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It’s nice to see her being recognized!
Stephanie Hsu will receive the George Gund III Award: Breakthrough Performance at the 2022 SFFILM Awards. pic.twitter.com/liTI64UsZf
— Film Updates (@FilmUpdates) November 29, 2022
Academy take notes!
I think we’ll soon see Hsu being swallowed by Marvel or DC.
Hopefully Marvel. DC is a mess.
If DC, I hope it’s for something like Joker or The Batman. The more standalone, outside the main universe stories. Even better than Marvel.
She may not even been nominated. Not with the toxic buzz of “the worst wide opening film in years” (Fair or not). And with the think articles about how that film needs Tom McCarthy.
It’s lone adapted screenplay or bust for She Said.
Hun, didn’t the Spielberg film do similar at the box office lmao.
With such a weak race with a bunch of nobody care performances. Carey Mulligan overdue status can easily win her the Oscar like Jessica Chastain last year when everyone said the same thing.
In the past few years especially it’s becoming the consolation prize for the the likely 3rd-4th place best picture winner that was probably 2nd-3rd place in a bunch of categories. Who’s going to fit that bill this year? Banshees? Women Talking?
Hun, how was The Danish Girl and If Beale Street 3rd-4th place BP when they weren’t even nominated and still won supporting actress. Lmao
This is a good case for Mulligan hun whose film might not be in Bp and still win her the supporting actress prize.
Well Anne Thompson has declared her favorite.
Oscar Contender Jessie Buckley Is the One Who Pops in ‘Women Talking’ — Here’s Why https://t.co/Gq8fOgxcOx via @indiewire
— Anne Thompson (@akstanwyck) November 29, 2022
Well Anne Thompson has declared her favorite.
This Jesse vs Foy debate won’t ever end!
I don’t see a clear frontrunner (though right now the consensus seems to be Buckley)
Honestly the more pundits try to push Jessie Buckley and Jamie Lee Curtis as THE frontrunners in this race the more I actually question whether they’re getting nominated.
FYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
Honestly the more pundits try to push Jessie Buckley and Jamie Lee Curtis as THE frontrunners in this race the more I actually question whether they’re getting nominated.
The pushing of Buckley never felt organic. Ultimately the critics are going to prop up one over the other. I’m interested in what could happen with NYFCC on Friday since it seems unlikely that Women Talking will come up blank there.
I still think Foy might have more critics appeal for her actual scenes even though Buckley’s arc might be more audience friendly.
The pushing of Buckley never felt organic. Ultimately the critics are going to prop up one over the other. I’m interested in what could happen with NYFCC on Friday since it seems unlikely that Women Talking will come up blank there.
Interesting. I think NYFCC will go with Hong Chau, in part because she’s so good, but also because it’s a way of drawing attention to two different movies, both The Whale and The Menu. If not her, then I think they’ll go with Kerry Condon.
Interesting. I think NYFCC will go with Hong Chau, in part because she’s so good, but also because it’s a way of drawing attention to two different movies, both The Whale and The Menu. If not her, then I think they’ll go with Kerry Condon.
I’m including the potential of runner-up listings too with Women Talking. I do see one of the trifecta propping Chau for the reasons you mention. The timing is fantastic with The Menu coming out and she was fantastic.
I’m including the potential of runner-up listings too with Women Talking. I
I think Women Talking will wind up getting shut out by NYFCC, primarily because I think the WT actresses will wind up splitting the vote; not only Foy and Buckley (and maybe Mara as supporting) will be getting consideration, but also Judith Ivey and Sheila McCarthy, both of whom have appeared to acclaim on the NY stage.
I think Women Talking will wind up getting shut out by NYFCC, primarily because I think the WT actresses will wind up splitting the vote; not only Foy and Buckley (and maybe Mara as supporting) will be getting consideration, but also Judith Ivey and Sheila McCarthy, both of whom have appeared to acclaim on the NY stage.
I think so too. It might still have a shot in Screenplay but I reckon they would rather give it to Banshees or Tar. Following some of the critics on Twitter and these are the movies they are raving the most about in terms of writing.
I’m going to predict Stephanie Hsu until the end knowing that she looks less likely to get any precursor recognition every passing day.
I could see her missing Globe, SAG, and BAFTA and still show up on nomination morning.
EEAAO is going to be carried in by the young constituency of the Academy.
Even around here, I noticed there’s a lot of people that are placing her at #2 in their personal lineups. If she has a bad precursor run, I think there’s a world where the young, passionate supporters of the film within the Academy strategically shift her up to #1 on their ballots.
Similar to how last season where I believe Kristen Stewart’s miss at SAG helped her by lighting a fire under her supporters to make sure she got in. I’d like to think the same could happen for Hsu.
The pushing of Buckley never felt organic. Ultimately the critics are going to prop up one over the other. I’m interested in what could happen with NYFCC on Friday since it seems unlikely that Women Talking will come up blank there.
It’s not even the push for Buckley that makes them look ridiculous (she’s an excellent actress and was very good in the film and could very well end up receiving the most recognition from the film) but rather the idea that she’s the “consensus pick” of the film as if she’s the only actor in it who has received strong notices or that their opinion is universal. I mean I think Claire Foy is one of our best actors today and gives the best performance in Women Talking. I’m not going to lie to myself and suddenly say that she’s the clear choice of the film when the critical consensus and reactions from people who have seen the film is all over the place and the film has been recognised with more ensemble awards than for any of the actors individually so far.
It reminds me of when Dowd was being so actively pushed for Mass even though Plimpton had the stronger reviews or when Dornan was being shoved in people’s throats by pundits for Belfast over Hinds. Thankfully the industry has developed enough sense over the past few years to go with who they want to see recognised as opposed to who pundits are telling them to recognise.
FYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
Darling, I wonder if Hsu and her fighting dildos could Cruz or De Tavira her way into the final lineup. It’ll be so wonderful to see.
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