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May 27, 2022 at 4:52 am #1204965140
Cronenberg is not winning anything. What’s with the confidence? Even people who like his work and aren’t weirded out by his offering, had a lukewarm response to the film.
The reception for Crimes of the Future, while not amazing, was mostly positive. Cronenberg can perfectly win Director. We have seen far less acclaimed movies winning awards at Cannes.
ReplyCopy URLMay 27, 2022 at 4:55 am #1204965149Cronenberg is not winning anything. What’s with the confidence? Even people who like his work and aren’t weirded out by his offering, had a lukewarm response to the film.
Calm down, it was just a question lol but I don’t think it’s impossible for the jury gives something to the movie and the only place I see is Best Director but Park seems most likely.
ReplyCopy URLMay 27, 2022 at 4:59 am #1204965153Broker is at the bottom on the Screen Jury ratings with a 1.9 (same score as Stars at Noon). Did not see that coming…
ReplyCopy URLMay 27, 2022 at 5:02 am #1204965156Broker is dead last on the Screen Jury ratings with a 1.9 (same score as Stars at Noon). Did not see that coming…
Neon rn is facing the prospect of as rough an awards season as two years ago when its best shot was busted bait Ammonite. The place is getting outplayed by closest rival A24, which has mitigated the disappointment around Stars at Noon with speedy pickups of Aftersun and Close.
ReplyCopy URLFYC
Best Picture: "Showing Up" (A24); “Bones & All” (MGM/UA)
Best Director: Kelly Reichardt; Luca Guadagnino
Best Actress: Michelle Williams; Taylor Russell
Best Actor: Timothee Chalamet
Best Supporting Actress: Hong Chau, Heather Lawless, Amanda Plummer; Chloe Sevigny
Best Supporting Actor: Judd Hirsch, Andre Benjamin, John Magaro; Mark Rylance, Andre Holland, Michael Stuhlbarg
Best Original Screenplay: Kelly Reichardt, Jonathan Raymond
Best Adapted Screenplay: David KajganichMay 27, 2022 at 5:09 am #1204965168Broker is dead last on the Screen Jury ratings with a 1.9 (same score as Stars at Noon). Did not see that coming…
I didn’t see your comment, sorry, but yes, I was thinking in something like 2.5 but it’s too low.
ReplyCopy URLMay 27, 2022 at 5:57 am #1204965187🕯 praying for Michelle Williams to be as good as usual and to get the trophy 🕯
ReplyCopy URLMay 27, 2022 at 6:50 am #1204965226So nervous for Showing Up reviews, especially after the disappointment of Stars at Noon.
ReplyCopy URLEmmy FYC:
Chloë Sevigny in “The Girl From Plainville” and “Russian Doll”
May 27, 2022 at 7:16 am #1204965249So nervous for Showing Up reviews, especially after the disappointment of Stars at Noon.
Same. Really hope it gets very good reviews and Michelle gets stellar notices.
ReplyCopy URLMay 27, 2022 at 7:57 am #1204965278Shall we start a club for Michelle Williams stans? Lol haven’t really seen that one here
ReplyCopy URLMay 27, 2022 at 7:59 am #1204965280So nervous for Showing Up reviews, especially after the disappointment of Stars at Noon.
As soon as I read the plot I thought on Colonia, that awful movie starring Emma Watson, and I knew that MQ’s chances at winning were gone.
ReplyCopy URLMay 27, 2022 at 8:53 am #1204965374Del Toro raving about Elvis is disturbing. Wonder how much $$ he got from that.
ReplyCopy URLMay 27, 2022 at 10:02 am #1204965444Showing Up First Reactions
Isaac Feldberg: Kelly Reichardt sets Michelle Williams down in Portland’s art scene, lingering there to capture a community’s daily chaos as not simply a distraction from art but a font of creativity itself. Gentle, good-humored, absurdly great actors in every frame. I loved!
FilmLand Empire: Kelly Reichardt here at her most seemingly mundane yet most richly evocative perfectly captures the daily life of an artist and her simmering frustrations. Quietly affecting with an outstanding Michelle Williams. Film of the fest/year!
Tim Grierson: If I was on the Cannes competition jury, my vote for the Palme d’Or would go to Kelly Reichardt’s terrific new film.
David Jenkins: Kelly Reichardt’s Showing Up is Ordet in a liberal arts college. Michelle Williams stunning as after-hours sculptor with a naughty cat. An ambient “portrait of an artist” movie like no other, and surely as close to KR autobiog as we’ve had thus far. Funny too.
David Ehrlich: Michelle Williams is a stressed Portland artist who finds herself caring for a wounded pigeon in a Kelly Reichardt comedy so feather-light it makes Wendy & Lucy seem like a David Lean epic, but it all rings sharp & true.
Martyn Conterio: Kelly Reichardt’s Showing Up is a wee gem about class, money, creativity and rivalry. Hong Chau is ace as a flakey landlord and artist.
Jordan Farley: Kelly Reichardt’s lovely, low-key portrait of a sculptor preparing for an art show while nursing a pigeon. Great on the frustration of creation and professional jealousy, but a relatively slight Reichardt/Williams reunion.
Juan Barquin: Reichardt sculpts a lovely portrait of a woman living too close to the fire, so close to burning out. Life, family, work, art, landlords, friends, rivals, nature, and time (or lack thereof) all constantly draining us, but we keep existing for minor moments of beauty.
Catherine Bray: Had a really lovely time with the new Kelly Reichardt film Showing Up – the deceptively muscular but low-key work from all involved makes deft insights into the way that success intersects with our sense of self feel soft and sweet and effortless.
Christer Emanuelsson: Kelly Reichardt’s Showing Up is a different animal. After all the emotionally overwrought films that polluted the competition, it’s a relief to enjo a work that Dhont try to wring out sentimentality from every scene. Funny, humanistic, and made with a rare precision.
Jason Gorber: I was swayed by SHOWING UP, a very well realized film that kind of floats along. Broken people making broken art and trying to wrap it up so that it will fly. In other hands it would be appalling, but Reichardt/Williams infuse the socks/sandals aesthetic with style
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