In the Drama Desk Awards nominations announced Thursday, Off and off-off-Broadway productions account for 86 bids while Broadway fare reaped 78 across 26 categories for plays and musicals. Leading the pack with 13 nominations is the Public Theater’s “Hamilton,” which is packing them in downtown and is slated to transfer to the rialto this summer. But it will be hard pressed to win any awards, given the ongoing love affair that these kudos have with Broadway.
In the 11 years that Barbara Siegel has chaired the nominating committee, only 19 of the 282 awards (6.7%) for plays and musicals have been bestowed on shows that ran off-Broadway. Last year was particularily egregious. While such fare accounted for 41% of the nominees (68/165), they were completely shut out of the 27 races. Among the shows blanked was “Fun Home,” the Broadway transfer of which leads our predictions for Best Musical at the Tonys.
This wholesale snubbing is nothing new at these awards that boast of being the only ones to fete productions both on the rialto and elsewhere in the city.
In 2013, Off and off-off-Broadway shows comprised for more than half of the nominees (83 of 152) for plays and musicals at the Drama Desk Awards. However, just one Off-Broadway show — “Here Lies Love” — prevailed winning three of the 25 awards. That was a high profile musical about Imelda Marcos by David Byrne and Fatboy Slim. It won for its music as well as both lighting and production design.
In 2012, they numbered just over half of the nominees (76 of 150) for plays and musicals at the Drama Desk Awards, but claimed just one of the 25 prizes. “Tribes” won Best Play but that race was skewed as all four of the year’s Tony nominees were ineligible at the Drama Desks as they had contended at these kudos for their Off-Broadway runs.
In 2011, they made up more than 40% of the nominees (64 of 151) but won just two of the 26 prizes. Those wins came in two of the creative categories — Best Musical Book (“See Rock City and Other Destinations”) and Best Play Music (“Peter and the Starcatcher”).
In 2010, there was a similar breakdown between Broadway (54%) and off-Broadway (44%) contenders. Yet only three of the 26 winners came from beyond Broadway. One of those wins was by John Kander and the late Fred Ebb for Best Lyrics to “The Scottsboro Boys” which transferred to Broadway later that year. Likewise, the award for Best Musical Book went to “Bloody Bloody Andrew Jackson,” which also moved uptown. The well-financed Lincoln Center Theater production of “When the Rain Stops Falling” won Best Play Sound Design.
When non-Broadway nominees have managed to prevail, they tend to have prestigious reputations, as was the case with the winner of Best Play in 2009. “Ruined” had already claimed the Pulitzer Prize and the New York Drama Critics Circle Award. Among the other non-Broadway champs that year was “Road Show,” which won Best Lyrics for seven-time Tony champ Stephen Sondheim. At those 2009 awards, Broadway shows accounted for a staggering 102 of the 161 nominations (63%) and claimed 21 of the 26 prizes.
In 2008, just 84 of the 158 nominations (53%) went to Broadway productions, but 25 of the 26 eventual winners for plays and musicals came from there. The sole exception was the award for Best Featured Play Actress, which went to Tony champ Linda Lavin (“Broadway Bound”) for “The New Century.”
In 2007, Broadway shows accounted for 98 of the 158 nominations (62%) and 25 of the 26 winners. The one outlier: Andy Blankenbuehler, choreographer of the off-Broadway run of “In the Heights.” Just how bad was this bias in favor of Broadway? In the Best Play Actress race Eve Best was the sole nominee appearing in a Broadway production — “A Moon for the Misbegotten” — and she won.
In 2006, Broadway shows only accounted for 67 of the 144 nominations (47%), but they took 23 of the 25 awards.
In 2005, Broadway pulled off a clean sweep, winning all 25 awards, with 80 of the 148 nominations (54%).
And in Siegel’s first year at the helm back in 2004, Broadway shows received 80 of the 137 nominations (58%) and won 24 of the 25 awards.