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    Cameron
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    #1203784750

    Self Titled Song is My Favorite

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    Wanda
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    For those who were also interested in the recent interview Fiona gave:

    https://www.youtube.com/watch?v=OotSrs4yyy4

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    Cameron
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    I’ve been listening to Newspaper so much ong. It’s sooo good the production >>>>>

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    weird fishes
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    When the Pawn…

    The Idler Wheel…

    Extraordinary Machine

    Fetch the Bolt Cutters

    Tidal

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    Rich Thot
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    I’ve been listening to Newspaper so much ong. It’s sooo good the production >>>>>

    It’s so uncomfortable, which I love, and it shows how to build drama in a song with just some slight tweaks in production and vocals.

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    JGibson
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    For those who were also interested in the recent interview Fiona gave:

    https://www.youtube.com/watch?v=OotSrs4yyy4

    Do you have it anywhere else? New Yorker took it down. Theyre more secretive at it than the actual performances.

    Chromatica and Fetch the Bolt Cutters AOTYs yeah

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    AwardsBait3818
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    From Entertainment Weekly, #1 best album of the year:

    ““Blast the music/Bang it, bite it, bruise it,” Apple commands over the clattering piano chords and thunderous drums of Fetch the Bolt Cutters’ frenzied opener. “Whenever you want to begin, begin/We don’t have to go back to where we been.” Moving music forward has become a sort of speciality for the singer, whose scarce output — she’s released only four albums since her touchstone 1996 debut, Tidal — tends to be met with the kind of dazzled awe that usually only attends a rare comet or solar eclipse. And what a cosmic wonder she is on Fetch, churning through dense sonic experiments, tricky time signatures, and lyrical pirouettes in a wild mosaic that feels both playful and urgent, melodic and chaotic—and always, indubitably Fiona, down to the last fantastic note.”

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    AwardsBait3818
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    From Rolling Stone, #2 best album of the year:

    “Fiona Apple has always thrived on defying expectations, from telling pop stans that the world was bullshit to taking years (and years) to perfect her alt-rock operettas. But no one could have expected the audacity of Fetch the Bolt Cutters, or the way Apple expresses her independent spirit over an orchestra of drums, percussion, barks, and meows. She leaps ahead of the “VIPs, PYTs, and wannabes” on the title track (“I’ve always been too smart for that”), seeks friendship with a woman dating her ex (“Ladies”), and reflects on how one person telling her she had potential was the spark she needed as a kid (“Shameika”). When she sings, “Kick me under the table all you want, I won’t shut up,” on “Under the Table,” she means it, because this is potential fulfilled.”

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