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2021/2022 Film Awards (Part 5)

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    Manav
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    Dec 21st, 2019
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    #1204753791

    It’s still a thriller. It’s not missing editing

    Yes. I’m not saying it doesn’t have editing,all I’m trying to say is that the editing is not Flashy and the Academy LOVES flashy editing.

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    Butz
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    Oct 15th, 2020
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    #1204753797

    It’s funny how people (not here though) were so confident about TPOTD missing editing at the beginning of the season… Look at where we are now.

    The Editing/Picture winner stat is soooo strong.

    Letterboxd: Ray_In_Bruges

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    snowball
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    Nov 20th, 2021
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    #1204753799

    It’s annoying how you can’t even comprehend an editing snub for TPOTD and it’s comparison to Sound of metal makes little sense considering Sound of Metal was the frontrunner for Sound and Sound frontrunners rarely miss editing.

    It’s annoying how you keep undermining POTD just because you want Belfast to win. POTD is not missing Editing.

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    M
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    Sep 27th, 2017
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    #1204753814

    It’s interesting how we initially thought HoG would bomb with BAFTA but do better with American guilds, but the opposite happened lol.

    I think most of the ACE nominees weren’t even longlisted for BAFTA, whereas Gucci was?

     

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    Manav
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    #1204753822

    It’s annoying how you keep undermining POTD just because you want Belfast to win. POTD is not missing Editing.

    I do want Belfast to win but TPOTD is my #2 pick for BP and so there’s clearly not a big bias between the two. Belfast is not winning editing for sure. It’s Dune all the way. All I’m doing is trying to analyse facts without any bias. If you’ve been paying attention to Editing awards recently, it highly correlates to sound and tends to prefer flashier films.

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    Stefania
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    Feb 22nd, 2021
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    #1204753825

    Now you gotta pray that WSS doesn’t miss WGA as well! What a mess!

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    kbc
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    Sep 16th, 2021
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    #1204753836

    IDK about that. It couldn’t even get longlisted in a field of 15 at the BAFTAs…

    But then we see WSS made the Bafta longlist fwiw, and yet the storied cutter Michael Kahn couldn’t push past KR’s Pamela Martin at the Eddies – indicative of some softness, perhaps?

    I’d sense WSS fans would prefer the scenario of an ACE nom and a Bafta longlist whiff than the opposite. 🤷 This isn’t exactly inspiring confidence that WSS is destined for Baftas’ editing shortlist.

    FYC
    Best Picture: "Showing Up" (A24); “Bones & All” (MGM/UA)
    Best Director: Kelly Reichardt; Luca Guadagnino
    Best Actress: Michelle Williams; Taylor Russell
    Best Actor: Timothee Chalamet
    Best Supporting Actress: Hong Chau, Heather Lawless, Amanda Plummer; Chloe Sevigny
    Best Supporting Actor: Judd Hirsch, Andre Benjamin, John Magaro; Mark Rylance, Andre Holland, Michael Stuhlbarg
    Best Original Screenplay: Kelly Reichardt, Jonathan Raymond
    Best Adapted Screenplay: David Kajganich

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    Manav
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    Dec 21st, 2019
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    #1204753848

    I think Spielberg is safe for DGA but holy shit if he misses there (which I’m not predicting for all the world), WSS is gone

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    NevadaR
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    Jan 13th, 2018
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    #1204753868

    Some people sure don’t understand this category. The BP frontrunners rarely miss here. I think Dune, POTD and Belfast are all pretty safe. And then it’s up for grabs. Let’s wait for BAFTA.

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    Manav
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    #1204753883

    The BP frontrunners rarely miss here.

    That’s a solid argument.

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    Manav
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    Dec 21st, 2019
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    #1204753889

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    TomJerry
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    Oct 4th, 2020
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    #1204753894

    I don’t really understand whats happening with WSS. This is not good.

    Disney’s fault.

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    kbc
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    Sep 16th, 2021
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    #1204753900

    I think Spielberg is safe for DGA but holy shit if he misses there (which I’m not predicting for all the world), WSS is gone

    For an ambitious, warmly received musical from Steven Spielberg, WSS’s following up its snubs in SAG ensemble and ASC with this omission at ACE/Eddies is certainly chilling .. we’ll see how WGA and DGA pan out for the film.

    FYC
    Best Picture: "Showing Up" (A24); “Bones & All” (MGM/UA)
    Best Director: Kelly Reichardt; Luca Guadagnino
    Best Actress: Michelle Williams; Taylor Russell
    Best Actor: Timothee Chalamet
    Best Supporting Actress: Hong Chau, Heather Lawless, Amanda Plummer; Chloe Sevigny
    Best Supporting Actor: Judd Hirsch, Andre Benjamin, John Magaro; Mark Rylance, Andre Holland, Michael Stuhlbarg
    Best Original Screenplay: Kelly Reichardt, Jonathan Raymond
    Best Adapted Screenplay: David Kajganich

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    Film_guy
    Joined:
    Aug 14th, 2021
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    #1204753928

    I do want Belfast to win but TPOTD is my #2 pick for BP and so there’s clearly not a big bias between the two. Belfast is not winning editing for sure. It’s Dune all the way. All I’m doing is trying to analyse facts without any bias. If you’ve been paying attention to Editing awards recently, it highly correlates to sound and tends to prefer flashier films.

    You have a very good point but the sheer force of the frontunner status might get Power of the dog the Editing nomination in the end.

    For Your Consideration

    The Lost Daughter - Olivia Colman, Jessie Buckley

    Cruella- Costumes and Makeup

    Licorice Pizza - Screenplay

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    Manav
    Joined:
    Dec 21st, 2019
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    #1204753979

    You have a very good point but the sheer force of the frontunner status might get Power of the dog the Editing nomination in the end.

    Thanks and I get your point. I’ll surely predict it to get the nomination.

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