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I’ve just watched Soul and it’s definitely deserving of a Best Picture nom. Can it get it? The road might not be easy but I think it’s possible, even if it’s not as universally approved as Inside Out. Passion can lead to it, which outside of campaign is what it takes to get there.
This post was found to be inappropriate by the moderators and has been removed.I’d say that the sound editing in Sound of Metal is way more impressive than the sound mixing.
For Your Consideration:
The Banshees of Inisherin in ALL categories, including:
- Best Picture
- Best Director
- Best Actor (Colin Farrell)
- Best Supporting Actor (Brendan Gleeson)
- Best Supporting Actor (Barry Keoghan)
- Best Supporting Actress (Kerry Condon)
- Best Supporting Actress (Sheila Flitton)
- Best Original ScreenplayLetterboxd: Ray_In_Bruges
There’s no other obvious winner in Editing,
Solidarity with the striking writers. Pay them the wages they are owed for bringing us the content we are all on here because of!
I haven’t seen The Father and this isn’t a dig or anything like that lol but does The Father have particularly flashy/impressive editing that the academy will notice?
Side note too but it’s now 2021 here so happy New Years everyone! So many movies I can say are this year now!
More chaotic than a soderbergh Oscars
I have not seen The Father either, but particularly its editing has been singled out, so I think it can def get nominated. As for the win, I think it’ll be Chicago 7, as it falls in line with some past winners.
I haven’t seen The Father and this isn’t a dig or anything like that lol but does The Father have particularly flashy/impressive editing that the academy will notice? Side note too but it’s now 2021 here so happy New Years everyone! So many movies I can say are this year now!
The Father does have flashy editing yes. Specifically in one particular scene (it is not the film any one here is expecting!)
Happy new year Brae!
Solidarity with the striking writers. Pay them the wages they are owed for bringing us the content we are all on here because of!
Nomadland is the one with better chances from these three, since it’s the BP frontrunner. The Father and Chicago 7 would have to break a 35 years old stat.
Nomadland is the one with better chances from these three, since it’s the BP frontrunner. The Father and Chicago 7 would have to break a 35 years old stat.
Yes but the point still stands. There is an easy alternative to Mank in Editing.
Solidarity with the striking writers. Pay them the wages they are owed for bringing us the content we are all on here because of!
This post was found to be inappropriate by the moderators and has been removed.
This post was found to be inappropriate by the moderators and has been removed.We are really going to third year in a row with a foreign language film nominated for Best Picture, right? It seems too good to be true.
It's about the chaotic editing in Moulin Rouge!
I never really thought Nomadland would win Best Pic. It seems destined to be a film that probably is the most lauded critically and will continue to be on Best of… lists for years to come from major cinephile publications and probably my personal favorite film of the year, but lose Best Pic for something more “entertaining” for general audiences’ tastes and more up the Academy’s speed.
However, Moonlight ended up surprisingly winning, so anything can happen.
Yeah it looks like it. Minari isn’t really a foreign language film though. There’s a lot of Korean, but also a lot of English and A LOT of Korenglish.
Yeah, plus, Minari is an American film. It just so happens to be about a specific Korean-American immigrant experience in the Midwest (very unusual or ignored) and has a lot of Korean dialogue to keep the authenticity.
Yeah it looks like it. Minari isn’t really a foreign language film though. There’s a lot of Korean, but also a lot of English and A LOT of Korenglish.
I felt there was 70% korean ish?
I still think it is a foreign language film. I even know somebody who is not feeling like watching it because of the foreign language in it (That’s why the foreign/international categories are so important!).
It's about the chaotic editing in Moulin Rouge!
The topic ‘Oscars 2021 Predictions: Best Picture and Director (Part 5)’ is closed to new replies.
