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  • jf123
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    #1202401484

    Saw this tonight and was really surprised. A lot of people have been predicting Leo, but nobody is actually talking about the performance so I assumed that it was a bland performance they thought the Academy would namecheck. But she was fantastic in this, probably best performance of her career. Margaret Quaelley was also very good, and hope this is a start to a great post-Leftovers career. Agron and Nicholson gave solid performances, particularly Agron who really surprised me.

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    M
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    #1202401594

    Could this surprise in screenplay?

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    Andrew Carden
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    #1202401816

    ^if it somehow does, Leo is probably winning.

    For the finest in film reviews and awards analysis, please visit me at The Awards Connection!

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    M
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    #1202402125

    ^if it somehow does, Leo is probably winning.

    For the finest in film reviews and awards analysis, please visit me at The Awards Connection!

    Since the writer-director is a Black woman, I’m hoping she can coattail alongside Leo.

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    Bebe
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    #1202404735

    Melissa Leo chewed the scenery whole, but damn, was she brilliant. Easily her best performance yet. She had this fantastic monologue toward the end of the film that sealed it for her. I don’t know how well she stands in the supporting race this year, but she’d be a worthy winner with this performance.

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    Sam Keys
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    #1202405313

    Could this surprise in screenplay?

    Original Screenplay is one of the most competitive categories this year (Three Billboards, Shape of Water, The Post, Lady Bird, Get Out, The Big Sick, Phantom Thread, Darkest Hour, Florida Project, Dunkirk). I doubt it, but if it does it probably gets into picture too.

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    FreemanGriffin
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    #1202408039

    I am seeing this movie tomorrow and your posts encourage me to the point where I am willing to travel to the only movie theater that is showing it (the art house movie theater, which is across the river). I am glad to hear such positive things about Leo and Qualley (: I will write more tomorrow after I see the movie!

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    Filmatelist
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    #1202409474

    Leo is excellent and the film doesn’t treat religious devotion as cavalierly or callously as a lot of American films do. The approach to the subject is grounded, fair-minded, but also opinionated. I think the big barrier to this getting any award traction is the subject, sadly. Sober discussions on belief are few and far between in Hollywood, so it’s a topic that may have a hard time finding the necessary audience. It will really have to make inroads with the critics, though Leo has the advantage of name recognition as former winner and two-time nominee. But I don’t really see it getting any other nods.

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    FreemanGriffin
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    #1202409484

    Novitiate is definitely a film worth seeing. I give it a B+. My only objections are the lack of a musical score (which slows the movie down) and the fact that Kathleen isn’t really affected all that much by vatican 2 – it would have been better if the new rules created conflict between the novitiate and the mother superior, but the antagonism was with other characters. Two superb supporting performances: Julianne Nicholson as her agnostic worldly mother and Melissa Leo as an authoritarian insane dictator of a mother superior. Both are awards worthy performances. Everyone else is excellent, as is the direction and screenplay. Out of the 11 frontrunners on goldderby I have only seen 4 of the performances so far and I rate Leo higher than Metcalf, Dunst and Pfeiffer (I disliked the latter’s performance) and tied with Holly Hunter in The Big Sick, which I loved and thought she was magnificent.

    Favorite scene: the confrontation between the two mothers. Nicholson and Leo both delivered powerhouse performances! (:

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