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2019 Year-End / Decade-End Critics Lists

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    abelfenty
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    #1203127748

    Making this thread so we can stop cluttering the Grammy Predictions thread.

    Pitchfork released their Top 200 Albums of the decade.

    Pitchfork also released their Top 200 Songs of the decade.

    Cleveland.com released their Top 100 Albums of the decade.

    UPROXX revealed their Top 100 Albums of the decade.

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    deshunfenty
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    #1203127793

    Anti is finally being understood as a masterpiece . Finally.

    #howrudeofme

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    deshunfenty
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    #1203127802

    I’m ready for Rolling Stone and NME to release their list. There’s would be more interesting. I think we’re getting them
    In late December maybe

    #howrudeofme

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    daniellbp
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    #1203127902

    Something interesting about these lists is how different critics and the industry/Grammy voters think.

    Adele and Taylor are Grammy darlings, 2 AOTYs each and we don’t see much of them in the lists. 21 and 25 are ignored in almost all of them, while Red is the stand-out for Taylor, even though 1989 was the one which actually won the Grammy.

     

    • This reply was modified 11 months, 2 weeks ago by Daniel Lopes.
    • This reply was modified 11 months, 2 weeks ago by Daniel Lopes.
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    #1203127930
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    deshunfenty
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    #1203127948

    LMFAOOOOOO The lists were actually great.

    #howrudeofme

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    JasonLannister
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    #1203128176

    Much of those lists are a total joke.

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    #1203128209
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    thefunkydeltron
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    #1203128240

    Pitchfork named Blonde #1. Blonde isn’t even Frank Ocean’s best album, Channel Orange is. Kanye #2, Beyonce #3, Kendrick #4, Fiona Apple #5. Weird as fuck.

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    BICTH
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    #1203128311

    being ever the hypocrite I hate these lists yet half of our picks will probably end up overlapping anyway

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    crobaticaa
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    #1203128370

    I see most of those lists ignore the Weeknd  Bruno M. Timberlake and Gaga

    in my opinion those artists have some decent songs that should be mentioned on a decade list

     

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    Cordelia
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    #1203128390

    Christ, this Pitchfork albums list

    Putting Sremmlife above The Money Store and Random Access Memories… that’s a no.

    Invasion of Privacy above Oil of Every Pearl’s Un-Insides is just basic-bitch taste

    Also, Be The Cowboy, their 2018 AOTY at 64th place…

    Take Care above Melodrama is just bullshit. Take Care has so much filler it’s outrageous.

    Beyonce self-titled above Lemonade is kinda ridiculous, and above To Pimp A Butterfly is delusional. Yes, let’s pick the album with repeated references to abuse in sexualised contexts (Monica Lewinsky, Tina Turner) as the highest album by a woman lead vocalists. Christ, what fucking brainworms did they get?

    Blonde as the #1 album of the decade is not a terrible take, but not a good one either. I get they were not going to pick MBDTF for a mix of political and cultural reasons. But Blonde is neither obscure enough to be risky nor classic enough to be universally acceptable.

    For Your Consideration:

    Best Picture: Wolfwalkers

    Best Animated Feature: Wolfwalkers

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    thefunkydeltron
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    #1203128405

    Frank Ocean is overrated asf. “Blonde” was terrible.

    Blonde was good but not as good as his debut album Channel Orange. It was awesome.

    Christ, this Pitchfork albums list Putting Sremmlife above The Money Store and Random Access Memories… that’s a no. Invasion of Privacy above Oil of Every Pearl’s Un-Insides is just basic-bitch taste Also, Be The Cowboy, their 2018 AOTY at 64th place… Take Care above Melodrama is just bullshit. Take Care has so much filler it’s outrageous. Beyonce self-titled above Lemonade is kinda ridiculous, and above To Pimp A Butterfly is delusional. Yes, let’s pick the album with repeated references to abuse in sexualised contexts (Monica Lewinsky, Tina Turner) as the highest album by a woman lead vocalists. Christ, what fucking brainworms did they get? Blonde as the #1 album of the decade is not a terrible take, but not a good one either. I get they were not going to pick MBDTF for a mix of political and cultural reasons. But Blonde is neither obscure enough to be risky nor classic enough to be universally acceptable.

    I agree, they should’ve get Kendrick album at #1 and Lemonade album instead of self-titled.

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