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Well, since some time has passed I can admit now that I LOVED TPOTD. The cin, score, sp, perfs, even the direction. Although, I didn’t find it particularly deep nor emotionally satisfying.
NO WAY I was going to say that while a core group of others were claiming that if we didn’t care for it that meant we’re STOOPID and too vapid to see how freaking layered and “deep” it is.
ReplyCopy URLThe Sunne in Splendour.
I prefer my roses whiteI think netflix just hasn’t figure out the right way to campaign yet. They keep having early frontrunners (Chicago 7, TPOTD, The Irishman, Roma), and then they just can’t keep the momentum going and get overshadowed by a movie that plays better on people’s emotions.
I also think they’re making a mistake by putting all their eggs in the basket of these big established filmmakers, which takes away from that feeling of discovery or excitement that can help a movie. In the past FIFTEEN years, since No Country For Old Men in 2007, ONLY ONE movie from a director with a previous Best Picture nomination has won Best Picture (Birdman in 2014). They should take more risks with acquisitions (like apple did with Coda, cough cough) rather than expecting oscar annointed film makers to get them the gold.
ReplyCopy URLI think netflix just hasn’t figure out the right way to campaign yet. They keep having early frontrunners (Chicago 7, TPOTD, The Irishman, Roma), and then they just can’t keep the momentum going and get overshadowed by a movie that plays better on people’s emotions. I also think they’re making a mistake by putting all their eggs in the basket of these big established filmmakers, which takes away from that feeling of discovery or excitement that can help a movie. In the past FIFTEEN years, since No Country For Old Men in 2007, ONLY ONE movie from a director with a previous Best Picture nomination has won Best Picture (Birdman in 2014). They should take more risks with acquisitions (like apple did with Coda, cough cough) rather than expecting oscar annointed film makers to get them the gold.
they need an international respected filmmaker like Bong Joon hoo before parasite and they will get their bp
ReplyCopy URLOr international people don’t care about CODA!!
Rapists, pedophiles and shit disgusting human beings get brave in this hell site because they don’t need to show their face. Twitter and real life is different.
People need to know that this hell site is an echo chamber of shit, evil pedos.
ReplyCopy URLIt’s hilarious you’re launching a campaign to boycott Gold Derby on Gold Derby itself. IRONIC.
ReplyCopy URL~Not much active now due to a higher studies course
~still love watching films and television shows
~Everything Everywhere All At Once in all categories.
~Currently watching Abbott ElementaryAfter a couple of months since I’ve watched TPOTD, I have to say it left me a long lasting good impression. There was something in the cinematography and score that still lights up something in my memory when I think about it. I was honestly surprised by the ending, I love the delicateness of it. I think of it as a quiet movie, but not boring at all. The only thing that maybe ‘went wrong’ was that it was too similar to the previous winner Nomadland in its winning qualities. Someone else on GD pointed out how the Academy loves to award the opposite of the year before, and I think it’s a valid interpretation of what happened.
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