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1917 was definitely liked by the Oscars with it overperforming with a screenplay nom.
Only three technical awards, and that Screenplay nom in fact hasn’t aged well.
Leave No Trace was highly acclaimed too, doesnt mean it wins BP or Director.
It doesn’t have 97 on Metacritic though. It also wasn’t the main push for its studio, and certainly didn’t win the big prize of two of the biggest film festivals of the world. It also wasn’t released in a pandemic year.
Only three technical awards, and that Screenplay nom in fact hasn’t aged well.
that screenpkay nom got called out for being wack on nomination MORNING lol
FYC: Riz Ahmed + Paul Raci (Sound of Metal)
Sidney Flanigan (Never Rarely Sometimes Always)
Youn Yuh-jung (Minari)It would be slightly insulting if Fincher won Best Director when he allowed something this fucking stupid to happen:
FYC:
Picture: Nomadland
Director: Chloe Zhao
Leading Actress: Frances McDormand
Leading Actor: Anthony Hopkins
Supporting Actress: Olivia Colman
Supporting Actor: Daniel Kaluuya
Adapted Screenplay: The Father
Original Screenplay: MinariDoesnt look like Mank is having the opening day, it had expected.
Also if ammomite gets released in a forest, does anyone hear it?
Only three technical awards, and that Screenplay nom in fact hasn’t aged well.
Yes, but it still over performed in nominations and walked away with three wins which is more wins than Once Upon a Time, Marriage Story, The Irishman, JoJo Rabbit, Joker, Little Women, and FvF had. So I’m not sure what your point is. The Oscars hated it so much they gave it a throwaway screenplay nom and more wins than most of the other nominees???
Make it make sense.
My profile on Letterboxd https://letterboxd.com/Icecreamb
But at least OUATIH managed to win something more substantial and relevant like Supporting Actor and Production Design (the most relevant for 1917 was only Cinematography, and many people were taken aback by the undeserved 1917 win in Visual Effects).
Anyway, I end the argument here.
All these movies are aging better than 1917 regardless of the award campaigns of the moment.It would be slightly insulting if Fincher won Best Director when he allowed something this fucking stupid to happen: https://twitter.com/_katiestebbins_/status/1335309317227032578?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1335309317227032578%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fawardsworthy.org%2Fshowthread.php%3F49436-David-Fincher-to-direct-Gary-Oldman-in-B-amp-W-Mank%2Fpage160
Universal already did The phantom of the opera 5 years prior, and it had the rights to Dracula, so they were the studio to make those kind of films. And Frankenstein is very popular book, while The wolf man was made by MGM in 1924 I think. And even so, why would it be insulting?
The more I think about Mank, the more I hate it. Much like Da 5 Bloods and the Chicago 7.
My profile on Letterboxd https://letterboxd.com/Icecreamb
Universal already did The phantom of the opera 5 years prior, and it had the rights to Dracula, so they were the studio to make those kind of films. And Frankenstein is very popular book, while The wolf man was made by MGM in 1924 I think. And even so, why would it be insulting?
Stop making excuses for this lazy fucking writing.
FYC:
Picture: Nomadland
Director: Chloe Zhao
Leading Actress: Frances McDormand
Leading Actor: Anthony Hopkins
Supporting Actress: Olivia Colman
Supporting Actor: Daniel Kaluuya
Adapted Screenplay: The Father
Original Screenplay: MinariMe every day that forsaken Billie Holiday trailer doesn’t drop:
Me every day that forsaken Billie Holiday trailer doesn’t drop:
I just saw on twitter today that it’s supposed to be dropping around Christmas day (hopefully it’s true).
https://twitter.com/jasonosia/status/1335346049389572098?s=20
I just saw on twitter today that it’s supposed to be dropping around Christmas day (hopefully it’s true).
https://twitter.com/jasonosia/status/1335346049389572098?s=20
Why so late wtf Paramount. Hopefully it’s sooner sigh.
Clayton wrote that Paramount is confident about its award chances.
It would be slightly insulting if Fincher won Best Director when he allowed something this fucking stupid to happen: https://twitter.com/_katiestebbins_/status/1335309317227032578?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1335309317227032578%7Ctwgr%5E%7Ctwcon%5Es1_&ref_url=https%3A%2F%2Fawardsworthy.org%2Fshowthread.php%3F49436-David-Fincher-to-direct-Gary-Oldman-in-B-amp-W-Mank%2Fpage160
Leave your feelings out of your predictions please.
But at least OUATIH managed to win something more substantial and relevant like Supporting Actor and Production Design
Why are supporting actors and production design more relevant than how a film sounds and looks.
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