February 24, 2014 at 9:47 am #142846
The very talented director of modern comedy hits Caddyshack, National Lampoon’s Vacation, Analyze This and above all the terrific Groundhog Day (which I resaw last week – even better than I remembered) died today in Chicago, only 69. He also was an actor, most memorably in Ghostbusters.
Mark Caro, Tribune reporter
Harold Ramis was one of Hollywood’s most successful comedy filmmakers when he moved his family from Los Angeles back to the Chicago area in 1996. His career was still thriving, with “Groundhog Day” acquiring almost instant classic status upon its 1993 release and 1984’s “Ghostbusters” ranking among the highest-grossing comedies of all time, but the writer-director wanted to return to the city where he’d launched his career as a Second City performer.
Director Harold Ramis works on the Woodstock, Ill. location of “Groundhog Day,” in 1993. (Columbia Pictures photo)
“There’s a pride in what I do that other people share because I’m local, which in L.A. is meaningless; no one’s local,” Ramis said upon the launch of the first movie he directed after his move, the 1999 mobster-in-therapy comedy “Analyze This,” another hit. “It’s a good thing. I feel like I represent the city in a certain way.”
Ramis, a longtime North Shore resident, died early Monday morning after a long illness, according to his wife, Erica Mann Ramis. He was 69.
Ramis’ serious health struggles began in May 2010 after he underwent surgery for diverticulitis and suffered complications related to the autoimmune disease. Unable to walk, he spent four months that year at the Mayo Clinic in Rochester, Minn., before continuing work at the Rehabilitation Institute of Chicago.
A year and a half later, Ramis had relearned to walk and was making good progress on his recovery when he suffered a relapse of the vasculitis, from which he never fully recovered, Ward said.
Ramis leaves behind a formidable body of work, with writing credits on such enduring comedies as “National Lampoon’s Animal House” (which upon its 1978 release launched the film career of John Belushi, a former Second City castmate of Ramis’), “Stripes” (1981) and “Ghostbusters” (in which Ramis also co-starred) plus such directing efforts as “Caddyshack” (1980), “National Lampoon’s Vacation” (1983), “Groundhog Day” and “Analyze This.”
Previously he was the first head writer (and a performer) on Second City’s groundbreaking television series “Second City Television (SCTV)” (1976-79). More recently he directed episodes of NBC’s “The Office.”
“When I was 15, I interviewed Harold for my high school radio station, and he was the person that I wanted to be when I was growing up,” said filmmaker Judd Apatow, who later would cast Ramis as Seth Rogen’s father in “Knocked Up” and would produce Ramis’ final movie, “Year One” (1999). “His work is the reason why so many of us got into comedy. We grew up on ‘Second City TV’ and ‘Ghostbusters,’ ‘Vacation,’ ‘Animal House,’ ‘Stripes,’ ‘Meatballs’ (which Ramis co-wrote); he literally made every single one of our favorite movies.”
Ramis also left behind a reputation as a mensch, mentor and all-around good guy.
“He’s the least changed by success of anyone I know in terms of sense of humor, of humility, sense of self,” the late Second City founder Bernie Sahlins, who began working with Ramis there in 1969, said of him in 1999. “He’s the same Harold he was 30 years ago. He’s had enormous success relatively, but none of it has gone to his head in any way.”
Laurel Ward, vice president of development at Ramis’ Ocean Pictures production company, who worked with Ramis for 15 years, called him “the world’s best mentor.” She recalled that when she first began working for him as his assistant in Chicago, he had to go to California for a month, and he told her that although he didn’t need an assistant out there, she should go anyway because it would be a good experience for her. He made sure her expenses were covered.
“He just did it for me,” she said. “He loved teaching people. He loved helping people. He loved seeing people succeed.”
The son of Ruth and Nathan Ramis, who owned Ace Food & Liquor Mart on the West Side before moving the store and family to Rogers Park, Ramis graduated from Senn High School and Washington University in St. Louis. For his first professional writing gig, he contributed freelance arts stories to the Chicago Daily News in the mid-1960s. He also wrote and edited Playboy magazine’s “Party Jokes” before and during his Second City days.
When, after some time off, he returned to Second City in 1972 to act alongside a relative newcomer in the cast, Ramis said he came to a major realization.
“The moment I knew I wouldn’t be any huge comedy star was when I got on stage with John Belushi for the first time,” he said in a 1999 Tribune interview. “When I saw how far he was willing to go to get a laugh or to make a point on stage, the language he would use, how physical he was, throwing himself literally off the stage, taking big falls, strangling other actors, I thought: I’m never going to be this big. How could I ever get enough attention on a stage with guys like this?
“I stopped being the zany. I let John be the zany. I learned that my thing was lobbing in great lines here and there, which would score big and keep me there on the stage.”
Ramis would become the calm center of storms brewed by fellow actors, playing the bushy-haired, low-key wisecracker to Bill Murray’s troublemaker in “Stripes” and the most scientific-minded “Ghostbuster.” Later roles included a sympathetic doctor in “As Good as It Gets” (1997) and the charming dad role in “Knocked Up” (2007), which Apatow said was almost all improvised.
Sahlins, who died last June, said he knew from the start that Ramis “would be an important factor in American comedy. He has all the skills and abilities to be funny and to write funny, but he also is a leader, a very nice guy. He was always looked up to, in Second City to being head writer at `SCTV.’ He was never separate from anybody. He was always one of the boys, but he was the best boy.”
Ramis followed Belushi from Second City to New York City to work with him plus fellow Second City cast member Bill Murray (who would collaborate with Ramis on six movies) on “The National Lampoon Radio Hour.” Those three plus Gilda Radner also performed in a National Lampoon stage show produced by Ivan Reitman, who went on to produce “National Lampoon’s Animal House” and to direct such Ramis scripts as “Meatballs,” “Stripes,” “Ghostbusters” and “Ghostbusters II” (1989).
”I always thought he was a very talented writer who always had a very perceptive and intelligent point of view about the material,” Reitman told the Tribune in 1999. “He managed to get the people to speak in a realistic way but still found something funny in their voices.”
Apatow said he was inspired not just by the spirit of Ramis’ movies but also his frequent collaborations with the same funny people.
Apatow said he was captivated not just by the spirit of Ramis’ movies but also his frequent collaborations with a collective of funny people.
“We noticed this group of friends who were making comedy together — all the ‘SCTV’ people and ‘Saturday Night Live’ people and National Lampoon people — and that seemed the most wonderful community you could ever be a part of,” said Apatow, who has developed his own group of regular collaborators. “In addition to wanting to be comics, we also wanted to make comedies with our friends.”
As zany as Ramis’ early comedies were, they rigorously pursued a theme close to the heart of someone who grew out of the 1960s counterculture: characters rebelling against institutions, be they authoritarian college administrators and pampered rich kids (“Animal House”), a stuffy golf club (“Caddyshack”) or the military (“Stripes”). After the collapse of his first marriage and the flop of his 1986 comedy “Club Paradise” (with greedy developers as the institutional villain), the Jewish-raised Ramis immersed himself in Zen Buddhism.
“It’s my shield and my armor in the work I do,” he said. “It’s to keep a cheerful, Zen-like detachment from everything.”
Ramis’ later directorial efforts, starting with “Groundhog Day” and including “Stuart Saves His Family” (1995), “Multiplicity” (1996), “Analyze This” and his “Bedazzled” remake (2000), reflect a spiritual striving, exploring individuals’ struggles with themselves more than outside forces.
Comparing his later to earlier comedies, Ramis told the Tribune: “The content’s different, but it comes from the same place in me, which is to try to point people at some reality or truth.”
He recalled that at the “Analyze This” junket, a writer told him his genre had become “goofy redemption comedy,” to which Ramis responded, “OK, I’ll take that.”
Ramis had been living in Los Angeles since late ‘70s before he returned to Chicago, basing his production company in downtown Highland Park.
“In L.A., you’re much more aware of an artificial pressure, just that you’re in a race of some kind,” Ramis recalled one morning over a veggie egg-white omelet at the coffee shop downstairs from his office. “You know, if you’re not moving forward, you’re dead in the water, because everyone around you is scheming, planning and plotting to advance themselves, often at your expense.
“I’ve compared it to high school: Am I popular? Am I cool? Am I in? Who’s the in crowd? How do I get into that party? These are not things I ever wanted to worry about. Here I’m so liberated from that.”
After unsuccessfully lobbying Billy Crystal and Robert De Niro to film “Analyze This” in Chicago, Ramis finally got his wish to shoot a movie locally with the 2005 dark crime comedy “The Ice Harvest,” which starred Evanston native John Cusack and Billy Bob Thornton.
Until his illness Ramis was out around town a fair amount, whether cheering on the Cubs and leading the occasional “Take Me Out to the Ball Game” or attending theater or appearing at local organizations’ fundraisers or collecting honors, such as an honorary Doctorate of Arts from Columbia College Chicago in 2001 and a lifetime achievement award from the Just for Laughs festival in 2009. And when Second City celebrated its 50th anniversary in December 2009, Ramis joined “SCTV” cast members Catherine O’Hara, Eugene Levy, Andrea Martin, Joe Flaherty, Dave Thomas and Martin Short in a Mainstage set that proved to be the weekend’s hottest ticket.
Ramis was quiet about his illness, but friends did visit, including brothers and Second City castmates Bill Murray, from whom he’d been estranged for years, and Brian Doyle-Murray, who appeared in seven Ramis movies.
“He was like the campfire that we all gathered around for light and warmth and knowledge,” his adult daughter Violet Stiel said.
“And that’s the truth,” added Erica Ramis.
He is survived by Erica Mann Ramis, Stiel, sons Julian and Daniel Ramis and two grandchildren. Erica Ramis said a private service is planned for this week with a public memorial in Chicago to take place probably in May.
Read more: #February 24, 2014 at 9:50 am #142848
A Ghostbuster has died.February 24, 2014 at 9:53 am #142849
Hugely influential on my sense of humor and I think a lot of people my age as well. He will be highly missed.February 24, 2014 at 9:53 am #142850
Hugely influential on my sense of humor and I think a lot of people my age as well. He will be highly missed.February 24, 2014 at 10:26 am #142851
RIPFebruary 24, 2014 at 10:35 am #142852
So sad to hear.
He was great as an actor, writer and director.
And as for Ghostbusters…. Egon was actually my favorite of them. I know Bill Murray steals the show, but Egon had the best humor of them all in all his seriousness.February 24, 2014 at 10:42 am #142853
His best work was Groundhog Day, one of the best films released in the last 25 years. But I think he will probably be most remembered for Egon in Ghostbusters. His deadpan delivery in the movie was brilliant. I’m sad to hear that he died. I greatly admired a lot of his work.February 24, 2014 at 10:44 am #142854
Directing Caddyshack and helping to write Animal House also will help to cement his legacy.February 24, 2014 at 10:58 am #142855
I had heard that he and Bill Murray had problems post-Groundhog Day (Murray apparently is very high maintenance). Good to hear they reconciled before Ramis died.February 24, 2014 at 11:13 am #142856
RIP- One of my all time favorite directors and writers. A true talent.
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FYC: Derbyite of the Year, 2017February 24, 2014 at 11:45 am #142857
I had heard that he and Bill Murray had problems post-Groundhog Day (Murray apparently is very high maintenance). Good to hear they reconciled before Ramis died.
I’d read about that, mainly that Murray wanted the film to feel more philosophical while Ramis strived to maintain the comedic aspects. Also glad to hear that they didn’t end things on bad terms, as Ramis made it pretty clear throughout the years (or at least in his interview with the AV Club around the time Year One came out), that he still retained a lot of affection for Bill even after their feud, and hoped they’d patch things up.February 24, 2014 at 12:26 pm #142858
As if Sunday’s tribute could get worse, RIP, truly a comedy legend 🙁February 24, 2014 at 12:29 pm #142859
Groundhog Day is my favourite comedy of all time, and his other films are up there too. A great legacy, RIP.February 24, 2014 at 12:31 pm #142860
As if Sunday’s tribute could get worse, RIP, truly a comedy legend 🙁
Unless they change the normal rules, he’ll be included next year. Usually they makes it about a month before the show. We already have PS Hoffman, Maximilian Schell and Shirley Temple since then.