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March 27, 2023 at 11:44 am #1205365805
WE HAVE A RELEASE DATE (A THEATRICAL RELEASE DATE)
omg I am so excited
ReplyCopy URLMarch 29, 2023 at 6:05 am #1205367866ASTEROID CITY
A film by Wes Anderson
Only in theaters June 16 pic.twitter.com/gbT8MiJLRH— Asteroid City (@AsteroidCity) March 29, 2023
March 30, 2023 at 5:00 am #1205368846what do you think of the holodvers awards chances some people are comparing it to the green book but Payne doesn’t make movies like that lmao
ReplyCopy URLMarch 30, 2023 at 7:58 am #1205369053what do you think of the holodvers awards chances some people are comparing it to the green book but Payne doesn’t make movies like that lmao
Seems baity enough and it looks way better than Green Book but it remains to be seen. I expect the best from Giamatti. He really elevates any material.
ReplyCopy URLMarch 30, 2023 at 8:39 am #1205369089One of the questions on my mind for Best Picture 2023 is: where are Disney’s contenders? Across WDP, 20th, and Searchlight, the roster looks thin.
Reviews for Chevalier are good but not that good. Reviews for Magazine Dreams are better but it sounds like a harrowing watch, which would have made it a tough sell for Best Picture even without the Jonathan Majors situation.
Pixar films used to get into the expanded BP slate, but they’ve fallen off in recent years and Elemental doesn’t look likely to reverse that trend.
Marvel and Lucasfilm–I guess Guardians of the Galaxy 3 or Dial of Destiny could get in if they’re really, really good and if they make Top Gun: Maverick levels of money. But it’s hard to imagine them going where their immediate predecessors didn’t, in terms of the Oscars.
Can’t rule out True Love but we know nothing at all about it. Maybe that’s a sign of confidence? Or maybe the opposite.
So I’m left reserving a BP slot for Next Goal Wins, the only one on the slate that I can see getting a BP nom without doing too many mental gymnastics. But even then, it seems like a “Picture, Screenplay, and that’s it” kind of nominee, doesn’t it? Where else would it get nominated?
Weird year for Disney.
ReplyCopy URLMarch 30, 2023 at 9:02 am #1205369120<p style=”text-align: right;”>
One of the questions on my mind for Best Picture 2023 is: where are Disney’s contenders? Across WDP, 20th, and Searchlight, the roster looks thin. Reviews for Chevalier are good but not that good. Reviews for Magazine Dreams are better but it sounds like a harrowing watch, which would have made it a tough sell for Best Picture even without the Jonathan Majors situation. Pixar films used to get into the expanded BP slate, but they’ve fallen off in recent years and Elemental doesn’t look likely to reverse that trend. Marvel and Lucasfilm–I guess Guardians of the Galaxy 3 or Dial of Destiny could get in if they’re really, really good and if they make Top Gun: Maverick levels of money. But it’s hard to imagine them going where their immediate predecessors didn’t, in terms of the Oscars. Can’t rule out True Love but we know nothing at all about it. Maybe that’s a sign of confidence? Or maybe the opposite. So I’m left reserving a BP slot for Next Goal Wins, the only one on the slate that I can see getting a BP nom without doing too many mental gymnastics. But even then, it seems like a “Picture, Screenplay, and that’s it” kind of nominee, doesn’t it? Where else would it get nominated? Weird year for Disney.
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There’s also Poor Things from Searchlight and the Bikeriders from 20th centuryMarch 30, 2023 at 9:48 am #1205369172<p style=”text-align: right;”>
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There’s also Poor Things from Searchlight and the Bikeriders from 20th centuryGood call on The Bikeriders! It passed me by that that was 20th. Poor Things, I have to admit, I was dismissing out of hand as too weird for BP–but maybe that’s not a thing anymore!
ReplyCopy URLMarch 31, 2023 at 2:50 pm #1205370897The Academy is reportedly thinking of potentially adding a new theatrical distribution requirement for films to be eligible for Best Picture at the Oscars.
Films will need to play in theaters in 15 or 20 of the top 50 markets in the US to be eligible.
(https://t.co/9jjmTdPio6) pic.twitter.com/iggFB1SE0P
— Film Updates (@FilmUpdates) March 31, 2023
ReplyCopy URLFYC:
Everything Everywhere All At Once in every eligible category
Hold My Hand - Lady Gaga for Best Original Song
March 31, 2023 at 3:30 pm #1205370916I wholeheartedly agree with this. Streamers shouldn’t just get to have them in theaters in LA and NY for a couple weeks and qualify for Oscars. It should be a bit more across the country.
ReplyCopy URLEmmys FYC:
Comedy: The Bear, Cunk on Earth, Only Murders in the Building, Reservation Dogs
Drama: The Last of Us, Stranger Things
Limited/Movie:
March 31, 2023 at 4:04 pm #1205370928In terms of helping out the theater industry, there’s a lot of value in this concept. It will prevent nonsense like The Son being in like 2 theaters for 1 week just so it can qualify for 2022. Streamers should pay their fair share. Releasing something like Don’t Look Up or Power of the Dog a month prior to its streaming release could even help a lot of struggling local indie/arthouse theaters. The only downside is that it might not help the international or really indie films out there. Would something like Drive My Car, which opened in November & only increased theaters because of awards buzz, have been able to qualify if it had been a later release?
ReplyCopy URLMarch 31, 2023 at 7:18 pm #1205373062Do we know whether this new rule would apply only to qualifying for Best Picture Oscar nominations, or would it also apply to Acting and Directing nominations, etc. If the proposed new rule is also applied to the acting categories, a performance like Andrea Riseborough’s would never have qualified for a nomination.
ReplyCopy URLMarch 31, 2023 at 7:43 pm #1205373076Do we know whether this new rule would apply only to qualifying for Best Picture Oscar nominations, or would it also apply to Acting and Directing nominations, etc. If the proposed new rule is also applied to the acting categories, a performance like Andrea Riseborough’s would never have qualified for a nomination.
i think only best picture
ReplyCopy URLMarch 31, 2023 at 8:50 pm #1205373093Pre-Cannes April predictions. Assuming Blitz is 2024.
Picture –
1. Killers of the Flower Moon
2. The Color Purple
3. Past Lives
4. Dune: Part Two
5. Oppenheimer
6. Maestro
7. The Holdovers
8. Barbie
9. Air
10. SaltburnDirector –
1. Martin Scorsese, Killers of the Flower Moon
2. Christopher Nolan, Oppenheimer
3. Blitz Bazawule, The Color Purple
4. Celine Song, Past Lives
5. Alice Rohrwacher, La Chimera6. Greta Gerwig, Barbie
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7. Denis Villeneuve, Dune: Part II
8. Hayao Miyazaki, How Do You Live?
9. David Fincher, Killer
10. Emerald Fennell, SaltburnApril 1, 2023 at 6:05 am #1205373293This is how we can make Jack Black an Oscar nominee:
In the film, Bowser has an unexpected musical background, which wasn’t in the first draft of the script. Bowser sings a song called “Peaches,” which Black put his spin on alongside writers Horvath, Jelenic, ERIC OSMOND and Black’s longtime collaborator and engineer, JOHN SPIKER. pic.twitter.com/qRKnc3EYHH
— UNIVERSAL ANIMATION NEWS (@UniAniNews) March 28, 2023
April 1, 2023 at 12:06 pm #1205373513IMDb was updated today: Blitz wrapped filming this week and is now in post production.
We still don’t know whether the movie will be completed in time to be involved in this year’s awards season. Given that Killers of the Flower Moon has finally been completed, Apple might want to hold Blitz for next year. But with this news, it seems at least possible that Blitz and Steve McQueen should be added to prediction lists that have omitted them. We’ll see.
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