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BEST ANIMATED PROGRAM
The SimpsonsBEST CHILDREN’S PROGRAM
We Are the Dream: The Kids of the Oakland MLK Oratorical FestBEST COMMERCIAL
Back-to-School EssentialsBEST DOCUMENTARY OR NONFICTION SERIES
Tiger KingEXCEPTIONAL MERIT IN DOCUMENTARY FILMMAKING
The CaveBEST TELEVISION MOVIE
El caminoBEST UNSTRUCTURED REALITY PROGRAM
CheerBEST VARIETY SPECIAL (PRE-RECORDED)
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WatchmenBEST CHOREOGRAPHY FOR VARIETY OR REALITY PROGRAMMING
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The CrownBEST CONTEMPORARY COSTUMES
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EuphoriaBEST DIRECTING FOR A VARIETY SPECIAL
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SuccessionBEST PERIOD AND/OR CHARACTER HAIRSTYLING
HollywoodBEST PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM (ONE HOUR OR MORE)
The CrownBEST SINGLE-CAMERA PICTURE EDITING FOR A COMEDY SERIES
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DouglasBe careful when watching on FXX – based on how they aired the juried award winners, it looks like if there are multiple winners in a category, they announce one winner, show that acceptance speech, and then announce the next winner, without any mention in advance that there were multiple winners. Normally, the presenter will say that there are multiple winners before reading them.
Also, if the ceremony skips Exceptional Merit in Documentary Filmmaking, it would be because the category has the possibility of no winner. This has happened in the past, in the days of the “you need at least 50% approval to win in an Area” rule (which still exists in some Picture Editing and Sound Mixing categories).
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BoJack Horseman (Netflix)CHILDREN’S PROGRAM
We Are the Dream (HBO)COMMERCIAL
P&G: “The Look”DOCUMENTARY OR NONFICTION SERIES
The Last Dance (ESPN)MERIT IN DOCUMENTARY FILMMAKING
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El Camino (Netflix)UNSTRUCTURED REALITY PROGRAM
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Sticks & Stones (Netflix)CASTING FOR A LIMITED SERIES MOVIE OR SPECIAL
WatchmenCHOREOGRAPHY FOR VARIETY OR REALITY PROGRAMMING
World of Dance: “Dos Jueyes” & “El Ray Timbal”CINEMATOGRAPHY FOR A SINGLE-CAMERA SERIES (ONE HOUR)
The Crown: “Aberfan”CONTEMPORARY COSTUMES
Unorthodox: “Part 2”CONTEMPORARY MAKEUP
The Handmaid’s Tale: “Mayday”DIRECTING FOR A VARIETY SPECIAL
Live in Front of a Studio Audience: “All in the Family” and “Good Times”GUEST ACTOR IN A COMEDY SERIES
Saturday Night Live: Eddie MurphyGUEST ACTRESS IN A COMEDY SERIES
The Marvelous Mrs. Maisel: Wanda SykesGUEST ACTOR IN A DRAMA SERIES
This is Us: Ron Cephas JonesGUEST ACTRESS IN A DRAMA SERIES
How to Get Away with Murder: Cicely TysonHOST FOR A REALITY OR COMPETITION PROGRAM
Drag Race: RuPaul CharlesINTERACTIVE EXTENSION OF A LINEAR PROGRAM
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Saturday Night Live: “Host: John Mulaney”MAIN TITLE DESIGN
WatchmenMUSIC COMPOSITION FOR A SERIES
Succession: “This is Not for Tears”PERIOD AND/OR CHARACTER HAIRSTYLING
The Marvelous Mrs. Maisel: “A Jewish Girl Walks into the Apollo…”PRODUCTION DESIGN FOR A NARRATIVE PERIOD OR FANTASY PROGRAM
The Crown: “Aberfan”SINGLE-CAMERA PICTURE EDITING FOR A COMEDY SERIES
What We Do in the Shadows: “Resurrection”SOUND EDITING FOR A LIMITED SERIES, MOVIE OR SPECIAL
Watchmen: “This Extraordinary Being”SOUND MIXING FOR A COMEDY OR DRAMA SERIES (ONE HOUR)
Stranger Things: “The Battle of Starcourt”STUNT COORDINATION FOR A DRAMA SERIES, LIMITED SERIES OR MOVIE
The Mandalorian season 1WRITING FOR A VARIETY SPECIAL
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Sticks & StonesNo of course THT is more deserving. I’d argue THT should sweep all the crafts apart from Cinematography (where I’d narrowly go for The Crown).
It’s just that it would be quite sad to see Ozark go home empty handed when it should be winning something like Sound Mixing for example at the very least.
ReplyCopy URLFYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
I agree. But I think it proves what I and others have said all along, which is that voting for the nominations and winners are two very different processes. More name-checking/show-checking happens on the first go-around than on the second, which is why you can get 18 noms and still lose almost all of them. I think voters do just vote for their favorite nominee in the category when it comes time to select the winners. It’s how Handmaid’s could win production design over the two series frontrunners. I also think we’re seeing a lot of repeats, which is why I see people like Julia Garner, Alexis Bledel and so on possibly winning again.
ReplyCopy URLI also think we’re seeing a lot of repeats, which is why I see people like Julia Garner, Alexis Bledel and so on possibly winning again.
Yeah this is how I’m feeling on the Comedy side. I switched to predicting Dan Levy but I have a feeling considering how much love in the industry there is generally for Shalhoub and considering how he repeated at SAG that he might repeat.
I feel a bit less confident in Garner having a chance to win than I was but we’ll see.
ReplyCopy URLFYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
Yeah I really can’t see anything beating Euphoria in Makeup. Just by virtue of it being such a key part of the shows overall vibe.
I mean as soon as you type in Euphoria you SEE the makeup. It’s such a central part of the vibe as you said and it’s for similar reasons why I think Unorthodox is winning Costumes and not Killing Eve or Schitt’s Creek (although props to them because they’re both incredibly deserving).
Very interested to see what happens in hairstyling (period/character). Westworld was snubbed and The Crown hasn’t won this award yet so unless there is more support than I was expecting across the board with The Crown I should go with incumbent winner Maisel no?
ReplyCopy URLFYC: Better Call Saul, The English and The Good Fight in all categories including Emily Blunt, Bob Odenkirk, Christine Baranski and Rhea Seehorn.
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