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October 18, 2021 at 3:39 am #1204523892
Anyone else feeling that there’s a possibility for Red Rocket to be a lone Screenplay nominee? I haven’t seen it, but it seems to me like the type of movie the writers’ branch would throw in because of its unique characters/story or bold/quirky/bizarre presentation. It also helps that Sean Baker has garnered a good amount of respect over the last few years since Tangerine and The Florida Project, something that likely helped similar indie filmmakers like Mike Mills and Paul Schrader get their first nominations (also Derek Cianfrance considering his story credit on Sound of Metal).
I had “Red Rocket” as a lone screenplay nominee in like August, but then I saw that nobody was making this prediction and I let it go.
October 18, 2021 at 9:02 am #1204524431I think the lone screenplay nomination is between CODA and Red Rocket.
Michelle (Yeoh, Williams) Oscar campaign manager.
FYC:
Best Picture: Banshees of Inisherin, Everything Everywhere All At Once, Decision to Leave
Best Director: Park Chan-Wook Todd Field
Best Original Screenplay: Banshees of Inisherin, Everything Everywhere All At Once
Best Actor: Colin Farrell
Best Actress: Michelle Yeoh, Cate Blanchett, Tang Wei
Best Supporting Actor: Brendan Gleeson, Ke Huy Quan
Best Supporting Actress: Kerry Condon, Nina HossOctober 18, 2021 at 9:13 am #1204524451Anyone else feeling that there’s a possibility for Red Rocket to be a lone Screenplay nominee? I haven’t seen it, but it seems to me like the type of movie the writers’ branch would throw in because of its unique characters/story or bold/quirky/bizarre presentation. It also helps that Sean Baker has garnered a good amount of respect over the last few years since Tangerine and The Florida Project, something that likely helped similar indie filmmakers like Mike Mills and Paul Schrader get their first nominations (also Derek Cianfrance considering his story credit on Sound of Metal).
I think it’s possible yeah. This field does feel like many of the cool kids (small films, really) are Netflix or A24 contenders lol. C’mon C’mon, Red Rocket, The Hand of God, The Harder They Fall.
Then of course Titane, Spencer, Parallel Mothers, The Worst Person in the World, and I’m still not totally ruling out Flee, Petite Maman, A Chiara. But if foreign films aren’t crashing this I’d say yeah the Netflix & A24 films could very well get into Original Screenplay because I just don’t see anything as a lock (except Belfast I guess, much to my chagrin, and PTA rarely misses too…)
FYC:
Everything Everywhere All At Once
The Banshees of Inisherin
Women Talking
All the Beauty and the Bloodshed
Joyland
RRR
AftersunOctober 31, 2021 at 5:33 am #1204549308Original screenplay
The Worst Person in The World
Mass
Spencer
Belfast
Parallell MothersBubbles
CODA
Red Rocket
Titane2023 Oscar
Best Picture: Holy Spider
Best Director: Decision to Leave
Best Actress: Cate Blanchett
Best Actor: Brendan Fraser
Best Supporting Actress: Olivia de Leon
Best Supporting Actor: Ke Huy QuanOctober 31, 2021 at 10:17 am #1204549591I’m all for a Red Rocket appearance, but I think A Hero, Parallel Mothers and The Worst Person in the World are all ahead of it. But🤞- I’m here for it (still believe Sean Baker’s brilliant The Florida Project was snubbed here)
FYC
Best Picture: "Aftersun" (A24); “Bones & All” (MGM/UA)
Best Director: Charlotte Wellls; Luca Guadagnino
Best Actress: Frankie Corio; Taylor Russell
Best Actor: Paul Mescal; Timothee Chalamet
Best Supporting Actress: Chloe Sevigny
Best Supporting Actor: Mark Rylance, Andre Holland, Michael Stuhlbarg
Best Original Screenplay: Charlotte Wells
Best Adapted Screenplay: David KajganichOctober 31, 2021 at 10:41 am #1204549626Best Adapted Screenplay
1 – Nightmare Alley
2 – The Power of the Dog
3 – The Lost Daughter
4 – The Humans
5 – Passing
Best Original Screenplay
1 – Licorice Pizza
2 – Belfast
3 – Don’t Look Up
4 – Mass
5 – The French Dispatch
October 31, 2021 at 12:14 pm #1204549785Original Screenplay
Belfast
Licorice Pizza
Don’t Look Up
C’mon C’mon
The Worst Person in the worldPossibilities:
The French Dispatch
Parallel Mothers / A Hero / Titane
King Richard
Red Rocket
Being the Ricardos
Adapted ScreenplayThe Power of the Dog
The Lost Daughter
Nightmare Alley
Passing
The HumansPossibilities:
Dune
The Tragedy of Macbeth
House of Gucci
CODAOctober 31, 2021 at 3:49 pm #1204550057Original Screenplay
1. Paul Thomas Anderson, Licorice Pizza
2. Kenneth Branagh, Belfast
3. Adam McKay, Don’t Look Up
4. Steven Knight, Spencer
5. Pedro Almodovar, Parallel Mothers6. Joachim Trier and Eskil Vogt, The Worst Person in the World
7. Mike Mills, C’mon C’mon
8. Zach Baylin, King Richard
9. Aaron Sorkin, Being the Ricardos
10. Sean Baker, Red RocketAdapted Screenplay
1. Maggie Gyllenhaal, The Lost Daughter
2. Jane Campion, The Power of the Dog
3. Guillermo del Toro and Kim Morgan, Nightmare Alley
4. Rebecca Hall, Passing
5. Sian Heder, CODA6. Joel Coen, The Tragedy of Macbeth
7. Jon Spaihts, Denis Villeneuve and Eric Roth, Dune
8. Becky Johnston and Roberto Bentivegna, House of Gucci
9. Stephen Karam, The Humans
10. Neal Purvis, Robert Wade, Cary Joji Fukunaga and Phoebe Waller-Bridge, No Time to DieFYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
November 2, 2021 at 12:34 pm #1204553444NOVEMBER PREDICTIONS
Original- Belfast
- Licorice Pizza
- King Richard
- Don’t Look Up
- Mass
Adapted
- The Power of the Dog
- CODA
- Nightmare Alley
- The Tragedy of Macbeth
- The Lost Daughter
November 2, 2021 at 12:42 pm #1204553464November list!
Original S
Anyone else feeling that there’s a possibility for Red Rocket to be a lone Screenplay nominee? I haven’t seen it, but it seems to me like the type of movie the writers’ branch would throw in because of its unique characters/story or bold/quirky/bizarre presentation. It also helps that Sean Baker has garnered a good amount of respect over the last few years since Tangerine and The Florida Project, something that likely helped similar indie filmmakers like Mike Mills and Paul Schrader get their first nominations (also Derek Cianfrance considering his story credit on Sound of Metal).
There’s almost always 1 lone screenplay nominee that comes out of nowhere, right?
November 2, 2021 at 12:49 pm #1204553482When House of Gucci appears in adapted with no one predicting it
Danielle Deadwyler gave the performance of the year.
I remain Lady Gaga's BIGGEST FAN
November 4, 2021 at 12:34 am #1204556360I may be wrong, but after seeing it, I think Spencer will be a bigger play in directing than screenplay.
I want to predict CODA so, so bad, but I’m just not sure it’s had the staying power to make it in over newer, more exciting projects.
FYC: The Bear (Ayo Edebiri) Industry (Marisa Abela) OMITB (Jayne Houdyshell) Physical (Rose Byrne) WWDITS (Natasia Demetriou)
November 4, 2021 at 9:00 am #1204556849I have CODA getting in à la The White Tiger. I think it will get nominations at both the BAFTAs and WGA (thanks to both the sensibilities of the former and the slew of ineligibilities at the latter) but also the adapted field feels wide open to me.
With Ma Rainey’s snub last year the branch showed they’re not that keen on stage to screen adaptations that don’t involve a lot of adaptation (unless they’re adapted by the original playwright) so I don’t really see The Tragedy of Macbeth getting in. And Dune‘s writing is its most criticised element. If House of Gucci ends up being a screenplay contender I’ll replace CODA with it.
FYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
November 4, 2021 at 9:11 am #1204556866I have CODA getting in à la The White Tiger. I think it will get nominations at both the BAFTAs and WGA (thanks to both the sensibilities of the former and the slew of ineligibilities at the latter) but also the adapted field feels wide open to me.
The White Tiger was a more late release though and it had good word of mouth for the two months before the nominations. CODA is an early release that people are barely talking about. It could be nominated, but I don’t think that’s a good comparison.
November 4, 2021 at 9:23 am #1204556879The White Tiger was a more late release though and it had good word of mouth for the two months before the nominations. CODA is an early release that people are barely talking about. It could be nominated, but I don’t think that’s a good comparison.
Perhaps. But there’s also Booksmart, another early release, that was nominated at the BAFTAs and WGA. It missed at the Oscars because 1917 coat-tailed a screenplay nomination.
Thus far there is no 1917 type contender in adapted screenplay.
FYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
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