren Klyce and Bo Persson

    HUGO
    Tom Fleischman and John Midgley

    MONEYBALL
    Deb Adair, Ron Bochar, Dave Giammarco and Ed Novick

    TRANSFORMERS: DARK OF THE MOON
    Greg P. Russel, Gary Summers, Jeffrey J. Haboush and Peter J. Devlin

    WAR HORSE
    Gary Rydstrom, Andy Nelson, Tom Johnson and Stuart Wilson 

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    Renaton
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    #52269

    “Hugo” is winning Sound Editing (“Drive” could be a spoiler here, which would be much deserved), and “Transformers” takes Sound Mixing (with “Hugo” or “Moneyball” as possible upsets).

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