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2021 Creative Arts Emmys (Saturday Ceremony)

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    Chris Beachum
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    In our long-running annual tradition, Gold Derby will offer a live slugfest during the 2021 Creative Arts Emmy Awards ceremony. The first of three events this weekend is on Saturday, September 11, at 5:00 p.m. PT. Watch senior editor Rob Licuria in the video box above as he welcomes senior editor Daniel Montgomery and contributors David Buchanan and Kevin Jacobsen in our show directed by Riley Chow. In our two-hour show, they will be revealing winners live as announced in downtown Los Angeles and discussing what these results might mean for the Primetime Emmys ceremony on September 19. You can also add your comments about the results below.

    36 categories for Saturday’s ceremony (in alphabetical order):

    Cinematography for a Limited or Anthology Series Or Movie

    Cinematography for a Multi-Camera Series

    Cinematography for a Single-Camera Series (Half-Hour)

    Cinematography for a Single-Camera Series (One Hour)

    Costumes (Contemporary)

    Costumes (Fantasy/Sci-Fi)

    Costumes (Period)

    Costumes (Variety, Nonfiction or Reality)

    Hairstyling (Contemporary)

    Hairstyling (Variety, Nonfiction or Reality)

    Hairstyling (Period/Character)

    Innovation in Interactive Programming

    Interactive Program

    Main Title Design

    Makeup (Contemporary; Non-Prosthetic)

    Makeup (Period/Character)

    Makeup (Variety, Nonfiction or Reality; Non-Prosthetic)

    Makeup (Prosthetic)

    Motion Design

    Multi-Camera Picture Editing for a Comedy Series

    Picture Editing for a Comedy Series (Single-Camera)

    Picture Editing for a Drama Series (Single-Camera)

    Picture Editing for a Limited or Anthology Series or Movie (Single-Camera)

    Picture Editing for Variety Programming

    Production Design for a Narrative Contemporary Program (One Hour Or More)

    Production Design for a Narrative Period Or Fantasy Program (One Hour Or More)

    Production Design for a Narrative Program (Half-Hour)

    Production Design for a Variety Special

    Production Design for a Variety, Reality, Or Competition Series

    Sound Editing for a Comedy Or Drama Series (Half-Hour) And Animation

    Sound Editing for a Comedy Or Drama Series (One Hour)

    Sound Editing for a Limited or Anthology Series, Movie, Or Special

    Sound Mixing for a Comedy Or Drama Series (Half-Hour) And Animation

    Sound Mixing for a Comedy or Drama Series (One Hour)

    Sound Mixing for a Limited or Anthology Series or Movie

    Sound Mixing for a Variety Series or Special

    Also join us for our live coverage of two more ceremonies on Sunday, September 12, at 1:00 p.m. PT and 5:00 p.m. PT.

     

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    Luca Giliberti
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    Happy Creative Arts weekend, everyone! I am so ready for this.

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    gabspss
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    PREDICTIONS:

    Cinematography for a Limited or Anthology Series Or Movie

    The Queen’s Gambit – Steven Meizler (Netflix)

    Cinematography for a Multi-Camera Series

    Country Comfort – George Mooradian (Episode: “Crazy”) (Netflix)

    Cinematography for a Single-Camera Series (Half-Hour)

    The Mandalorian – Matthew Jensen (Episode: “Chapter 15: The Believer”) (Disney+)

    Cinematography for a Single-Camera Series (One Hour)

    The Mandalorian – Baz Idoine (Episode: “Chapter 13: The Jedi”) (Disney+)

    Costumes (Contemporary)

    Pose (Episode: “Series Finale”) (FX)

    Costumes (Fantasy/Sci-Fi)

    WandaVision (Episode: “Filmed Before a Live Studio Audience”) (Disney+)

    Costumes (Period)

    The Crown (Episode: “Terra Nullius”) (Netflix)

    Hairstyling (Contemporary)

    Pose (Episode: “Series Finale”) (FX)

    Hairstyling (Variety, Nonfiction or Reality)

    RuPaul’s Drag Race (Episode: “The Pork Chop”) (VH1)

    Hairstyling (Period/Character)

    The Crown (Episode: “War”) (Netflix)

    Interactive Program

    Space Explorers: The ISS Experience (Oculus)

    Main Title Design

    WandaVision (Disney+)

    Makeup (Contemporary; Non-Prosthetic)

    Pose (Episode: “Series Finale”) (FX)

    Makeup (Period/Character)

    The Queen’s Gambit (Episode: “Adjournment”) (Netflix)

    Makeup (Variety, Nonfiction or Reality; Non-Prosthetic)

    Saturday Night Live (Episode: “Host: Elon Musk”) (NBC)

    Makeup (Prosthetic)

    The Mandalorian (Episode: “Chapter 13: The Jedi”) (Disney+)

    Multi-Camera Picture Editing for a Comedy Series

    The Conners – Brian Schnuckel (Episode: “Jeopardé, Sobrieté and Infidelité”) (ABC)

    Picture Editing for a Comedy Series (Single-Camera)

    The Flight Attendant – Heather Persons (Episode: “In Case of Emergency”) (HBO Max)

    Picture Editing for a Drama Series (Single-Camera)

    The Mandalorian – Adam Gerstel (Episode: “Chapter 16: The Rescue”) (Disney+)

    Picture Editing for a Limited or Anthology Series or Movie (Single-Camera)

    The Queen’s Gambit – Michelle Tesoro (Episode: “Exchanges”) (Netflix)

    Picture Editing for Variety Programming

    Last Week Tonight with John Oliver – Ryan Barger and Anthony Miale (Episode: “Trump & Election Results / F*ck 2020”) (HBO)

    Production Design for a Narrative Contemporary Program (One Hour Or More)

    The Handmaid’s Tale (Episode: “Chicago”) (Hulu)

    Production Design for a Narrative Period Or Fantasy Program (One Hour Or More)

    The Mandalorian (Episode: “Chapter 13: The Jedi”) (Disney+)

    Production Design for a Narrative Program (Half-Hour)

    WandaVision (Disney+)

    Production Design for a Variety Special

    The Oscars (ABC)

    Production Design for a Variety, Reality, Or Competition Series

    Saturday Night Live (Episode: “Host: Kristen Wiig”) (NBC)

    Sound Editing for a Comedy Or Drama Series (Half-Hour) And Animation

    Love, Death & Robots (Episode: “Snow in the Desert”) (Netflix)

    Sound Editing for a Comedy Or Drama Series (One Hour)

    The Mandalorian (Episode: “Chapter 13: The Jedi”) (Disney+)

    Sound Editing for a Limited or Anthology Series, Movie, Or Special

    WandaVision (Episode: “The Series Finale”) (Disney+)

    Sound Mixing for a Comedy Or Drama Series (Half-Hour) And Animation

    Ted Lasso (Episode: “The Hope That Kills You”) (Apple TV+)

    Sound Mixing for a Comedy or Drama Series (One Hour)

    The Mandalorian (Episode: “Chapter 13: The Jedi”) (Disney+)

    Sound Mixing for a Limited or Anthology Series or Movie

    The Queen’s Gambit (Episode: “End Game”) (Netflix)

    Sound Mixing for a Variety Series or Special

    Hamilton (Disney+)

    It's about the chaotic editing in Moulin Rouge!

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    Luca Giliberti
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    Watch out for THT in editing. This is the position Wendy Hallam Martin was in in 2018 when she won.

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    estrelas
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    The Mandalorian is not winning Editing, with 4 episodes nominated. It’ll be The Crown or The Handmaid’s Tale, and I’m starting to lean towards the latter.

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    Luca Giliberti
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    The Mandalorian is not winning Editing, with 4 episodes nominated. It’ll be The Crown or The Handmaid’s Tale, and I’m starting to lean towards the latter.

    I agree. Though “The Rescue” is, at least IMO, the obvious choice from the Mando eps.

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    wolfali
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    Editing is a vote-splitty category. <i>The Flight Attendant</i> is more or less guaranteed the comedy win and I think either The Crown or Handmaid’s will win drama.

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    gabspss
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    I think The Handmaid’s Tale can EASILY win this, but the amount of support for The Mandalorian by editors is also astonishing. 7 noms in 2 years, just WOW. “The Rescue” is the most action packed episode of the whole show and we know how much good editing can help in creating tension in acting packed scenes. I went back to see how much vote splitting is a factor in this category and I noticed a lot of shows with 2-3 noms have won before. At the end of the day, this is a just a guess like any other. I’d say THT is the frontrunner for obvious reasons tho.

    It's about the chaotic editing in Moulin Rouge!

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    Luca Giliberti
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    I’m not gonna lie: “The Rescue” is just epic, and the editing plays an important role. That said, I still think The Crown might just take this. I don’t think THT is necessarily a frontrunner, though I would love for it to be.

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    estrelas
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    The thing about The Crown is, “Fairytale” is arguably the most popular episode of season 4 (and the most submitted) but “Avalanche” is clearly the standout in terms of Editing. That’s why I think The Handmaid’s Tale is going to take this by default.

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    Luca Giliberti
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    And “The Crossing” is IMO a great editorial achievement. The tension in that first half in particular is A+.

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    wolfali
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    The thing about The Crown is, “Fairytale” is arguably the most popular episode of season 4 (and the most submitted) but “Avalanche” is clearly the standout in terms of Editing. That’s why I think The Handmaid’s Tale is going to take this by default.

    This is true but I question how much showiness matters here. Succession won this category after all last year for “This is Not For Tears” even though “DC” was the showier episode. A lot of winners in these categories over the past few years have been the directing nominee/winner.

    That being said I will probably predict Handmaid’s to win.

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    Couverture
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    Shows that overcame three way vote splits in editing (ACS S1, GoT S8 and Watchmen) were just too big of a juggernaut for their competition. Both GoT and Watchmen had more nominations than their competition combined for example.

    The Mandalorian is more similar in how it’s positioned to the ones that didn’t win imo (Fargo S3, GoT S7, ACS S2). They were strong but not too big for their competition to overcome those respective vote-splits. The lack of a clear consensus favourite/push is another disadvantage for it which would not be the case for the competition here imo.

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    braydenfitzsimmons
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    but the amount of support for The Mandalorian by editors is also astonishing. 7 noms in 2 years, just WOW.

    Especially when you look at all the other drama shows with 7+ editing noms and how long it took them to get there.

    11 nominations
    Game of Thrones (6 seasons)
    The Sopranos (4 seasons)
    24 (4 seasons)

    10 nominations
    Breaking Bad (5A)
    ER (4 seasons)

    8 nominations
    Mad Men (4 seasons)
    The X-Files (5 seasons)

    7 nominations
    Lost (6 seasons)
    The Mandalorian (2 seasons)

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    Couverture
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    To be fair, editing only had 5 nominees till 2018. We’ve had 15 nominees in the past two years combined otoh. I assume that haul would be nearly half of what it is atm with less slots. The unlimited ballot also came into effect only a few years ago which is another advantage.

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