Creative Arts Emmys Night #3 on Wednesday: Predictions and Reactions

[Chris Beachum Joined: May 22nd, 2011 Topics: 828 Posts: 1377 View Predictions]

#1203709224

The Creative Arts Emmys are now being presented over an astonishing five nights this week. Watch our lively post-show below at 6:30 PT; 9:30 ET on Wednesday, September 16, following Night #3 of these ceremonies, with virtual emcee Nicole Byer (“Nailed It!”). Gold Derby’s Riley Chow will host editor Joyce Eng plus contributors Kevin Jacobsen and Tom O’Brien as they debate the winners and losers.

https://youtu.be/eaMgj-K-Qsc

This evening’s ceremony largely focuses on scripted categories, including the following:

BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE

BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES

BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)

BEST CONTEMPORARY HAIRSTYLING

BEST FANTASY/SCI-FI COSTUMES

BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES

BEST PERIOD COSTUMES

BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)

BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)

BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL

BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES

BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE

BEST SPECIAL VISUAL EFFECTS

BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE

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[Riley Chow Joined: Oct 11th, 2010 Topics: 21 Posts: 2216 View Predictions]

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CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
Watchmen: “This Extraordinary Being”

CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
The Ranch: “It Ain’t My Fault”

CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
The Mandalorian: “The Reckoning”

CONTEMPORARY HAIRSTYLING
black-ish: “Hair Day”

FANTASY/SCI-FI COSTUMES
Watchmen: “It’s Summer and We’re Running Out of Ice”

MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
Will & Grace: “We Love Lucy”

PERIOD COSTUMES
The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage”

PERIOD AND/OR CHARACTER MAKEUP
The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage”

PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM
Killing Eve: “Are You from Pinner?”

PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
The Mandalorian: “The Mandalorian”

PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
Picard: “Absolute Candor”

SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
Ozark: “Fire Pink”

SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
Watchmen: “A God Walks into Abar”

SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Stranger Things: “The Battle of Starcourt”

SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian: “The Mandalorian”

SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian: “The Child”

SOUND MIXING FOR A LIMITED SERIES OR MOVIE
Watchmen: “This Extraordinary Being”

SPECIAL VISUAL EFFECTS
The Mandalorian: “The Child”

SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
Devs: “Episode 8”

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[AayaanUpadhyaya Joined: Dec 15th, 2011 Topics: 1 Posts: 848 View Predictions]

#1203709443

CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
Watchmen: “This Extraordinary Being”

CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
The Ranch: “It Ain’t My Fault”

CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
The Mandalorian: “The Reckoning”

CONTEMPORARY HAIRSTYLING
Schitt’s Creek: “Happy Ending”

FANTASY/SCI-FI COSTUMES
Watchmen: “It’s Summer and We’re Running Out of Ice”

PERIOD COSTUMES
The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage”

PERIOD AND/OR CHARACTER MAKEUP
Pose: “Acting Up”

PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
Star Trek: Picard: “Absolute Candor”

PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM
Succession: “This Is Not For Tears”

PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
The Mandalorian: “The Mandalorian”

SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
Ozark: “Fire Pink”

SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
Mrs America: “Phyllis”

MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
Will & Grace: “We Love Lucy”

SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Stranger Things: “The Battle of Starcourt”

SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian: “The Mandalorian”

SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian: “The Child”

SOUND MIXING FOR A LIMITED SERIES OR MOVIE
Watchmen: “This Extraordinary Being”

SPECIAL VISUAL EFFECTS
The Mandalorian: “The Child”

SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
Devs: “Episode 8”

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[Riley Chow Joined: Oct 11th, 2010 Topics: 21 Posts: 2216 View Predictions]

#1203709462

The Black Lives Matter sentiment that manifested strongly in nominations has not manifested in the winners thus far at all. One category that I am keeping an eye on tonight is contemporary hairstyling. Guild-winning Big Little Lies was snubbed, so the race is wide open with none of the nominees ever having won an American industry award for hair. And then we have black-ish with “Hair Day” as one of the nominees.

This is also one to watch because Schitt’s Creek could win, having won for its hair at the Canadian Screen Awards for the first time this year. With that precursor, the open field and it being on the path to a series award, this award is gettable. If we see it lose to something like Grace and Frankie or The Handmaid’s Tale, it might not be strong enough to sweep.

I have switched from Picard to The Marvelous Mrs. Maisel for makeup after how basic the winners from the last two night have been, so I now have The Marvelous Mrs. Maisel predicted for two categories, but it is not a lock for either. I low-key wonder if passion for the show evaporated in 2020 and we could see it suffer a historic shutout or at least a fall like The Handmaid’s Tale suffered after sweeping.

Drama editing is obviously a biggie. Succession can win, but Succession is also pretty soft in the techs. Should be hard to win editing while you are snubbed in cinematography and sound. Name recognition seems to matter somewhat during the nominations phase with editors, but not at all when it comes to the winners phase. This was demonstrated by the first-time nominee behind “The Race Card” winning over an entire field of editors with awards histories. So that would give the nonwhite first-time nominee behind “Fire Pink” an edge over “Wartime”, but “Fire Pink” is also a terrible title. The editors did not know which episode “Hardhome” was, so I do not see why they would know “Fire Pink”. The category’s only single-nominated show, Stranger Things is right there, having won two seasons ago and being a tech-heavy steak-eater show that proved resilient this year. Ozark is at risk of vote-splitting, but if it is on the path to a series win, it kind of needs to win this because series winners often overcome vote-splitting in editing.

I have Watchmen for example, even though it is nominated three times. It is like last year with Chernobyl. There was no obvious choice between “Please Remain Calm” and “Open Wide, O Earth”, but I ultimately had to predict the show because there was not an alternative. It seemed like it actually would be placing first and second. I can see “This Extraordinary Being” being the one that gets predicted most, but I rank it third of the Watchmen options for two reasons. First, I do not think that the editors know which episode it is. Given the choice between the titles “It’s Summer and We’re Running Out of Ice”, we have seen both the Directors Guild and the costumer branch choose the former. And if the editors know which episode it is, that actually hurts it. Whenever it is just editors voting, we have consistently seen them respond disproportionately poorly to long takes, be it the ones in Birdman, Gravity or Roma. A win here would help its case in directing. Safe money might be on the pilot, but I am going with “A God Walks into Abar”, which is the episode in which a god walks into a bar, which was a better episode anyway, plus the editing was more instrumental to the storytelling. They passed over the American Crime Story pilot.

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[AayaanUpadhyaya Joined: Dec 15th, 2011 Topics: 1 Posts: 848 View Predictions]

#1203709507

Riley, do you think Mrs. America is that weak that it can’t take advantage of a clear vote split scenario? We have seen shows like Crazy Ex Girlfriend and Master of None win editing due to vote splitting, why not Mrs. America too? I am very unsure about this prediction.

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[Riley Chow Joined: Oct 11th, 2010 Topics: 21 Posts: 2216 View Predictions]

#1203709515

I do not see any passion for it. Crazy Ex-Girlfriend had passion. And I would contend that Watchmen is more in the editors’ wheelhouse than Veep anyway. It is tough though; El Camino has a chance too.

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[wolfali Joined: Apr 8th, 2023 Topics: 249 Posts: 39070 View Predictions]

#1203709562

Riley Chow wrote:

This is also one to watch because Schitt’s Creek could win, having won for its hair at the Canadian Screen Awards for the first time this year. With that precursor, the open field and it being on the path to a series award, this award is gettable. If we see it lose to something like Grace and Frankie or The Handmaid’s Tale, it might not be strong enough to sweep. I have switched from Picard to The Marvelous Mrs. Maisel for makeup after how basic the winners from the last two night have been, so I now have The Marvelous Mrs. Maisel predicted for two categories, but it is not a lock for either. I low-key wonder if passion for the show evaporated in 2020 and we could see it suffer a historic shutout or at least a fall like The Handmaid’s Tale suffered after sweeping.

Totally agree with this. I can see Maisel end up being like The Handmaid’s Tale or I could see it do as well as it did last year because of the weaker field.

Same with Schitt’s Creek. To me it needs to win something other than Casting over these nights for me to predict it to sweep.

I can actually see a scenario where Schitt’s does what Maisel s1 did and sweep all but maybe one of the acting categories it’s nominated for + Writing + Directing whilst Maisel does what Atlanta s2 did and win only a small number of crafts but get shut out at the main ceremony.

Solidarity with the striking writers. Pay them the wages they are owed for bringing us the content we are all on here because of!

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[Gabarnes43 Joined: Jan 6th, 2018 Topics: 34 Posts: 1940 View Predictions]

#1203709566

BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
– Watchmen “This Extraordinary Being”

BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
– The Ranch “It Ain’t My Fault”

BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
– The Mandalorian

BEST CONTEMPORARY HAIRSTYLING
– Schitts Creek “Happy Ending”

BEST FANTASY/SCI-FI COSTUMES
– Watchmen

BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
– Will and Grace “We Love Lucy”

BEST PERIOD COSTUMES
– The Crown “Cri de Coeur”

BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
– The Marvelous Mrs Maisel “It’s Comedy or Cabbage”

BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
– Killing Eve “Are You From Pinner”

BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
– The Mandalorian “The Mandalorian”

BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
– The Mandalorian “The Prisoner”

BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
– Stranger Things “The Battle of Starcount”

BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
– El Camino

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
– Stranger Things “The Battle of Starcount”

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
– The Mandalorian “The Mandalorian”

BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
– The Mandalorian “The Child”

BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
– Watchmen “This Extraordinary Bein”

BEST SPECIAL VISUAL EFFECTS
– The Mandalorian “The Child”

BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
– Devs “Episode 8”

Emmys FYC

Christina Applegate in ‘Dead to Me’

The White Lotus in all categories

Elizabeth Debicki, Lesley Manville and Yvonne Strahovski- Drama Supporting Actress

Ali Wong in ‘Beef’

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[DvirBA Joined: Apr 23rd, 2018 Topics: 3 Posts: 203 View Predictions]

#1203709568

Hoping to see something more compelling than a Watchmen sweep. Unlikely though

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[rafaeltxeira Joined: Feb 17th, 2013 Topics: 0 Posts: 51 View Predictions]

#1203709570

BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
Watchmen This Extraordinary Being

BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
Will & Grace

BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
The Mandalorian

BEST CONTEMPORARY HAIRSTYLING
The Handmaid’s Tale

BEST FANTASY/SCI-FI COSTUMES
The Mandalorian

BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
One Day at a Time

BEST PERIOD COSTUMES
The Crown

BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
The Marvelous Mrs. Maisel

BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
The Handmaid’s Tale

BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
The Mandalorian

BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
Star Trek: Picard

BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
Stranger Things

BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
Watchmen This Extraordinary Being

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Stranger Things

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian

BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian

BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
Watchmen

BEST SPECIAL VISUAL EFFECTS
The Mandalorian

BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
Tales from the Loop

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[Eden Joined: Jun 7th, 2016 Topics: 11 Posts: 820 View Predictions]

#1203709579

I’m considering Succession for Production Design and Picture Editing. What I find interesting here is the competition it’s facing. For Production Design, the competition is three-time consecutive winner The Handmaid’s Tale. For Picture Editing, 2017 winner Stranger Things is the only nominee that won’t be hurt by vote-splitting. Basically, you have this year’s Drama frontrunner facing competition from two fading shows.

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[wolfali Joined: Apr 8th, 2023 Topics: 249 Posts: 39070 View Predictions]

#1203709649

BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE

Watchmen: “This Extraordinary Being”

BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES (was predicting Will and Grace because it’s on its final season but so is The Ranch so this will be an interesting one)

The Ranch: “It Ain’t My Fault” (Spoiler: Will and Grace)

BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)

The Mandalorian: “The Reckoning” (Insecure‘s double nomination is a feat on its own but it’s vote splitting imo)

BEST CONTEMPORARY HAIRSTYLING

Black-ish: “Hair Day” (part of my argument for this one is narrative and also it’s baity episode name) (Spoiler: Schitt’s Creek)

BEST FANTASY/SCI-FI COSTUMES

Watchmen: “It’s Summer and We’re Running Out of Ice” (Spoiler: The Mandalorian)

BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES

Will & Grace: “We Love Lucy” (Spoiler: One Day at a Time)

BEST PERIOD COSTUMES

The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage” (Spoiler: The Crown) (this will be one of the key categories to tell us how Maisel love in the Academy is generally overall)

BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)

The Marvelous Mrs. Maisel: “It’s Comedy or Cabbage” (Spoiler: Picard)

BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)

Succession: “This Is Not For Tears” (will say again that no Drama Series apart from GoT last year which lost its category to Chernobyl has lost production design and gone on to win Series. I am predicting Succession here but Ozark can easily win this too) (Spoiler: Ozark)

BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)

The Mandalorian: “The Mandalorian” (Spoiler: What We Do in the Shadows)

BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL

Picard: “Absolute Candor” (Spoiler: Hollywood)

BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES

Ozark: “Fire Pink” (Spoiler: Stranger Things)

BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE

Watchmen: “A God Walks Into Abar” (Spoiler: El Camino)

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)

Stranger Things: “Chapter Eight : The Battle of Starcourt” (Spoiler : The Crown)

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

The Mandalorian: “The Mandalorian” (Spoiler : What We Do in the Shadows)

BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION

The Mandalorian: “The Child” (Spoiler : Schitt’s Creek)

BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE

Watchmen: “This Extraordinary Being” (Spoiler : El Camino)

BEST SPECIAL VISUAL EFFECTS

Watchmen: “See How They Fly” (Spoiler : The Mandalorian)

BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE

Devs: “Episode 8” (Spoiler : The Handmaid’s Tale)

Solidarity with the striking writers. Pay them the wages they are owed for bringing us the content we are all on here because of!

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[ricardo505 Joined: Jun 14th, 2015 Topics: 1 Posts: 670 View Predictions]

#1203709680

BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
Watchmen: “This Extraordinary Being”

BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
The Ranch: “It Ain’t My Fault”

BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
The Mandalorian: “The Reckoning”

BEST CONTEMPORARY HAIRSTYLING
black-ish: “Hair Day”

BEST FANTASY/SCI-FI COSTUMES
Watchmen: “It’s Summer and We’re Running Out of Ice”

BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
Will & Grace: “We Love Lucy”

BEST PERIOD COSTUMES
The Crown: “Cri de Coeur”

BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
Pose: “Love’s in Need of Love Today”

BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
Succession: “This is Not for Tears”

BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
The Mandalorian: “Chapter 1: The Mandalorian”

BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
Star Trek: Picard: “Absolute Candor”

BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
Succession: “This Is Not for Tears”

BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
Watchmen: “A God Walks into Abar”

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Stranger Things: “Chapter Eight: The Battle of Starcourt”

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian: “Chapter 1: The Mandalorian”

BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian: “Chapter 2: The Child”

BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
Watchmen: “This Extraordinary Being”

BEST SPECIAL VISUAL EFFECTS
The Mandalorian: “Chapter 2: The Child”

BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
Devs: “Episode 8”

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[marcus_emn Joined: May 8th, 2018 Topics: 11 Posts: 866 View Predictions]

#1203709704

BEST CINEMATOGRAPHY FOR A LIMITED SERIES OR MOVIE
Watchmen, This Extraordinary Beign

BEST CINEMATOGRAPHY FOR A MULTI-CAMERA SERIES
Will & Grace

BEST CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (HALF-HOUR)
Insecure, Lowkey Happy

BEST CONTEMPORARY HAIRSTYLING
Black-ish

BEST FANTASY/SCI-FI COSTUMES
Watchmen

BEST MULTI-CAMERA PICTURE EDITING FOR A COMEDY SERIES
Will & Grace, We Love Lucy

BEST PERIOD COSTUMES
The Marvelous Mrs Maisel

BEST PERIOD MAKEUP AND/OR CHARACTER MAKEUP (NON-PROSTHETIC)
Pose

BEST PRODUCTION DESIGN FOR A NARRATIVE CONTEMPORARY PROGRAM (ONE HOUR OR MORE)
The Handmaid’s Tale

BEST PRODUCTION DESIGN FOR A NARRATIVE PROGRAM (HALF-HOUR)
What We Do In The Shadows

BEST PROSTHETIC MAKEUP FOR A SERIES, LIMITED SERIES, MOVIE OR SPECIAL
Star Trek: Picard

BEST SINGLE-CAMERA PICTURE EDITING FOR A DRAMA SERIES
Ozark, Fire Pink

BEST SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE
Watchmen, This Extraordinary Beign

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Stranger Things

BEST SOUND EDITING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian

BEST SOUND MIXING FOR A COMEDY OR DRAMA SERIES (HALF-HOUR) AND ANIMATION
The Mandalorian

BEST SOUND MIXING FOR A LIMITED SERIES OR MOVIE
Watchmen

BEST SPECIAL VISUAL EFFECTS
The Mandalorian

BEST SPECIAL VISUAL EFFECTS IN A SUPPORTING ROLE
Tales From The Loop

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[Madson Melo Joined: Jul 25th, 2011 Topics: 21 Posts: 340 View Predictions]

#1203709835

The last night will have A LOT of categories, right?

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