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I think this is the most infuriating and worst thing I’ve read when it comes to TLD. Nicole is a respected Oscar-nominated writer and director in her own right and this woman has taken away agency from her and is acting like she was forced to co-write the script at gun point: https://mobile.twitter.com/acagoldsmith/status/1450236708071649282 Also: her info is wrong. Ridley and Nicole didn’t have to be “convinced” to do the film.
ReplyCopy URLI think this is the most infuriating and worst thing I’ve read when it comes to TLD. Nicole is a respected Oscar-nominated writer and director in her own right and this woman has taken away agency from her and is acting like she was forced to co-write the script at gun point: https://mobile.twitter.com/acagoldsmith/status/1450236708071649282 Also: her info is wrong. Ridley and Nicole didn’t have to be “convinced” to do the film.
That woman is talking nonsense and clearly hasn’t watched the interviews at all. There are plenty of interviews where Holofcener states she was flattered and the process of writing challenged her, receipts: https://www.youtube.com/watch?v=Gfl6uv6mAf8
ReplyCopy URLHe was actually filming Noah Baumbach’s White Noise in Cleveland, Ohio. 65 was shot and wrapped before he went to Italy to film HoG.
right… But its usually in stars contracts that they can have a day off to do promo. I mean it was a Venice premiere so it’s a big ass deal. I think he was filming something when he was came to Cannes for Annette. He only stayed for a day. He could have done a few zoom interviews. There was nothing. Very unusual. I wonder if it was the specific role he played that he didn’t want to have to deal with..
ReplyCopy URLI think this is the most infuriating and worst thing I’ve read when it comes to TLD. Nicole is a respected Oscar-nominated writer and director in her own right and this woman has taken away agency from her and is acting like she was forced to co-write the script at gun point: https://mobile.twitter.com/acagoldsmith/status/1450236708071649282 Also: her info is wrong. Ridley and Nicole didn’t have to be “convinced” to do the film.
That person is an idiot, I recognize them from having tried to get a journalist fired for not liking a fictional character.
ReplyCopy URLNew interview with Jodie for The Playlist: https://theplaylist.net/jodie-comer-revisits-ridley-scotts-mastery-of-the-last-duel-interview-20211224/ She talked about joining the film, Ridley’s process, Kitbag and how Ridley’s use of multiple cameras was helpful for some of the film’s darker scenes.
ReplyCopy URLJodie’s interview with Scott for Awards Chatter is now available. I listened to it, and thought it was a really good interview. She talked about her earlier jobs like My Mad Fat Diary, getting the part of Villanelle in KE and making Free Guy and TLD: https://mobile.twitter.com/ScottFeinberg/status/1478471497022771202
ReplyCopy URLNew GD interview with Arthur Max, the production designer of TLD: https://m.youtube.com/watch?v=_7xqgLtxpNk He talked about doing research by traveling throughout France, how the shutdown at the height of COVID was beneficial because the crew returned re-energized, collaborating with Dariusz and shooting with candlelight and firelight and modeling Jean’s bedroom-which was built at the studios in Ireland-after Richard the Lionheart’s bedroom.
ReplyCopy URLThat woman is talking nonsense and clearly hasn’t watched the interviews at all. There are plenty of interviews where Holofcener states she was flattered and the process of writing challenged her, receipts: https://www.youtube.com/watch?v=Gfl6uv6mAf8
Yes, I saw a lot of the interviews with Nicole and she frequently said she was flattered she was asked to co-write the script, and that she loved the challenge of working on the film. I can’t believe that woman thought it was a good idea to post that stupid tweet. It’s so insulting to Nicole.
ReplyCopy URLI saw the GD interview with Jodie. She talked about doing research about Marguerite, collaborating with Nicole, Affleck & Damon with the script, how she liked that the rape scene from Marguerite’s chapter was shot first because it established the truth, how she, Damon & Driver couldn’t stop giggling & “lost their minds” shooting the kiss scene with 3 different POVs. She also talked about KE and said S4 features Villanelle’s best disguise: https://m.youtube.com/watch?v=5Hjd16rz7Es
ReplyCopy URLI saw the GD interview with Jodie. She talked about doing research about Marguerite, collaborating with Nicole, Affleck & Damon with the script, how she liked that the rape scene from Marguerite’s chapter was shot first because it established the truth, how she, Damon & Driver couldn’t stop giggling & “lost their minds” shooting the kiss scene with 3 different POVs. She also talked about KE and said S4 features Villanelle’s best disguise: https://m.youtube.com/watch?v=5Hjd16rz7Es
It will be forever a tragedy how underrated her performance in this is. She’s so deserving of a nomination.
ReplyCopy URLI think this is the most infuriating and worst thing I’ve read when it comes to TLD. Nicole is a respected Oscar-nominated writer and director in her own right and this woman has taken away agency from her and is acting like she was forced to co-write the script at gun point: https://mobile.twitter.com/acagoldsmith/status/1450236708071649282 Also: her info is wrong. Ridley and Nicole didn’t have to be “convinced” to do the film.
I wouldn’t worry too much about it – this is just some deranged fan of Driver’s who has some bizarre parasocial relationship to him and seems to think she works for him/he should be taking her direct advice on his career. I’ve seen her post relentlessly about how upset she was about him portraying a rapist (and other random things, like the fact that he smokes cigarettes…yes, really).
Anyway, the streaming boost TLD is getting could push it into a few tech noms at Oscars, and I reckon it’s got a really good shot at higher profile noms at BAFTA.
ReplyCopy URLIt will be forever a tragedy how underrated her performance in this is. She’s so deserving of a nomination.
She really is. It’s my favorite 2021 performance. It’s a shame that awards events are about popularity and not always about quality.
She was phenomenal as Marguerite and I hope she gets more opportunities. Fingers crossed she signs up for something once she’s done with her play. I also think one big underrated thing about her performance is how different she had to act with the three chapters. That was challenging and she did a great job.
ReplyCopy URLI wouldn’t worry too much about it – this is just some deranged fan of Driver’s who has some bizarre parasocial relationship to him and seems to think she works for him/he should be taking her direct advice on his career. I’ve seen her post relentlessly about how upset she was about him portraying a rapist (and other random things, like the fact that he smokes cigarettes…yes, really). Anyway, the streaming boost TLD is getting could push it into a few tech noms at Oscars, and I reckon it’s got a really good shot at higher profile noms at BAFTA.
Yeah, I’ve seen her other posts and she acts like she has direct access to him. Her tweets are frankly bizarre. Speaking of streaming, TLD is still killing it on digital. It’s currently #5 on the US iTunes store.
ReplyCopy URLRemember when I posted about the “watch” section on Disney’s FYC pages and questioned what it was for? The page got updated since then and it turns out it contains links to the AMPAS Screening Room and Bafta View (for members to watch): https://disneystudiosawards.com/last-duel/watch
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