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Guilds with only 2023 cycle aired shows:
Drama
1. Better Call Saul: 9 (+2) – ADG, ASC, CAS, CSA, DGA, MPSE, PGA, SAG, WGA (would need to check which is for what half)
5. Andor: 5 (N/A) – ADG, MPSE, PGA, SOCL, WGA
5. The Crown: 5 (-5) – ADG, CDG, MPSE, SAG, WGA
7. House of the Dragon: 4 (N/A) — ADG, ASC, CDG, MUAHS
7. The Lord of the Rings : The Rings of Power: 4 (N/A) – ADG, CDG, MPSE, SOCL
9. Stranger Things (BTL only): 4 (-1) – ADG, CAS, MPSE, MUAHS I’m going to note here I’m pretty sure most of these are for episode 7 that’s not eligible in next years Emmys.
11. The Old Man: 2 (N/A) – ASC, SAG
11. Westworld: 2 (-3) – ASC, CDG (since cancelled)
17. 1899: 1 (N/A) – ASC (since cancelled)
17. Bad Sisters: 1 (N/A) – WGA
17. Dangerous Liaisons: 1 (N/A) — MUAHS (since cancelled)
17. Interview with the Vampire: 1 (N/A) – ASC
17. Kindred: 1 (N/A) — MUAHS
17. Peaky Blinders: 1 (no change) – ADGComedy
1. Only Murders in the Building: 8 (+1) – ADG, CAS, CSA, MPSE, PGA, SAG, SOCL, WGA
4. The Bear: 6 (N/A) – CAS, DGA, MPSE, PGA, SAG, WGA
4. Wednesday: 6 (N/A) – ADG, CDG, DGA, MPSE, MUAHS, SAG
7. Abbott Elementary: 4 (N/A) – CSA, MUAHS, PGA, SAG
8. Emily in Paris: 3 (+1) – ADG, CDG, MUAHS
8. What We Do in the Shadows: 3 (-2) – ADG, CAS, CDG
10. She-Hulk: 2 (N/A) – CAS, MPSELimited
1. The White Lotus: 10 (+1) – ADG, CAS, CDG, DGA, MPSE, MUAHS, PGA, SAG, SOCL, WGA
2. Guillermo del Toro’s Cabinet of Curiosities: 4 – ADG, ASC, CAS, MUAHS
2. Obi-Wan Kenobi: 4 – ADG, CAS, DGA, PGA
6. Dahmer: 3 – CAS, PGA, SAG
6. Pinocchio: 3 – ADG, MPSE, PGA
6. Prey: 3 – CAS, MPSE, PGA
9. Hocus Pocus 2 : 2 — MUAHS, PGA
9. Weird : The Al Yankovic Story: 2 – MPSE, PGA16. American Horror Stories: 1 — MUAHS
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16. Black Bird: 1 — SAG
16. The English: 1 — SAG
16. Fleishman is in Trouble: 1 — WGA
16. George and Tammy: 1 — SAG
16. The Patient: 1 — SAG
16. The Witcher : Blood Origin: 1 – CDG1. Better Call Saul: 9 (+2) – ADG, ASC, CAS, CSA, DGA, MPSE, PGA, SAG, WGA (would need to check which is for what half)
ADG – Both (“Wine and Roses” was 6A whilst “Nippy” was 6B)
ASC – 6B (“Saul Gone”)
CAS – 6B (“Saul Gone”)
CSA – 6A (they have the same eligibility cycle as the Emmys)
DGA – 6B (“Waterworks”)
MPSE – Both (“Saul Gone” and “Carrot Stick”)
PGA – Both
SAG – Both
WGA – BothReplyCopy URLSolidarity with the striking writers. Pay them the wages they are owed for bringing us the content we are all on here because of!
Interesting that WGA panelled episodic category is the only one to nominate individual episodes from 6A only (“Rock and Hard Place” and “Point and Shoot”).
Everywhere else went 6B when given the opportunity (CSA different eligibility cycle and PGA; SAG and WGA main category don’t nominate episodes).
ReplyCopy URLThe growing support, get ready for Emmy nom #2.
In EIP’s defence, as someone who reads/subscribes to a lot of fashion and makeup, their marketing team is wonderful at promoting it and getting those creatives mainstream press, and the cast are on the case too. There is generally a good alignment of that vs who gets in here.
In theory (let’s take costumes), stuff like Abbott (the Halloween ep comes to mind, and Black-ish was an Emmy costumes contender, so they’re not anti network), Severance, and OMITB and Andor should be stronger here, but those things aren’t part of their campaign focus. Having cast that genuinely like fashion and costumes/makeup/whatever tends to help too (i.e Euphoria).
ReplyCopy URLIt will be there once the Film noms are out on January 25th.
Thanks!
PS – I try to keep things very positive when I post online, but I’m still not over the snubs Jessica Lee Gagne/Cinematography team has received here and at the Emmys. I thought the cinematography in Severance was absolutely brilliant, super challenging and very worthy of recognition. <rant over>
ReplyCopy URLPS – I try to keep things very positive when I post online, but I’m still not over the snubs Jessica Lee Gagne/Cinematography team has received here and at the Emmys. I thought the cinematography in Severance was absolutely brilliant, super challenging and very worthy of recognition.
They do great work!
ReplyCopy URLIt’s really struck me how much rejection of big heavy VFX pieces there is here. HoTD and TRoP overall underperformed, and there was a real rejection of anything comic adaptation or superhero. Andor’s notably practical compared to some of the alternatives, and Wednesday is the sort of more mid-budget thing that would typically be overrun by flashier alternatives in a lot of areas.
I think the VES / Visual effects noms here may be quite telling.
ReplyCopy URLWas looking at what had won drama series at WGA to try and inform my predictions more and it’s interesting to me how (with the exception of The Wire which wasn’t even noninated) almost every show that has won here since the category’s creation either has come off of winning a major Emmy or has been on its way to win one.
2005: Lost (won drama series and directing at the 2005 Emmys)
2006: The Sopranos (won drama writing at the 2006 Emmys)
2007: The Wire (not nominated for any Emmys)
2008: Mad Men (won drama seroes and writing at the 2009 Emmys)
2009: Mad Men (won drama series and writing at the 2010 Emmys)2010: Mad Men (won drama series at the 2011 Emmys)
2011: Breaking Bad (won drama s. actor at the 2012 Emmys)
2012: Breaking Bad (won drama series and s. actress at the 2013 Emmys)
2013: Breaking Bad (won drama series, actor, s. actor, s. actress and writing at the 2014 Emmys)
2014: True Detective (won drama directing at the 2014 Emmys)
2015: Mad Men (won drama actor at the 2015 Emmys)
2016: The Americans (won drama guest actress at the 2016 Emmys)
2017: The Handmaid’s Tale (won drama series, actress, s. actress, writing, directing and g. actress at the 2017 Emmys)
2018: The Americans (won drama actor and writing at the 2018 Emmys)
2019: Succession (won drama series, actor, writing, directing and g. actress at the 2020 Emmys)2020: The Crown (won drama series, actor, actress, s. actor, s. actress, writing, directing and g. actress at the 2021 Emmys)
2021: Succession (won drama series, s. actor, writing at the 2022 Emmys)It’s going to be interesting to see what wins here and seeing if it ends up foreshadowing anything at the Emmys seeing as one of the nominees is a completely new show that seems to be quite untested, three are coming off of zero major wins from the previous Emmy cycle (with one of them having never won an Emmy in the 6 seasons it has been on air) and the other nominee being a show that whilst coming off a clean Emmy sweep has been under-performing to the extent that it didn’t get in at PGA.
ReplyCopy URLSolidarity with the striking writers. Pay them the wages they are owed for bringing us the content we are all on here because of!
I think one of the things I’m struggling with at the moment with the TV awards is that a lack of agreement plus feeling like everything is drowned out by the film side has made me feel like it’s hard to get a heat check on different shows and what is and isn’t working for industry, not just critics. There’so much noise amongst the signal.
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