-
-
Do ‘Everything Everywhere,’ ‘Northman’ and ‘Unbearable Weight’ Offer More Action Than Awards Voters Can Handle?
Leonardo DiCaprio and Jesse Plemons' awards campaigns for Martin Scorsese's 'The Killers of the Flower Moon' from Apple are confirmed
https://t.co/Lv9SCnsYe6 @variety— Clayton Davis – Stand with 🇺🇦 (@ByClaytonDavis) April 22, 2022
congrats to plemons in advance
Paul Dsano – The Batman
Ralph Fiennes – The Menu
Viggo Mortensen – Crimes of the Future
Mark Rylance – The EWay of The Wind
Mark Strong – TAR2023 Oscar
Best Picture: Holy Spider
Best Director: Decision to Leave
Best Actress: Cate Blanchett
Best Actor: Brendan Fraser
Best Supporting Actress: Olivia de Leon
Best Supporting Actor: Ke Huy Quanhttps://platform.twitter.com/widgets.js
congrats to plemons in advance
The truth behind his musings makes me angry.
The Sunne in Splendour.
I prefer my roses white1. Willem Dafoe
2. Ralph Fiennes
3. Jesse Plemons
4. Glynn Turman
5. Paul Dano
6. Woody Harrelson
7. Mark Ruffalo
8. Robert De Niro
9. Seth Rogen
10. Anthony Hopkins [The Son]FYC
Best Picture: "Aftersun" (A24); “Bones & All” (MGM/UA)
Best Director: Charlotte Wellls; Luca Guadagnino
Best Actress: Frankie Corio; Taylor Russell
Best Actor: Paul Mescal; Timothee Chalamet
Best Supporting Actress: Chloe Sevigny
Best Supporting Actor: Mark Rylance, Andre Holland, Michael Stuhlbarg
Best Original Screenplay: Charlotte Wells
Best Adapted Screenplay: David Kajganich1. Willem Dafoe 2. Ralph Fiennes 3. Jesse Plemons 4. Glynn Turman 5. Paul Dano 6. Woody Harrelson 7. Mark Ruffalo 8. Robert De Niro 9. Seth Rogen 10. Anthony Hopkins [The Son]
I have noticed in this and in a lot of other lists of yours, how you have chosen not to include anyone from EEAAO in Top 10! Not even the film or other aspects of it. Any reason for the deliberate omission?
I have noticed in this and in a lot of other lists of yours, how you have chosen not to include anyone from EEAAO in Top 10! Not even the film or other aspects of it. Any reason for the deliberate omission?
The movies trash lol
A little bit of Magic never hurt anybody.
~ MYSTIC
I can’t lie. My feeling is with Everything Everywhere All At Once is that I’m gonna have to watch it to figure out if it will get in at the Oscars. (I live in the UK)
Same applies for The Batman, which I haven’t seen either (even though it’s had a full cinematic run), although I fully expect The Batman to have lower prospects.
For me, I’m thoroughly convinced someone from Killers Of The Flower Moon gets in. It’ll probably be DeNiro, who has a very good definitely supporting role. And it’s a Scorsese film, so if he were to get nominated again it would be for one of his films. Also, if he’s good in Canterbury Glass, that’ll give him an edge. (I think there’s a very low chance he gets in for supporting in that film. Practically zero. They’ll push JDW instead.) I can see both getting in based on the statistic of 2 people from the same film getting into one supporting category from 2017 onwards. Could be The Father (Dern/Kirby), Babylon (Brad Pitt/someone else), The Fabelmans (Rogen/Dano) or anyone really, but Scorsese’s film is probably going to be an awards player. Only two of his films since the turn of the millennium haven’t – Shutter Island and Silence. Shutter Island was a psychological thriller released in March, which has become a cult classic over time – not the sort of film that gets awards recognition. Silence was a biblical epic and more of an artistic endeavour for Scorsese. Killers Of The Flower Moon fits his more Oscar-friendly style that he can do.
My feeling is that they end up campaigning Hugh Jackman here, but I could be totally wrong. It would probably be category fraud, but Jackman 100% wins here if his main competition is DeNiro and Brad Pitt, as Jackman has never won before. Ke Huy Quan could win here, but that really depends on how strong the film ends up being when the Oscars happen. It could maintain momentum. It might not. I don’t know. I might when I see the film.
I think Brad Pitt stands a reasonable chance of winning in a funny way I feel. Waltz and Ali both won double Oscars very close together. Babylon will provide the type of movie-star role in which Pitt thrives. Just how Waltz and Ali were cast in roles they thrive in which few other actors couldn’t.
Currently, he’s my bet for the winner, but it’s a soft bet and I fully expect to be proven wrong here.
Supporting categories have become such an easy way to reward underdog films. These are where the inspired wins come from, especially recently (DeBose, Youn, Kotsur, King, Kaluuya, the list goes on…).
Right now, this field may not be as deep as it seems. Plemons will be back again, ideally for a lead role DiCaprio can’t take away from him. Dano could too. Pitt’s not winning again so soon. DeNiro has to deal with Plemons, who has lead-level screentime. Defoe stands out as someone everyone would like to see get an Oscar but I’m doubtful about Poor Things as a vehicle.
If you look at Ke Huy Quan’s story, the fact that he’s still buddies with Spielberg and could get some support there….I just think he could do it unless someone has a sleeper superstar performance. It could be a Nyong’o/Lawrence type of race.
Supporting categories have become such an easy way to reward underdog films. These are where the inspired wins come from, especially recently (DeBose, Youn, Kotsur, King, Kaluuya, the list goes on…).
My early NGNG pick in Supporting Actor is Frankie Faison for ’Till’ in which he plays Emmitt Till’s grandfather, who is the father of Danielle Deadwyler’s character and husband of Whoopi Goldberg’s. He’s a long time widely respected stage actor (back in 1974 he was nominated for a Tony as Best Featured Actor opposite James Earl Jones in the original Broadway cast of Fences) and last year won the Gotham Award for Best Actor in a Film in the deserving but under seen “The Killing of Kenneth Chamberlain.” He’s appeared in tons of memorable movies, including “Coming To America,” “Do the Right Thing,” and “Mississippi Burning,” but might be best remembered as Commissioner Burrell in “The Wire.” See https://youtu.be/lt0xkap-m6Y Not only do I anticipate a great performance from him, but nominating Frankie Faison for “Till” could be a way to reward this underdog film, especially if Deadwyler and Goldberg aren’t nominated in what appears to be the deeper Best Actress and Best Supporting Actress categories.
Not only do I anticipate a great performance from him, but nominating Frankie Faison for “Till” could be a way to reward this underdog film, especially if Deadwyler and Goldberg aren’t nominated in what appears to be the deeper Best Actress and Best Supporting Actress categories.
That’s worth pointing out since Faison could end up on a BAFTA longlist too. Till, and Rustin for similar reasons, seem like potential SAG Ensemble contenders. If one or both could land there, some of their supporting stars could rise up.
I am a bit on the fence about how The Son will be received. I often feel when a director comes from a successful film, there are a lot of expectations from them. More so when you are making a film similar thematically or when the title is same with your previous, there are bound to be comparisons.
If The Son does get an overwhelming response, I won’t hesitate to put Zen McGrath in my predictions. The film is about Hugh’s character but it also seems to be so much about the relationship story of a father and son. He will get his moments to shine
I am a bit on the fence about how The Son will be received. I often feel when a director comes from a successful film, there are a lot of expectations from them. More so when you are making a film similar thematically or maybe just by title with your previous, there are bound to be comparisons. If The Son does get an overwhelming response, I won’t hesitate to put Zen McGrath in my predictions. The film is about Hugh’s character but it also seems to be so much about the relationship story of a father and son. He will get his moments to shine
the academy has shown that they ^prefer underdogs in picture , screenplays even sometimes in acting so if the movie successes like the father , Zen mcgarth can pull a marina de tavira
Ke Huy Quan is coming to win this. That amazing performance plus that undeniable narrative.
My current predictions (but not preferences, which I don’t have yet, especially since I haven’t yet seen any of these performances):
1 Paul Dano- The Fabelmans
2 Jesse Plemons- Killers of the Flower Moon
3 Glynn Turman- Rustin
4 Ke Huy Quan- Everything Everywhere All at Once
5 Frankie Faison- Till
The topic ‘2023 Oscars: Best Supporting Actor (Part 1)’ is closed to new replies.
