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Jun 18th 2012, 12:53
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offlineAtypical
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Season finale review: “Girls”—“She Did”: End of the line

A surprise announcement from Jessa throws the girls into turmoil.

by Alan Sepinwall

"Girls" has wrapped up its first season. I did a long interview with Lena Dunham and Jenni Konner again to bookend the pre-season chat we had, and I have a review of the finale coming up just as soon as I blog from a tortilla soup contest.

"What the f-ck is wrong with you?" –Adam

We entered this debut season of "Girls" with Hannah Horvath stuffing her face, unaware that her expectations for her life was about to be blown up by her parents. We end it with Hannah again shoving food into her mouth—this time a piece of cake, which is the only thing she seems to have left after losing her best friend, her boyfriend and even her purse, after falling asleep on the F train. 

"Girls" is a show that never flinched, never worried much about making you like the main characters—even though I developed affection for several of them in spite of their constant screw-ups and selfishness—and instead let them make mistakes, hurt themselves and each other, in a fashion that was at times very funny, at others heartbreaking.

"She Did"—written and directed, like the pilot, by Lena Dunham—had a little bit of everything that made this such a memorable (if divisive) first season. There was, again, the image of Hannah going to town on that cake on the beach at Coney Island. There was another big party that brought all four women together under the same roof, even if they each quickly spun away from each other to deal with their own problems. There was a bold, abrupt, bizarre life change, as Jessa dramatically overreacted to Kathryn's lecture last week and impulsively married Thomas John, the creepy Wall Street guy from episode 8. Elijah came back to verbally spar with both Marnie and Hannah. Ray and Shoshanna reconnected after their misadventures outside the warehouse party, and Ray finally relieved Shoshanna of the pesky virginity problem that had been vexing her all season. And Hannah once more sabotaged herself and misread every signal she was getting from Adam.

spent a good 10 minutes or so of "She Did" just trying to compose myself and accept that Jessa would be marrying Thomas John. This suggests it was either a leap too far, or (more likely) that Dunham did a good job of putting me into the mindset of every guest at that ridiculous wedding, also unable to comprehend that Jessa was marrying anyone, let alone this mash-up-making tool.

I particularly enjoyed Shoshanna's dismayed reaction, less to the wedding itself, than to the realization of just how one-sided her friendship with her cousin has been. Shoshanna tells Jessa every minor detail of her existence; Jessa springs this on her unannounced, which means Shoshanna winds up as That Girl (*) who wears white to someone else's wedding. And because Shoshanna is so distracted by her irritation, Ray offering to take her to bed plays almost like an afterthought at first, until we get to the sweet, amusing scene in the bedroom where he decides he's up for the responsibility of teaching her the ways of lovemaking.

(*) I haven't seen That Girl at every wedding I've been to, but I've seen it often enough to be amused and/or horrified. My favorite was when a guest not only wore a long white dress, but played tremendous box out defense to keep anyone else from getting near the bouquet.

While Shoshanna clearly breaks some of her patterns in the finale, the other women are a mixed bag. You can read Jessa getting married as another impulsive adventure she's gone on without thought to the consequences, and yet it's one where the consequences will be much less avoidable. She leaps into something grown-up (and as Dunham notes in our interview, it's the adult nature of it as much as the surprise and the man she's marrying that freaks everyone out) and won't be able to run away from it as easily as she runs from the other grenades she keeps dropping in the world. Time may be a rubber band, but this marriage seems like it's going to snap back and hit her.

Marnie, meanwhile, deflects Charlie's advances to the point where he has to either commit to them or back out, and he backs out. And rather than pursue her obviously interested ex, Marnie instead decides to try something new—and perhaps to keep aping her new pal Jessa—by seducing Thomas John's friend Thadd (played by Bobby Moynihan).

And Hannah? Hannah does what she always does, it seems, by doing her best to ruin what seems like a great situation. Having already chased away Marnie, she panics at the thought of Adam caring enough to want to move in with her, and instead invites Elijah to take up residence in the vacant bedroom. As you might expect, Adam takes this poorly and tears into her outside the party. And what's amazing is that even in this moment where the guy she cares about deeply is calling her out on her fickleness, her stupidity, and her selfishness, Hannah finds whole new ways to be selfish. She's narcissistic even about her own fears, insisting, "I'm like the most scared person who's alive!"

The minute Adam started wandering back and forth in the street, I began worrying he was about to get the Todd Mulcahy treatment, which would have felt tonally off to a wild degree. Instead, he only got the partial Mulcahy: clipped by a passing van, but mainly providing an excuse to physically separate Adam from Hannah while also showing the havoc she can wreak on the lives of those she cares about.

There are many, many things wrong with Hannah Horvath. And I've enjoyed seeing them all detailed over these 10 episodes—and, on occasion, seeing her better instincts improbably win the day. To borrow a line Ray uses on Shoshanna, "Girls" vibrates on a very strange frequency, yet I can't stop thinking about it half the time.

Now if y'all will excuse me, there's a cupcake waiting for me in the tub.

Some other thoughts:

* You may recall that one of the trailers for the season featured a scene at the coffee shop where Ray tells Hannah, "I could change the world one extremely dumb girl at a time, and when I look at you, I see a pupil," and Hannah smiles and says, "Thank you." That was originally in this episode, but it was running so long, and there was so much plot to deal with, that the scene got cut from the actual show, but the exchange seemed to sum up the series nicely in trailer form, so they kept it there.

* In the interview, Konner and Dunham said they don't like to stunt-cast the show, but they've definitely taken good advantage of recognizable faces, whether it's Chris O'Dowd (who I expect to see a lot more of next season) or Moynihan.

* Elijah's return brings with it some closure on the HPV mystery, and also reveals his boyfriend as a much older man. His presence just can't stop mortifying Hannah, though, between the boyfriend saying he knows of her as "the straw that broke the camel's back" and suggesting that Elijah has described her as looking like Camryn Manheim.

So go read the interview, if you have 18 hours to kill, and then tell me, what did everybody else think?



" . . . for once, I get the feeling that I'm right where I belong"

Jun 18th 2012, 16:04
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What the hell was that?
Jun 18th 2012, 16:07
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offlineeastwest
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The episode before this one was the weakest of the series and that fight scene was outtake worthy. But they came back w/the finale (love the shot of Hannah laying in the bathroom). I thought the final scene w/Hannah coming off the bus would've serve as a "you should've watch the whole season and then comment" to her critics, but it could go either way since they do have Donald Glover coming on. The Adam and Hannah scene was amazing. Was really interested from this series initially b/c of the whole autuer angle and it was the year of the women in TV, but this has become something more than that. An entertaining show. I see Lena Dunham getting actress (never would've said that base on the pilot) and writing nominations. She has four episodes she should consider (the one she tells Adam off in bad makeup, the weekend at her childhood home, this, and I guess the pilot).
Jun 18th 2012, 18:24
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offlineDenis
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That as great finale, spectacular, loved it.

A
Jake M. Johnson, New Girl - Outstanding Supporting Actor in a Comedy Series
Jonathan Banks, Breaking Bad - Outstanding Supporting Actor in a Drama Series
Michael Cudlitz, Southland - Outstanding Supporting Actor in a Drama Series
Jun 19th 2012, 10:29
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Quote by robbypop
What the hell was that?


Dunham's attempt at subverting expectation? Dunham is talented, but she needs to sharpen her skills, attain a clearer cut vision and not just spew acid in no direction and every direction at once. Maybe like her characters she just needs time to grow up.
Jun 19th 2012, 11:07
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She definitely has skills. But it just kind of spews everywhere and rarely hits the target. Audiences are too easily manipulated. She has a hard time establishing tone and creating a consistent atmosphere. Her characters have persoanlity changes for no real reason other than they suit the disjointed and often times pretentious story she is trying to tell. When it lands (hannah's Diary being a perfect example) it really lands. But if you wildly shoot a machine gun towards a target you're bound to hit the bullseye eventually.
Jun 28th 2012, 10:50
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offlineAtypical
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Major casting news for season 2. What this means for Adam Driver remains to be seen.

Exclusive: Patrick Wilson Hooks Up With “Girls”

by Michael Ausiello and Matt Webb Mitovich

A gifted man will enter the orbit—and possibly a bed—of HBO’s “Girls,” now that Patrick Wilson has landed a juicy guest-starring role in season 2 of the talked-about comedy, TVLine has learned exclusively.

Wilson will play Joshua, a fortysomething doctor who lives next door to where Hannah works and becomes a potential love interest to Lena Dunham’s insecure 24-year-old.

Hannah, for the uninitiated, has just come off a season where she pined for, was in a relationship with, and ultimately wasn’t sure how she felt about the enigmatic Adam. Aside from Wilson’s obvious charms, his sexy doc could offer a more mature option for the wannabe writer.



" . . . for once, I get the feeling that I'm right where I belong"

Jul 22nd 2012, 14:52
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offlineTrent
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I just finished watching this entire season on HBO Go (after it was so well-received by the Emmys) and I have quite a bit to say.

First of all, the acting on this show is great, with the exception of Allison Williams (who is simply not an acting talent) and Lena Dunham (who should stick with directing). Zosia Mamet's character is annoying as all hell, but since that seems to be what they're going for, Mamet must be doing a good job. Adam Driver...wow. 90% of his performance is just screaming but his emotion is great. Jemima Kirke's character is my favorite. Some seem to really not like her, but I think it's a great character. She's very real: independent and expressive. She reminds me of my wife.

What bothered me was the seemingly bipolar writing of this show. I blame that entirely on Lena Dunham. Before I continue, please know this: I like Lena Dunham and I am fully aware of her capabilities as a writer. I mentioned this previously but I will repeat: her movie "Tiny Furniture" was genius and should've gotten a screenplay nomination at the Oscars. But her writing here was many, many, many steps down. The mood of every episode felt different and nothing seemed continuous. They pick up the HPV storyline early on and don't refer to it again until the finale, and even then it's barely spoken about. Dunham's goal is to be truthfully ironic, and it doesn't work. This is truthfully not a well-written show. My favorite episode was "Welcome to Bushwick a.k.a. The Crackcident" which was an episode that was written by a different writer who seemed to have a different input on things, allowing it to be better.

Dunham's direction, on the other hand, was spot-on all season. Just like with "Tiny Furniture," Dunham directed in a way that expressed her style without being too pretentious or giving off a "look what I can do!" feel. The season finale was very worthy of its directing nomination (in my opinion the only nomination this show deserved) and I would be OK with it winning (though I think Curb and Louie are ahead of it).

Overall, I would give the first season a C. Hopefully the hiatus will give Dunham time to think about what she really wants to do with this series, and will allow time for both her acting and writing ability to grow. This season did not deserve a best comedy nomination over Louie, Parks and Community, and Dunham should not be up for actress and writing, but I feel like, in a year or two, the show may be deserving of those nominations. The potential is there. 
2013 Emmys FYC
Amy Poehler, Jane Krakowski, Matthew Perry, Martha Plimpton, Louis CK, Nick Offerman, Adam Scott, Garret Dillahunt
Jul 22nd 2012, 15:34
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YOur assessment is spot on Trent.  I feel exactly the same way on every aspect of your evaluation.
Aug 2nd 2012, 10:09
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offlineAtypical
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"Girls" is returning early for season 2! HBO announced that "Girls" will be returning to their schedule in January 2013 (paired with "Enlightened," also returning in January 2013).



" . . . for once, I get the feeling that I'm right where I belong"

Aug 2nd 2012, 10:23
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offlineTV12
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Trent, Lena did write The Crackcident, so obviously you do like her writing in this series.

The best album of the year so far. "Past Gone" is the best song of the year as well. Check out Mike Stud's debut album on iTunes.

Aug 2nd 2012, 14:19
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offlineTrent
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Lena wrote the episode with another writer, and I learned from past writing experiences that having another writer on board with you can change the tone of the overall piece. Whether or not his happened, the episode was a standout and a better character study/actors' piece than the rest of the season.
2013 Emmys FYC
Amy Poehler, Jane Krakowski, Matthew Perry, Martha Plimpton, Louis CK, Nick Offerman, Adam Scott, Garret Dillahunt
Nov 12th 2012, 21:08
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'Girls' Season 3: HBO Series Gets A Third Season, According To Judd Apatow :

http://www.huffingtonpost.com/2012/11/12/girls-season-3-hbo_n_2117810.html