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Creative Arts Emmys Night #3 on Wednesday: Predictions and Reactions

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    Chris Beachum
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    #1203709224

    The Creative Arts Emmys are now being presented over an astonishing five nights this week. Watch our lively post-show below at 6:30 PT; 9:30 ET on Wednesday, September 16, following Night #3 of these ceremonies, with virtual emcee Nicole Byer (“Nailed It!”). Gold Derby’s Riley Chow will host editor Joyce Eng plus contributors Kevin Jacobsen and Tom O’Brien as they debate the winners and losers.

    https://youtu.be/eaMgj-K-Qsc

    This evening’s ceremony largely focuses on scripted categories, including the following:

    BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE

    BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES

    BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)

    BEST CONTEMPORARY HAIRSTYLING

    BEST FANTASY/SCI-FI COSTUMES

    BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES

    BEST PERIOD COSTUMES

    BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)

    BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

    BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)

    BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL

    BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES

    BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

    BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

    BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE

    BEST SPECIAL VISUAL EFFECTS

    BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE

    • This topic was modified 1 week, 1 day ago by Chris Beachum.
    • This topic was modified 1 week, 1 day ago by Riley Chow.
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    Riley Chow
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    #1203709302

    CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
    Watchmen: “This Extraordinary Being”

    CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
    The Ranch: “It Ain’t My Fault”

    CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
    The Mandalorian: “The Reckoning”

    CONTEMPORARY HAIRSTYLING
    black-ish: “Hair Day”

    FANTASY/SCI-FI COSTUMES
    Watchmen: “It’s Summer and We’re Running Out of Ice”

    MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
    Will & Grace: “We Love Lucy”

    PERIOD COSTUMES
    The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage”

    PERIOD AND/OR CHARACTER MAKEUP
    The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage”

    PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM
    Killing Eve: “Are You from Pinner?”

    PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
    The Mandalorian: “The Mandalorian”

    PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
    Picard: “Absolute Candor”

    SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
    Ozark: “Fire Pink”

    SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
    Watchmen: “A God Walks into Abar”

    SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
    Stranger Things: “The Battle of Starcourt”

    SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian: “The Mandalorian”

    SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian: “The Child”

    SOUND MIXING FOR A LIMITED SERIES OR MOVIE
    Watchmen: “This Extraordinary Being”

    SPECIAL VISUAL EFFECTS
    The Mandalorian: “The Child”

    SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
    Devs: “Episode 8”

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    AayaanUpadhyaya
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    #1203709443

    CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
    Watchmen: “This Extraordinary Being”

    CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
    The Ranch: “It Ain’t My Fault”

    CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
    The Mandalorian: “The Reckoning”

    CONTEMPORARY HAIRSTYLING
    Schitt’s Creek: “Happy Ending”

    FANTASY/SCI-FI COSTUMES
    Watchmen: “It’s Summer and We’re Running Out of Ice”

    PERIOD COSTUMES
    The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage”

    PERIOD AND/OR CHARACTER MAKEUP
    Pose: “Acting Up”

    PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
    Star Trek: Picard: “Absolute Candor”

    PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM
    Succession: “This Is Not For Tears”

    PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
    The Mandalorian: “The Mandalorian”

    SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
    Ozark: “Fire Pink”

    SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
    Mrs America: “Phyllis”

    MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
    Will & Grace: “We Love Lucy”

    SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
    Stranger Things: “The Battle of Starcourt”

    SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian: “The Mandalorian”

    SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian: “The Child”

    SOUND MIXING FOR A LIMITED SERIES OR MOVIE
    Watchmen: “This Extraordinary Being”

    SPECIAL VISUAL EFFECTS
    The Mandalorian: “The Child”

    SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
    Devs: “Episode 8”

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    Riley Chow
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    #1203709462

    The Black Lives Matter sentiment that manifested strongly in nominations has not manifested in the winners thus far at all. One category that I am keeping an eye on tonight is contemporary hairstyling. Guild-winning Big Little Lies was snubbed, so the race is wide open with none of the nominees ever having won an American industry award for hair. And then we have black-ish with “Hair Day” as one of the nominees.

    This is also one to watch because Schitt’s Creek could win, having won for its hair at the Canadian Screen Awards for the first time this year. With that precursor, the open field and it being on the path to a series award, this award is gettable. If we see it lose to something like Grace and Frankie or The Handmaid’s Tale, it might not be strong enough to sweep.

    I have switched from Picard to The Marvelous Mrs. Maisel for makeup after how basic the winners from the last two night have been, so I now have The Marvelous Mrs. Maisel predicted for two categories, but it is not a lock for either. I low-key wonder if passion for the show evaporated in 2020 and we could see it suffer a historic shutout or at least a fall like The Handmaid’s Tale suffered after sweeping.

    Drama editing is obviously a biggie. Succession can win, but Succession is also pretty soft in the techs. Should be hard to win editing while you are snubbed in cinematography and sound. Name recognition seems to matter somewhat during the nominations phase with editors, but not at all when it comes to the winners phase. This was demonstrated by the first-time nominee behind “The Race Card” winning over an entire field of editors with awards histories. So that would give the nonwhite first-time nominee behind “Fire Pink” an edge over “Wartime”, but “Fire Pink” is also a terrible title. The editors did not know which episode “Hardhome” was, so I do not see why they would know “Fire Pink”. The category’s only single-nominated show, Stranger Things is right there, having won two seasons ago and being a tech-heavy steak-eater show that proved resilient this year. Ozark is at risk of vote-splitting, but if it is on the path to a series win, it kind of needs to win this because series winners often overcome vote-splitting in editing.

    I have Watchmen for example, even though it is nominated three times. It is like last year with Chernobyl. There was no obvious choice between “Please Remain Calm” and “Open Wide, O Earth”, but I ultimately had to predict the show because there was not an alternative. It seemed like it actually would be placing first and second. I can see “This Extraordinary Being” being the one that gets predicted most, but I rank it third of the Watchmen options for two reasons. First, I do not think that the editors know which episode it is. Given the choice between the titles “It’s Summer and We’re Running Out of Ice”, we have seen both the Directors Guild and the costumer branch choose the former. And if the editors know which episode it is, that actually hurts it. Whenever it is just editors voting, we have consistently seen them respond disproportionately poorly to long takes, be it the ones in Birdman, Gravity or Roma. A win here would help its case in directing. Safe money might be on the pilot, but I am going with “A God Walks into Abar”, which is the episode in which a god walks into a bar, which was a better episode anyway, plus the editing was more instrumental to the storytelling. They passed over the American Crime Story pilot.

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    AayaanUpadhyaya
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    #1203709507

    Riley, do you think Mrs. America is that weak that it can’t take advantage of a clear vote split scenario? We have seen shows like Crazy Ex Girlfriend and Master of None win editing due to vote splitting, why not Mrs. America too? I am very unsure about this prediction.

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    Riley Chow
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    #1203709515

    I do not see any passion for it. Crazy Ex-Girlfriend had passion. And I would contend that Watchmen is more in the editors’ wheelhouse than Veep anyway. It is tough though; El Camino has a chance too.

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    wolfali
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    #1203709562

    This is also one to watch because Schitt’s Creek could win, having won for its hair at the Canadian Screen Awards for the first time this year. With that precursor, the open field and it being on the path to a series award, this award is gettable. If we see it lose to something like Grace and Frankie or The Handmaid’s Tale, it might not be strong enough to sweep. I have switched from Picard to The Marvelous Mrs. Maisel for makeup after how basic the winners from the last two night have been, so I now have The Marvelous Mrs. Maisel predicted for two categories, but it is not a lock for either. I low-key wonder if passion for the show evaporated in 2020 and we could see it suffer a historic shutout or at least a fall like The Handmaid’s Tale suffered after sweeping.

    Totally agree with this. I can see Maisel end up being like The Handmaid’s Tale or I could see it do as well as it did last year because of the weaker field.

    Same with Schitt’s Creek. To me it needs to win something other than Casting over these nights for me to predict it to sweep.

    I can actually see a scenario where Schitt’s does what Maisel s1 did and sweep all but maybe one of the acting categories it’s nominated for + Writing + Directing whilst Maisel does what Atlanta s2 did and win only a small number of crafts but get shut out at the main ceremony.

    FYC OSCARS : VANESSA KIRBY FOR "PIECES OF A WOMAN", GLENN CLOSE FOR "HILLBILLY ELEGY", ANTHONY HOPKINS FOR "THE FATHER", CHADWICK BOSEMAN FOR "MA RAINEY'S BLACK BOTTOM", PROMISING YOUNG WOMAN (BEST ORIGINAL SCREENPLAY).

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    Gabarnes43
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    #1203709566

    BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
    – Watchmen “This Extraordinary Being”

    BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
    – The Ranch “It Ain’t My Fault”

    BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
    – The Mandalorian

    BEST CONTEMPORARY HAIRSTYLING
    – Schitts Creek “Happy Ending”

    BEST FANTASY/SCI-FI COSTUMES
    – Watchmen

    BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
    – Will and Grace “We Love Lucy”

    BEST PERIOD COSTUMES
    – The Crown “Cri de Coeur”

    BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
    – The Marvelous Mrs Maisel “It’s Comedy or Cabbage”

    BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
    – Killing Eve “Are You From Pinner”

    BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
    – The Mandalorian “The Mandalorian”

    BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
    – The Mandalorian “The Prisoner”

    BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
    – Stranger Things “The Battle of Starcount”

    BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
    – El Camino

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
    – Stranger Things “The Battle of Starcount”

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    – The Mandalorian “The Mandalorian”

    BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    – The Mandalorian “The Child”

    BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
    – Watchmen “This Extraordinary Bein”

    BEST SPECIAL VISUAL EFFECTS
    – The Mandalorian “The Child”

    BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
    – Devs “Episode 8”

    FYC 2020 EMMYS

    COMEDY- SCHITTS CREEK in all categories, Maya Rudolph, Eddie Murphy

    DRAMA- Killing Eve in all categories, HBC, Cicely Tyson, The Crown in directing

    LIMITED- UNBELIEVABLE, Normal People in writing and directing, Toni Collette, Tituss Burgess

    FYC OSCARS- Amy Adams

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    DvirBA
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    #1203709568

    Hoping to see something more compelling than a Watchmen sweep. Unlikely though

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    rafaeltxeira
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    #1203709570

    BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
    Watchmen This Extraordinary Being

    BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
    Will & Grace

    BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
    The Mandalorian

    BEST CONTEMPORARY HAIRSTYLING
    The Handmaid’s Tale

    BEST FANTASY/SCI-FI COSTUMES
    The Mandalorian

    BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
    One Day at a Time

    BEST PERIOD COSTUMES
    The Crown

    BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
    The Marvelous Mrs. Maisel

    BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
    The Handmaid’s Tale

    BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
    The Mandalorian

    BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
    Star Trek: Picard

    BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
    Stranger Things

    BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
    Watchmen This Extraordinary Being

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
    Stranger Things

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian

    BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian

    BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
    Watchmen

    BEST SPECIAL VISUAL EFFECTS
    The Mandalorian

    BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
    Tales from the Loop

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    Eden
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    #1203709579

    I’m considering Succession for Production Design and Picture Editing. What I find interesting here is the competition it’s facing. For Production Design, the competition is three-time consecutive winner The Handmaid’s Tale. For Picture Editing, 2017 winner Stranger Things is the only nominee that won’t be hurt by vote-splitting. Basically, you have this year’s Drama frontrunner facing competition from two fading shows.

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    wolfali
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    #1203709649

    BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE

    Watchmen: “This Extraordinary Being”

    BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES (was predicting Will and Grace because it’s on its final season but so is The Ranch so this will be an interesting one)

    The Ranch: “It Ain’t My Fault” (Spoiler: Will and Grace)

    BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)

    The Mandalorian: “The Reckoning” (Insecure‘s double nomination is a feat on its own but it’s vote splitting imo)

    BEST CONTEMPORARY HAIRSTYLING

    Black-ish: “Hair Day” (part of my argument for this one is narrative and also it’s baity episode name) (Spoiler: Schitt’s Creek)

    BEST FANTASY/SCI-FI COSTUMES

    Watchmen: “It’s Summer and We’re Running Out of Ice” (Spoiler: The Mandalorian)

    BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES

    Will & Grace: “We Love Lucy” (Spoiler: One Day at a Time)

    BEST PERIOD COSTUMES

    The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage” (Spoiler: The Crown) (this will be one of the key categories to tell us how Maisel love in the Academy is generally overall)

    BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)

    The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage” (Spoiler: Picard)

    BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

    Succession: “This Is Not For Tears” (will say again that no Drama Series apart from GoT last year which lost its category to Chernobyl has lost production design and gone on to win Series. I am predicting Succession here but Ozark can easily win this too) (Spoiler: Ozark)

    BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)

    The Mandalorian: “The Mandalorian” (Spoiler: What We Do in the Shadows)

    BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL

    Picard: “Absolute Candor” (Spoiler: Hollywood)

    BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES

    Ozark: “Fire Pink” (Spoiler: Stranger Things)

    BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE

    Watchmen: “A God Walks Into Abar” (Spoiler: El Camino)

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

    Stranger Things: “Chapter Eight : The Battle of Starcourt” (Spoiler : The Crown)

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

    The Mandalorian: “The Mandalorian” (Spoiler : What We Do in the Shadows)

    BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

    The Mandalorian: “The Child” (Spoiler : Schitt’s Creek)

    BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE

    Watchmen: “This Extraordinary Being” (Spoiler : El Camino)

    BEST SPECIAL VISUAL EFFECTS

    Watchmen: “See How They Fly” (Spoiler : The Mandalorian)

    BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE

    Devs: “Episode 8” (Spoiler : The Handmaid’s Tale)

    FYC OSCARS : VANESSA KIRBY FOR "PIECES OF A WOMAN", GLENN CLOSE FOR "HILLBILLY ELEGY", ANTHONY HOPKINS FOR "THE FATHER", CHADWICK BOSEMAN FOR "MA RAINEY'S BLACK BOTTOM", PROMISING YOUNG WOMAN (BEST ORIGINAL SCREENPLAY).

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    ricardo505
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    #1203709680

    BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
    Watchmen: “This Extraordinary Being”

    BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
    The Ranch: “It Ain’t My Fault”

    BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
    The Mandalorian: “The Reckoning”

    BEST CONTEMPORARY HAIRSTYLING
    black-ish: “Hair Day”

    BEST FANTASY/SCI-FI COSTUMES
    Watchmen: “It’s Summer and We’re Running Out of Ice”

    BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
    Will & Grace: “We Love Lucy”

    BEST PERIOD COSTUMES
    The Crown: “Cri de Coeur”

    BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
    Pose: “Love’s in Need of Love Today”

    BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
    Succession: “This is Not for Tears”

    BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
    The Mandalorian: “Chapter 1: The Mandalorian”

    BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
    Star Trek: Picard: “Absolute Candor”

    BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
    Succession: “This Is Not for Tears”

    BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
    Watchmen: “A God Walks into Abar”

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
    Stranger Things: “Chapter Eight: The Battle of Starcourt”

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian: “Chapter 1: The Mandalorian”

    BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian: “Chapter 2: The Child”

    BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
    Watchmen: “This Extraordinary Being”

    BEST SPECIAL VISUAL EFFECTS
    The Mandalorian: “Chapter 2: The Child”

    BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
    Devs: “Episode 8”

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    marcus_emn
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    #1203709704

    BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
    Watchmen, This Extraordinary Beign

    BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
    Will & Grace

    BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
    Insecure, Lowkey Happy

    BEST CONTEMPORARY HAIRSTYLING
    Black-ish

    BEST FANTASY/SCI-FI COSTUMES
    Watchmen

    BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
    Will & Grace, We Love Lucy

    BEST PERIOD COSTUMES
    The Marvelous Mrs Maisel

    BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
    Pose

    BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
    The Handmaid’s Tale

    BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
    What We Do In The Shadows

    BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
    Star Trek: Picard

    BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
    Ozark, Fire Pink

    BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
    Watchmen, This Extraordinary Beign

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
    Stranger Things

    BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian

    BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
    The Mandalorian

    BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
    Watchmen

    BEST SPECIAL VISUAL EFFECTS
    The Mandalorian

    BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
    Tales From The Loop

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    Madson Melo
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    #1203709835

    The last night will have A LOT of categories, right?

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