[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204680830

Jean-Marc Vallee, director of Dallas Buyers Club and Wild, has passed away.

Jean-Marc Vallée Has Died; Director Of ‘Dallas Buyers Club,’ ‘Big Little Lies’ & ‘Sharp Objects’ Was 58

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204637999

22nd Alternate Oscars (1949)

BEST PICTURE

Battleground – Dore Schary
The Fallen Idol – Carol Reed
**The Heiress – William Wyler**
A Letter to Three Wives – Sol C. Siegel
White Heat – Louis F. Edelman

BEST DIRECTOR

Vittorio De Sica – Bicycle Thieves
Carol Reed – The Fallen Idol
**William Wyler – The Heiress**
Joseph L. Mankiewicz – A Letter to Three Wives
Raoul Walsh – White Heat

BEST LEADING ACTOR

Kirk Douglas – Champion
Ralph Richardson – The Fallen Idol
Robert Ryan – The Set-Up
James Cagney – White Heat
**Gregory Peck – Yellow Sky**

BEST LEADING ACTRESS

**Olivia de Havilland – The Heiress**
Ann Sheridan – I Was a Male War Bride
Ann Sothern – A Letter to Three Wives
Linda Darnell – A Letter to Three Wives
Jennifer Jones – Madame Bovary

BEST SUPPORTING ACTOR

**James Whitmore – Battleground**
Thomas Gomez – Force of Evil
Ralph Richardson – The Heiress
Juano Hernandez – Intruder in the Dust
Edmond O’Brien – White Heat

BEST SUPPORTING ACTRESS

Mercedes McCambridge – All the King’s Men
**Miriam Hopkins – The Heiress**
Margaret Leighton – Under Capricorn
Margaret Wycherly – White Heat
Anne Baxter – Yellow Sky

BEST ORIGINAL SCREENPLAY

Battleground – Robert Pirosh
A Canterbury Tale – Michael Powell and Emeric Pressburger
Germany Year Zero – Roberto Rossellini, Max Kolpe and Carlo Lizzani
Passport to Pimlico – T.E.B. Clarke
**White Heat – Ivan Goff (screenplay), Ben Roberts (screenplay) and Virginia Kellogg (story)**

BEST ADAPTED SCREENPLAY

Bicycle Thieves – Cesare Zavattini, Gerardo Guerrieri, Gherardo Gherardi, Adolfo Franci, Vittorio De Sica, Suso Cecci D’Amico and Oreste Biancoli, based on the novel by Luigi Bartolini
Day of Wrath – Carl Theodor Dreyer, Poul Knudsen and Mogens Skot-Hansen, based on the play Anne Pedersdotter by Hans Wiers-Jenssen
The Fallen Idol – Graham Greene, based on his short story
The Heiress – Ruth and Augustus Goetz, based on their play and the novel Washington Square by Henry James
**A Letter to Three Wives – Joseph L. Mankiewicz, based on the novel Letter to Five Wives by John Klemper**

BEST FOREIGN FILM

Bitter Rice (Italy) – Giuseppe De Santis
**Late Spring (Japan) – Yasujiro Ozu**
Salon Mexico (Mexico) – Emilio Fernandez

BEST ORIGINAL SCORE

Bicycle Thieves – Alessandro Cicogini
The Fallen Idol – William Alwyn
**The Heiress – Aaron Copland**
A Letter to Three Wives – Alfred Newman
Madame Bovary – Miklos Rosza

BEST ORIGINAL SONG

“Baby It’s Cold Outside” from Neptune’s Daughter – Music and Lyrics by Frank Loessler
“My Foolish Heart” from My Foolish Heart – Music by Victor Young; Lyrics by Ned Washington
“Lavender Blue” from So Dear to My Heart – Music by Elliot Daniel; Lyrics by Ira Gershwin
“Through a Long and Sleepless Night” from Come to the Stable – Music by Alfred Newman; Lyrics by Mack Gordon
**“You’d Be Hard to Replace” from The Barkleys of Broadway – Music by Harry Warren; Lyrics by Ira Gershwin**

BEST SOUND RECORDING

**Battleground – Douglas Shearer**
Champion – Buddy Myers
A Letter to Three Wives – Thomas T. Moulton
The Set-Up – John Aalberg
White Heat – Nathan Levinson

BEST ART DIRECTION

Battleground – Art Direction: Cedric Gibbons and Hans Peters; Set Decoration: Edwin B. Willis and Alfred E. Spencer
The Fountainhead – Art Direction: Edward Carrere; Set Decoration: William L. Kuehl
**The Heiress – Art Direction: Harry Horner and John Meehan; Set Decoration: Emile Kuri**
Madame Bovary – Art Direction: Cedric Gibbons and Jack Martin Smith; Set Decoration: Edwin B. Willis and Richard Pefferle
Monsieur Vincent – Art Direction: Rene Renoux; Set Decoration: Robert Turlure

BEST BLACK-AND-WHITE CINEMATOGRAPHY

Act of Violence – Robert Surtees
Battleground – Paul Vogel
The Heiress – Leo Tover
**The Set-Up – Milton R. Krasner**
White Heat – Sidney Hickox

BEST COLOR CINEMATOGRAPHY

Little Women – Robert H. Planck and Charles Edgar Schoenbaum
On the Town – Harold Rosson
The Red Pony – Tony Gaudio
Scott of the Antarctic – Osmond Borradaile, Jack Cardiff and Geoffrey Unsworth
**She Wore a Yellow Ribbon – Winton C. Hoch**

BEST COSTUME DESIGN

All the King’s Men – Jean Louis
The Fallen Idol – Ivy Baker
**The Heiress – Edith Head and Gile Steele**
Madame Bovary – Walter Plunkett
Under Capricorn – Roger K. Furse

BEST MAKEUP

Battleground – Jack Dawn
Champion – Gustaf Norin
The Heiress – Wally Westmore
The Set-Up – Gordon Bau
**Under Capricorn – Charles E. Parker**

BEST FILM EDITING

Battleground – John D. Dunning
A Letter to Three Wives – J. Watson Webb Jr.
The Set-Up – Roland Gross
**White Heat – Owen Marks**
Yellow Sky – Harmon Jones

BEST SPECIAL EFFECTS

The Barkleys of Broadway – Warren Newcombe
**Mighty Joe Young – Linwood G. Dunn, Harold E. Stine, Bert Willis and Willis H. O’Brien**
Twelve O’Clock High – Fred Sersen

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204526690

21st Alternate Oscars (1948)

BEST PICTURE
The Lady from Shanghai – Orson Welles
Letter from an Unknown Woman – John Houseman
Red River – Howard Hawks
**The Red Shoes – Michael Powell and Emeric Pressburger**
The Treasure of the Sierra Madre – Henry Blanke

BEST DIRECTOR
Orson Welles – The Lady from Shanghai
Max Ophuls – Letter from an Unknown Woman
William Dieterle – Portrait of Jennie
Michael Powell and Emeric Pressburger – The Red Shoes
**John Huston – The Treasure of the Sierra Madre**

BEST LEAD ACTOR
**Laurence Olivier – Hamlet**
Orson Welles – The Lady from Shanghai
John Wayne – Red River
Anton Wolbrook – The Red Shoes
Humphrey Bogart – The Treasure of the Sierra Madre

BEST LEAD ACTRESS
Rita Hayworth – The Lady from Shanghai
**Joan Fontaine – Letter from an Unknown Woman**
Jennifer Jones – Portrait of Jennie
Moira Shearer – The Red Shoes
Olivia de Havilland – The Snake Pit

BEST SUPPORTING ACTOR
Edward G. Robinson – Key Largo
Thomas Gomez – Key Largo
Everett Sloane – The Lady from Shanghai
Montgomery Clift – Red River
**Walter Huston – The Treasure of the Sierra Madre**

BEST SUPPORTING ACTRESS
Ann Miller – Easter Parade
Jean Simmons – Hamlet
Barbara Bel Geddes – I Remember Mama
Claire Trevor – Key Largo
**Ethel Barrymore – Portrait of Jennie**

BEST ORIGINAL SCREENPLAY
Easter Parade – Frances Goodrich (screenplay/story), Albert Hackett (screenplay/story) and Sidney Sheldon (screenplay)
A Foreign Affair – Charles Brackett (screenplay), Billy Wilder (screenplay), Richard L. Breen (screenplay) and David Shaw (story)
Red River – Borden Chase (screenplay/story) and Charles Schnee (screenplay)
**The Red Shoes – Emeric Pressburger (screenplay/story) and Michael Powell (screenplay)**
The Search – Richard Schweizer and David Wechsler

BEST ADAPTED SCREENPLAY
The Lady from Shanghai – Orson Welles, based on the novel by Sherwood King
Letter from an Unknown Woman – Howard Koch, based on the novella by Stefan Zweig
Portrait of Jennie – Paul Osborn and Peter Berneis, based on the novella by Robert Nathan
Rope – Arthur Laurents, based on the play by Patrick Hamilton
**The Treasure of the Sierra Madre – John Huston, based on the novel by B. Traven**

BEST FOREIGN FILM
Bicycle Thieves (Italy) – Vittorio De Sica
**Drunken Angel (Japan) – Akira Kurosawa**
Port of Call (Sweden) – Ingmar Bergman

BEST DOCUMENTARY FILM
Louisiana Story – Robert J. Flaherty
The Quiet One – Sidney Meyers and Janice Loeb
**Seal Island – James Algar and Walt Disney**

BEST CARTOON SHORT FILM
**The Little Orphan – William Hanna, Joseph Barbera and Fred Quimby**
Mouse Wreckers – Chuck Jones and Edward Selzer
Tea for Two Hundred – Jack Hannah and Walt Disney

BEST SCORING
Beauty and the Beast – Georges Auric
**Hamlet – William Walton**
Letter from an Unknown Woman – Daniele Amfitheatrof
The Red Shoes – Brian Easdale
The Treasure of the Sierra Madre – Max Steiner

BEST ORIGINAL SONG
“Buttons and Bows” from The Paleface – Music and Lyrics by Jay Livingston and Ray Evans
**“Illusions” from A Foreign Affair – Music and Lyrics by Friedrich Hollaender**
“It’s Magic” from Romance on the High Seas – Music by Jule Styne; Lyrics by Sammy Cahn
“The Moonrise Song (It Just Dawned On Me)” from Moonrise – Music by William Lava; Lyrics by Henry Tobias
“Steppin’ Out with my Baby” from Spring Parade – Music and Lyrics by Irving Berlin

BEST SOUND RECORDING
**The Lady from Shanghai – John P. Livadary**
Moonrise – Daniel J. Bloomberg
The Naked City – Leslie I. Carey
Red River – Gordon Sawyer
The Treasure of the Sierra Madre – Nathan Levinson

BEST ART DIRECTION
Easter Parade – Cedric Gibbons, Jack Martin Smith and Edwin B. Willis
A Foreign Affair – Hans Dreier, Walter Tyler, Sam Comer and Ross Dowd
Hamlet – Roger K. Furse, Carmen Dillon and Roger Ramsdell
Letter from an Unknown Woman – Alexander Golitzen, Russell A. Gausman and Ruby R. Levitt
**The Red Shoes – Hein Heckroth and Arthur Lawson**

BEST BLACK-AND-WHITE CINEMATOGRAPHY
Hamlet – Desmond Dickinson
**Letter from an Unknown Woman – Franz Planer**
The Pearl – Gabriel Figueroa
Portrait of Jennie – Joseph H. August (posthumously)
The Treasure of the Sierra Madre – Ted D. McCord

BEST COLOR CINEMATOGRAPHY
Easter Parade – Harry Stradling
**The Red Shoes – Jack Cardiff**
Romance on the High Seas – Elwood Bredell
Rope – Joseph A. Valentine and William V. Skall
The Three Musketeers – Robert H. Planck

BEST COSTUME DESIGN
An Ideal Husband – Cecil Beaton
Beauty and the Beast – Antonio Castillo and Marcel Escoffier
**Hamlet – Elizabeth Hennings and Roger K. Furse**
Letter from an Unknown Woman – Travis Banton
The Red Shoes – Hein Heckroth

BEST MAKEUP
Abbott and Costello Meet Frankenstein – Bud Westmore
**Beauty and the Beast – Hagop Arakelian**
Hamlet – Tony Sforzini
The Red Shoes – George Blackler, Eric Carter and Ernest Gasser
The Treasure of the Sierra Madre – Perc Westmore

BEST FILM EDITING
The Lady from Shanghai – Viola Lawrence
The Naked City – Paul Weatherwax
Red River – Christian Nyby
**The Red Shoes – Reginald Mills**
The Treasure of the Sierra Madre – Owen Marks

BEST SPECIAL EFFECTS
Easter Parade – Warren Newcombe
Joan of Arc – Jack Cosgrove and John P. Fulton
**Portrait of Jennie – J. McMillan Johnson, Russell Shearman and Clarence Slifer**
The Red Shoes – George Gunn and Eugene Hague
Unfaithfully Yours – Fred Sersen

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204478327

20th Alternate Oscars (1947)

BEST PICTURE
Black Narcissus – Michael Powell and Emeric Pressburger
Miracle on 34th Street – William Perlberg
**Odd Man Out – Carol Reed**
Out of the Past – Warren Duff
This Happy Breed – Noel Coward

BEST DIRECTOR
Michael Powell and Emeric Pressburger – Black Narcissus
**Carol Reed – Odd Man Out**
Jacques Tourneur – Out of the Past
Vittorio De Sica – Shoeshine
David Lean – This Happy Breed

BEST LEADING ACTOR
John Garfield – Body and Soul
Rex Harrison – The Ghost and Mrs. Muir
Tyrone Power – Nightmare Alley
James Mason – Odd Man Out
**Robert Mitchum – Out of the Past**

BEST LEADING ACTRESS
**Deborah Kerr – Black Narcissus**
Claire Trevor – Born to Kill
Joan Crawford – Daisy Kenyon
Gene Tierney – The Ghost and Mrs. Muir
Jane Greer – Out of the Past

BEST SUPPORTING ACTOR
Robert Ryan – Crossfire
Finlay Currie – Great Expectations
Richard Widmark – Kiss of Death
**Edmund Gwenn – Miracle on 34th Street**
Gene Lockhart – Miracle on 34th Street

BEST SUPPORTING ACTRESS
Kathleen Byron – Black Narcissus
**Gloria Grahame – Crossfire**
Celeste Holm – Gentleman’s Agreement
Kay Walsh – This Happy Breed
Matha Raye – Monsieur Verdoux

BEST ORIGINAL SCREENPLAY
Body and Soul – Abraham Polonsky
L’Atalante – Jean Vigo (screenplay), Albert Riera (screenplay) and Jean Guinee (story)
**Miracle on 34th Street – George Seaton (screenplay) and Valentine Davies (story)**
Monsieur Verdoux – Charlie Chaplin (screenplay) and Orson Welles (story)
Shoeshine – Sergio Amidei, Adolfo Franci, Cesar Giulio Viola and Cesare Zavattani

BEST ADAPTED SCREENPLAY
Black Narcissus – Michael Powell and Emeric Pressburger, based on the novel by Rumer Godden
Nightmare Alley – Jules Furthman, based on the novel by William Lindsay Gresham
**Odd Man Out – F.L. Green and R.C. Sheriff, based on the novel by Green**
Out of the Past – Daniel Mainwaring, based on his novel
This Happy Breed – David Lean, Ronald Neame and Anthony Havelock-Allan, based on the play by Noel Coward

BEST FOREIGN FILM
Los tres Garcia (Mexico) – Ismael Rodriguez
**Quai des Orfevres (France) – Henri-Georges Clouzot**
Snow Trail (Japan) – Senkichi Taniguchi

BEST CARTOON SHORT FILM
Chip an’ Dale – Jack Hannah and Walt Disney
Tubby the Tuba – George Pal
**Tweetie Pie – Friz Freleng and Edward Selzer**

BEST SCORING
Black Narcissus – Brian Easdale
Desert Fury – Miklos Rosza
The Ghost and Mrs. Muir – Bernard Herrmann
**Odd Man Out – William Alwyn**
Out of the Past – Roy Webb

BEST ORIGINAL SONG
“Do You Know What It Means to Miss New Orleans” from New Orleans – Music and Lyrics by Louis Alter and Eddie Delange
**“I Wish I Didn’t Love You So” from The Perils of Pauline – Music and Lyrics by Frank Loessler**
“Life Can Be Beautiful” from Smash-Up: The Story of a Woman – Music by Jimmy McHugh; Lyrics by Harold Adamson
“Time After Time” from It Happened in Brooklyn – Music by Jule Styne; Lyrics by Sammy Cahn
“Zip-A-Dee-Doo-Dah” from Song of the South – Music by Allie Wrubel; Lyrics by Ray Gilbert

BEST SOUND RECORDING
Body and Soul – Jack Whitney
Brute Force – Bernard B. Brown
Crossfire – John O. Aalberg
Odd Man Out – Desmond Dew and Sash Fisher
**Out of the Past – John O. Aalberg**

BEST BLACK-AND-WHITE CINEMATOGRAPHY
Body and Soul – James Wong Howe
**The Ghost and Mrs. Muir – Charles Lang**
Great Expectations – Guy Green
Odd Man Out – Robert Krasker
Out of the Past – Nicholas Musuraca

BEST COLOR CINEMATOGRAPHY
**Black Narcissus – Jack Cardiff**
Desert Fury – Charles Lang and Edward Cronjager
A Matter of Life and Death – Jack Cardiff
This Happy Breed – Ronald Neame
Unconquered – Ray Rennahan

BEST ART DIRECTION
**Black Narcissus – Alfred Junge**
The Ghost and Mrs. Muir – Richard Day, George W. Davis, Thomas Little and Stuart A. Reiss
Great Expectations – John Bryan, Wilfred Shingleton and Erik Blakemore
A Matter of Life and Death – Alfred Junge
Out of the Past – Albert D’Agostino, Jack Okey and Darrell Silvera

BEST COSTUME DESIGN
Black Narcissus – Hein Heckroth
The Ghost and Mrs. Muir – Eleanor Behm
**Great Expectations – Sophie Devine**
Lured – Elois Jenssen
Possessed – Adrian and Bernard Newman

BEST MAKEUP
A Double Life – Bud Westmore
**Great Expectations – George Blackler and Ernest Gasser**
Ivan the Terrible, Part I – Vasili Goryunov
A Matter of Life and Death – George Blackler
Monsieur Verdoux – William Knight

BEST FILM EDITING
Brute Force – Edward Curtiss
Nightmare Alley – Barbara MacLean
Odd Man Out – Fergus McDonnell
Out of the Past – Samuel E. Beetley
**This Happy Breed – Jack Harris**

BEST SPECIAL EFFECTS
The Bishop’s Wife – John P. Fulton
**Black Narcissus – W. Percy Day**
The Ghost and Mrs. Muir – Fred Sersen
A Matter of Life and Death – W. Percy Day
The Secret Life of Walter Mitty – John P. Fulton

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204468320

Do we think Smith has this in the bag?

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204468177

How many of you have Kristen Stewart winning at the moment?

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204468168

Piper Halliwell wrote:

How about Clifton Collins Jr. in Jockey? The movie has 91% on Rotten Tomatoes, he’s been a familiar face for 20-something years now, could be a passion pick in a category of William Dafoe’s (At Eternity’s Gate) and Tommy Lee Jones’ (In the Valley of Elah).

Maybe? He’d be deserving, but I’m not sure Collins has as high a profile as either Dafoe or Jones.

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204468158

I think Chastain still has a strong chance at a nomination, along with Makeup for the transformation. But a win might be questionable unless the passion for the performance is really there.

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204459966

19th Alternate Oscars (1946)

Best Motion Picture
• The Best Years of Our Lives – Samuel Goldwyn for RKO Radio Pictures
• Brief Encounter – Noel Coward, Anthony Havellock-Allan and Ronald Neame for Eagle-Lion Distributors
• **It’s a Wonderful Life – Frank Capra for RKO Radio Pictures**
• Notorious – Alfred Hitchcock for RKO Radio Pictures
• Rome, Open City – Giuseppe Amato, Ferruccio De Martino, Roberto Rossellini and Rod E. Geiger for Joseph Burstyn & Arthur Mayer

Best Director
• William Wyler – The Best Years of Our Lives
• David Lean – Brief Encounter
• Marcel Carne – Children of Paradise
• **Frank Capra – It’s a Wonderful Life**
• Roberto Rossellini – Rome, Open City

Best Actor
• Dana Andrews – The Best Years of Our Lives
• Trevor Howard – Brief Encounter
• **James Stewart – It’s a Wonderful Life**
• Henry Fonda – My Darling Clementine
• John Garfield – The Postman Always Rings Twice

Best Actress
• Lauren Bacall – The Big Sleep
• **Celia Johnson – Brief Encounter**
• Wendy Hiller – I Know Where I’m Going!
• Ingrid Bergman – Notorious
• Lana Turner – The Postman Always Rings Twice

Best Supporting Actor
• Harold Russell – The Best Years of Our Lives
• William Bendix – The Blue Dahlia
• Lionel Barrymore – It’s a Wonderful Life
• Cecil Kellaway – The Postman Always Rings Twice
• **Claude Rains – Notorious**

Best Supporting Actress
• **Myrna Loy – The Best Years of Our Lives**
• Teresa Wright – The Best Years of Our Lives
• Margaret Rutherford – Blithe Spirit
• Donna Reed – It’s a Wonderful Life
• Anna Magnani – Rome, Open City

Best Original Screenplay
• Children of Paradise – Jacques Prevert
• I Know Where I’m Going! – Michael Powell and Emeric Pressburger
• Notorious – Ben Hecht
• **Rome, Open City – Sergio Ameidi, Federico Fellini, Roberto Rossellini and Alberto Consiglio**
• To Each His Own – Charles Brackett and Jacques Thiery

Best Adapted Screenplay
• The Best Years of Our Lives – Robert E. Sherwood based on the novella Glory For Me by MacKinlay Kantor
• The Big Sleep – William Faulkner, Leigh Brackett and Jules Furthman, based on the novel by Raymond Chandler
• Brief Encounter – Anthony Havelock-Allan, David Lean and Ronald Neame based on the play Still Life by Noël Coward
• **It’s a Wonderful Life – Frances Goodrich, Albert Hackett and Frank Capra based on the short story “The Greatest Gift” by Philip Van Doren Stern**
• My Darling Clementine – Samuel G. Engel, Winston Miller and Sam Hellman, based on the novel Wyatt Earp: Frontier Marshal by Stuart N. Lake

Best Foreign Film
• Beauty and the Beast (France) – Jean Cocteau
• **Shoeshine (Italy) – Vittorio De Sica**
• Utamaro and His Five Women (Japan) – Kenji Mizoguchi

Best Animated Short Film
• **The Cat Concerto – William Hanna, Joseph Barbera and Fred Quimby**
• Hair-Raising Hare – Chuck Jones and Carl Stalling
• John Henry and the Inky-Poo – George Pal

Best Original Score
• **The Best Years of Our Lives – Hugo Friedhofer**
• Henry V – William Walton
• It’s a Wonderful Life – Dimitri Tiomkin
• The Stranger – Bronislaw Kaper
• To Each His Own – Victor Young

Best Original Song
• “Ole Buttermilk Sky” from Canyon Passage – Music by Hoagy Carmichael; Lyrics by Jack Brooks
• “On the Acheson, Topeka and the Santa Fe” from The Harvey Girls – Music by Harry Warren; Lyrics by Johnny Mercer
• “Personality” from Road to Utopia – Music by Jimmy Van Heusen; Lyrics by Johnny Burke
• “Put the Blame on Mame” from Gilda – Music and Lyrics by Allan Roberts and Doris Fisher
• **“To Each His Own” from To Each His Own – Music and Lyrics by Jay Livingston and Ray Evans**

Best Sound Recording
• **The Best Years of Our Lives – Gordon E. Sawyer**
• Brief Encounter – Desmond Dew and Stanley Lambourne
• Children of Paradise – Jean Monchablon
• It’s a Wonderful Life – John O. Aalberg
• My Darling Clementine – Thomas T. Moulton

Best Art Direction – Interior Decoration
• **Children of Paradise – Art Direction: Leon Barasq, Raymond Bargutti and Alexandre Trauner; Interior Decoration: Trauner**
• Henry V – Art Direction and Interior Decoration: Paul Sheriff and Carmen Dillon
• My Darling Clementine – Art Direction: James Basevi and Lyle R. Wheeler; Set Decoration: Thomas Little
• Notorious – Art Direction: Carroll Clark and Albert S. D’Agostino; Set Decoration: Claude E. Carpenter and Darrell Silvera
• To Each His Own – Art Direction: Roland Anderson and Hans Dreier; Interior Decoration: Sam Comer and Jesse M. Walters Jr.

Best Cinematography, Black-and-White
• The Best Years of Our Lives – Gregg Toland
• **It’s a Wonderful Life – Joseph Walker and Joseph F. Biroc**
• The Killers – Woody Bredell
• My Darling Clementine – Joseph MacDonald
• Notorious – Ted Tetzlaff

Best Cinematography, Color
• **Canyon Passage – Edward Cronjager**
• Duel in the Sun – Lee Garmes, Harold Rosson and Ray Rennahan
• The Harvey Girls – George J. Folsey
• Henry V – Robert Krasker and Jack Hildyard
• The Yearling – Charles Rosher, Leonard Smith and Arthur Arling

Best Costume Design
• **Children of Paradise – Mayo**
• Gilda – Jean Louis
• The Harvey Girls – Helen Rose and Valles
• Henry V – Roger K. Furse
• Notorious – Edith Head

Best Makeup
• **Blithe Spirit – Tony Sforzini**
• The Harvey Girls – Jack Dawn
• Henry V – Tony Sforzini
• Scarlet Street – Jack P. Pierce
• To Each His Own – Wally Westmore

Best Film Editing
• **The Best Years of Our Lives – Daniel Mandell**
• Children of Paradise – Henri Rust
• Humoresque – Rudi Fehr
• It’s a Wonderful Life – William Hornbeck
• Rome, Open City – Eraldo Da Roma

Best Special Effects
• **Blithe Spirit – Tom Howard**
• The Dark Mirror – Devereaux Jennings and Paul K. Lerpae
• It’s a Wonderful Life – Russell A. Cully
• A Stolen Life – Russell Collings, Roy Davidson, William C. McGann and Willard Van Enger
• Vacation from Marriage – W. Percy Day

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204450193

18th Alternate Oscars (1945)

Best Picture
• The Clock – Arthur Freed for Metro-Goldwyn-Mayer
• The Lost Weekend – Charles Brackett for Paramount Pictures
• **Mildred Pierce – Jerry Wald for Warner Bros.**
• Spellbound – David O. Selznick for United Artists
• A Tree Grows In Brooklyn – Louis D. Lighton for 20th Century Fox

Best Director
• Vincente Minnelli – The Clock
• Billy Wilder – The Lost Weekend
• **Michael Curtiz – Mildred Pierce**
• Edward Dmytryk – Murder, My Sweet
• Elia Kazan – A Tree Grows in Brooklyn

Best Actor
• Robert Walker – The Clock
• Cornel Wilde – Leave Her to Heaven
• **Ray Milland – The Lost Weekend**
• Dick Powell – Murder, My Sweet
• Gregory Peck – Spellbound

Best Actress
• **Joan Crawford – Mildred Pierce**
• Barbara Stanwyck – Christmas in Connecticut
• Gene Tierney – Leave Her to Heaven
• Dorothy McGuire – A Tree Grows in Brooklyn
• Joan Bennett – The Woman in the Window

Best Supporting Actor
• Anton Walbrook – The Life and Death of Colonel Blimp
• J. Carrol Naish – The Southerner
• Michael Chekhov – Spellbound
• Walter Brennan – To Have and Have Not
• **James Dunn – A Tree Grows in Brooklyn**

Best Supporting Actress
• Anne Revere – National Velvet
• Ann Blyth – Mildred Pierce
• Eve Arden – Mildred Pierce
• Claire Trevor – Murder, My Sweet
• **Joan Blondell – A Tree Grows in Brooklyn**

Best Original Screenplay
• Anchors Aweigh – Isobel Lennart and Natalie Marcin
• Christmas in Connecticut – Lionel Houser, Adele Comadini and Aileen Hamilton
• **The Clock – Robert Nathan, Joseph Schrank, Paul Gallico and Pauline Gallico**
• The Life and Death of Colonel Blimp – Michael Powell and Emeric Pressburger
• Wonder Man – Don Hartman, Melville Shavelson, Philip Rapp and Arthur Sheekman

Best Adapted Screenplay
• **The Lost Weekend – Charles Brackett and Billy Wilder based on the novel by Charles R. Jackson**
• Mildred Pierce – Ranald MacDougall based on the novel by James M. Cain
• Murder, My Sweet – John Paxton based on the novel Farewell, My Lovely by Raymond Chandler
• A Tree Grows in Brooklyn – Frank Davis and Tess Slesinger (posthumously) based on the novel by Betty Smith
• The Woman in the Window – Nunnally Johnson based on the novel Once Off Guard by J. H. Wallis

Best Original Score
• The Clock – George Bassman
• The Lost Weekend – Miklós Rózsa
• Mildred Pierce – Max Steiner
• **Spellbound – Miklós Rózsa**
• The Woman in the Window – Hugo Friedhofer and Arthur Lange

Best Original Song
• **“I Fall in Love Too Easily” from Anchors Aweigh – Music by Jule Styne; Lyrics by Sammy Cahn**
• “It Might as Well Be Spring” from State Fair – Music by Richard Rodgers; Lyrics by Oscar Hammerstein II
• “Linda” from The Story of G.I. Joe – Music and Lyrics by Ann Ronell
• “Love Letters” from Love Letters – Music by Victor Young; Lyrics by Edward Heyman
• “So in Love” from Wonder Man – Music by David Rose; Lyrics by Leo Robin

Best Sound Recording
• Leave Her to Heaven – Thomas T. Moulton
• **The Southerner – Jack Whitney**
• The Story of G.I. Joe – Jack Whitney
• They Were Expendable – Douglas Shearer
• To Have and Have Not – Nathan Levinson

Best Art Direction – Interior Decoration, Black-and-White
• And Then There Were None – Art Direction: Ernst Fegte; Interior Decoration: Edward G. Boyle
• Leave Her to Heaven – Art Direction: Lyle R. Wheeler and Maurice Ransford; Interior Decoration: Thomas Little
• The Life and Death of Colonel Blimp – Art Direction and Interior Decoration: Alfred Junge
• **Mildred Pierce – Art Direction: Anton Grot; Interior Decoration: George James Hopkins**
• The Picture of Dorian Gray – Art Direction: Cedric Gibbons and Hans Peters; Interior Decoration: Edwin B. Willis, John Bonar and Hugh Hunt

Best Cinematography, Black-and-White
• The Clock – George J. Folsey
• The Lost Weekend – John F. Seitz
• **Mildred Pierce – Ernest Haller**
• The Southerner – Lucien N. Andriot
• Spellbound – George Barnes

Best Cinematography, Color
• Anchors Aweigh – Robert Planck and Charles P. Boyle
• **Leave Her to Heaven – Leon Shamroy**
• The Life and Death of Colonel Blimp – Georges Perinal
• National Velvet – Leonard Smith
• Wonder Man – Victor Milner and William E. Snyder

Best Costume Design
• Leave Her to Heaven – Kay Nelson
• The Life and Death of Colonel Blimp – Joseph Bato
• **Mildred Pierce – Milo Anderson**
• The Picture of Dorian Gray – Irene and Valles
• Wonder Man – Travis Banton

Best Makeup
• **The Life and Death of Colonel Blimp – George Blackler and Dorrie Hamilton**
• The Picture of Dorian Gray – Jack Dawn
• Wonder Man – Robert Stephanoff and Nina Roberts

Best Film Editing
• Mildred Pierce – David Weisbart
• **The Lost Weekend – Doane Harrison**
• Spellbound – Hal C. Kern
• A Tree Grows in Brooklyn – Dorothy Spencer
• The Woman in the Window – Marjorie Fowler and Gene Fowler Jr.

Best Special Effects
• Anchors Aweigh – Photographic Effects: Mark Davis and Warren Newcombe; Sound Effects: Douglas Shearer
• The Picture of Dorian Gray – Photographic Effects: Mark Davis, A. Arnold Gillespie and Warren Newcombe; Sound Effects: Douglas Shearer
• **Spellbound – Photographic Effects: Jack Cosgrove; Sound Effects: Arthur Johns**
• They Were Expendable – Photographic Effects: A. Arnold Gillespie, Donald Jahraus and R. A. MacDonald; Sound Effects: Michael Steinore
• Wonder Man – Photographic Effects: John P. Fulton; Sound Effects: Arthur Johns

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204440895

17th Alternate Oscars (1944)

Best Motion Picture
• **Double Indemnity – Joseph Sistrom for Paramount**
• Gaslight – Arthur Hornblow Jr. for Metro-Goldwyn-Mayer
• Laura – Otto Preminger for 20th Century Fox
• Meet Me in St. Louis – Arthur Freed for Metro-Goldwyn-Mayer
• The Miracle of Morgan’s Creek – Preston Sturges for Paramount

Best Director
• **Billy Wilder – Double Indemnity**
• George Cukor – Gaslight
• Otto Preminger – Laura
• Vincente Minnelli – Meet Me in St. Louis
• Preston Sturges – The Miracle of Morgan’s Creek

Best Actor
• Cary Grant – Arsenic and Old Lace
• Fred MacMurray – Double Indemnity
• **Charles Boyer – Gaslight**
• Eddie Bracken – The Miracle of Morgan’s Creek
• Spencer Tracy – The Seventh Cross

Best Actress
• Barbara Stanwyck – Double Indemnity
• **Ingrid Bergman – Gaslight**
• Joan Fontaine – Jane Eyre
• Betty Hutton – The Miracle of Morgan’s Creek
• Tallulah Bankhead – Lifeboat

Best Supporting Actor
• **Edward G. Robinson – Double Indemnity**
• William Demarest – The Miracle of Morgan’s Creek
• Clifton Webb – Laura
• Vincent Price – Laura
• Hume Cronyn – The Seventh Cross

Best Supporting Actress
• Josephine Hull – Arsenic and Old Lace
• Angela Lansbury – Gaslight
• Diana Lynn – The Miracle of Morgan’s Creek
• Jessica Tandy – The Seventh Cross
• **Jennifer Jones – Since You Went Away**

Best Original Screenplay
• An American Romance – Herbert Dalmas, William Ludwig and King Vidor
• A Guy Named Joe – Dalton Trumbo, David Boehm and Chandler Sprague
• Hail the Conquering Hero – Preston Sturges
• Lifeboat – Jo Swerling and John Steinbeck
• **The Miracle of Morgan’s Creek – Preston Sturges**

Best Adapted Screenplay
• **Double Indemnity – Raymond Chandler and Billy Wilder, based on the novel by James M. Cain**
• Gaslight – John L. Balderston, Walter Reisch, and John Van Druten, based on the play by Patrick Hamilton
• Laura – Jay Dratler, Samuel Hoffenstein, and Elizabeth Reinhardt, based on the novel by Vera Caspary
• Meet Me in St. Louis – Irving Brecher and Fred F. Finklehoffe, based on the novel by Sally Benson
• Since You Went Away – David O. Selznick, based on the novel by Margaret Buell Wilder

Best Scoring of a Dramatic or Comedy Picture
• Double Indemnity – Miklós Rózsa
• Gaslight – Bronislaw Kaper
• Jane Eyre – Bernard Herrmann
• **Laura – David Raksin**
• Since You Went Away – Max Steiner

Best Song
• “Going My Way” from Going My Way – Music by Jimmy Van Hausen; Lyrics by Johnny Burke
• **“Have Yourself a Merry Little Christmas” from Meet Me in St. Louis – Music and Lyrics by Ralph Blane and Hugh Martin**
• “Long Ago and Far Away” from Cover Girl – Music by Jerome Kern; Lyrics by Ira Gershwin
• “Swinging on a Star” from Going My Way – Music by Jimmy Van Heusen; Lyrics by Johnny Burke
• “The Trolley Song” from Meet Me in St. Louis – Music and Lyrics by Ralph Blane and Hugh Martin

Best Sound Recording
• Arsenic and Old Lace – Nathan Levinson
• **Double Indemnity – Loren L. Ryder**
• Hail the Conquering Hero – Loren L. Ryder
• Lifeboat – Edmund H. Hansen
• Meet Me in St. Louis – Douglas Shearer

Best Art Direction
• **Gaslight – Art Direction: Cedric Gibbons and William Ferrari; Interior Decoration: Paul Huldschinsky and Edwin B. Willis**
• Jane Eyre – Art Direction: James Basevi and Wiard Ihnen; Interior Decoration: Thomas Little
• Laura – Art Direction: Lyle R. Wheeler and Leland Fuller; Interior Decoration: Thomas Little
• Meet Me in St. Louis – Art Direction: Lemuel Ayers, Cedric Gibbons and Jack Martin Smith; Interior Decoration: Edwin B. Willis
• Since You Went Away – Art Direction: Mark-Lee Kirk; Interior Decoration: Victor A. Gangelin

Best Costume Design
• Cover Girl – Travis Banton, Muriel King and Gwen Wakeling
• Gaslight – Irene
• Jane Eyre – Rene Hubert
• **Meet Me in St. Louis – Irene Sharaff**
• The Princess and the Pirate – Mary Grant

Best Makeup
• **Arsenic and Old Lace – Perc Westmore**
• Lifeboat – Guy Pearce
• Meet Me in St. Louis – Jack Dawn
• Mr. Skeffington – Perc Westmore
• The Princess and the Pirate – Robert Stephanoff

Best Cinematography, Black-and-White
• Double Indemnity – John F. Seitz
• Gaslight – Joseph Ruttenberg
• **Laura – Joseph LaShelle**
• Lifeboat – Glen MacWilliams
• The Uninvited – Charles Lang

Best Cinematography, Color
• An American Romance – Harold Rosson
• Cover Girl – Rudolph Maté and Allen M. Davey
• **Meet Me in St. Louis – George J. Folsey**
• The Princess and the Pirate – Victor Milner and William E. Snyder
• Wilson – Leon Shamroy

Best Film Editing
• Double Indemnity – Doane Harrison
• Gaslight – Ralph E. Winters
• Laura – Louis R. Loeffler
• Meet Me in St. Louis – Albert Akst
• **The Miracle of Morgan’s Creek – Stuart Gilmore**

Best Special Effects
• A Guy Named Joe – Photographic Effects: A. Arnold Gillespie, Donald Jahraus and Warren Newcombe; Sound Effects: Douglas Shearer
• **Lifeboat – Photographic Effects: Fred Sersen; Sound Effects: Bernard Freericks and Roger Heman Sr.**
• Since You Went Away – Photographic Effects: Jack Cosgrove; Sound Effects: Arthur Johns
• Thirty Seconds Over Tokyo – Photographic Effects: A. Arnold Gillespie, Donald Jahraus and Warren Newcombe; Sound Effects: Douglas Shearer
• The Uninvited – Photographic Effects: Farciot Edouart and Gordon Jennings; Sound Effects: George Dutton

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204430996

16th Alternate Oscars (1943)

Outstanding Motion Picture
• Cabin in the Sky – Arthur Freed and Albert Lewis for Metro-Goldwyn-Mayer
• **Casablanca – Hal B. Wallis for Warner Bros.**
• Cat People – Val Lewton for RKO Radio Pictures
• Five Graves to Cairo – Charles Brackett for Paramount
• Heaven Can Wait – Ernst Lubitsch for 20th Century Fox
• The More the Merrier – George Stevens for Columbia
• The Ox-Bow Incident – Lamar Trotti for 20th Century Fox
• Sahara – Harry Joe Brown for Columbia Pictures
• Shadow of a Doubt – Jack H. Skirball for Universal Pictures
• This Land Is Mine – Dudley Nichols for RKO Radio Pictures

Best Director
• **Michael Curtiz – Casablanca**
• Ernst Lubitsch – Heaven Can Wait
• George Stevens – The More the Merrier
• William A. Wellman – The Ox-Bow Incident
• Alfred Hitchcock – Shadow of a Doubt

Best Actor
• **Humphrey Bogart – Casablanca**
• Don Ameche – Heaven Can Wait
• Joel McCrea – The More the Merrier
• Henry Fonda – The Ox-Bow Incident
• Joseph Cotten – Shadow of a Doubt

Best Actress
• Ethel Waters – Cabin in the Sky
• Ingrid Bergman – Casablanca
• Simone Simon – Cat People
• Jean Arthur – The More the Merrier
• **Teresa Wright – Shadow of a Doubt**

Best Supporting Actor
• Rex Ingram – Cabin in the Sky
• Claude Rains – Casablanca
• **Charles Coburn – The More the Merrier**
• Dana Andrews – The Ox-Bow Incident
• Henry Travers – Shadow of a Doubt

Best Supporting Actress
• **Lena Horne – Cabin in the Sky**
• Marjorie Main – Heaven Can Wait
• Patricia Collinge – Shadow of a Doubt
• Veronica Lake – So Proudly We Hail!
• Una O’Connor – This Land Is Mine

Best Original Screenplay
• Cat People – DeWitt Bodeen
• The More the Merrier – Frank Ross, Robert Russell, Richard Flournoy and Lewis R. Foster
• Sahara – John Howard Lawson, Zoltan Korda and Philip MacDonald
• **Shadow of a Doubt – Thornton Wilder, Sally Benson, Alma Reville and Gordon McDonnell**
• This Land Is Mine – Jean Renoir and Dudley Nichols

Best Adapted Screenplay
• **Casablanca – Julius J. Epstein, Philip G. Epstein, and Howard E. Koch, based on the play by Murray Burnett and Joan Alison**
• Five Graves to Cairo – Charles Brackett and Billy Wilder, based on the play by Lajos Biro
• Heaven Can Wait – Samson Raphaelson, based on the play by Leslie Bush-Fekete
• Hitler’s Madman – Peretz Hirschbein, Melvin Levy, Doris Malloy, Albrecht Joseph and Emil Ludwig, based on the novel by Bart Lytton
• The Ox-Bow Incident – Lamar Trotti, based on the novel by Walter Van Tilburg Clark

Best Foreign Film
• **Day of Wrath (Denmark) – Carl Theodor Dreyer**
• Ossessione (Italy) – Luchino Visconti
• The Raven (France) – Henri-Georges Clouzot

Best Live Action Short Film
• Mardi Gras – Hugh Bennett, Louis Harris and Walter MacEwen
• **Meshes of the Afternoon – Maya Deren and Alexander Hammid**
• Women at War – Jean Negulesco and Gordon Hollingshead

Best Cartoon Short Film
• Dumb-Hounded – Tex Avery and Fred Quimby
• **Red Hot Riding Hood – Tex Avery and Fred Quimby**
• The Yankee Doodle Mouse – William Hanna, Joseph Barbera and Fred Quimby

Best Costume Design
• Cabin in the Sky – Irene
• The Gang’s All Here – Yvonne Wood
• **Heaven Can Wait – Rene Hubert**
• The Hard Way – Orry-Kelly
• Phantom of the Opera – Vera West

Best Makeup
• Cat People – Mel Berns
• Heaven Can Wait – Guy Pearce
• **Phantom of the Opera – Jack P. Pierce**

Best Original Score
• **Casablanca – Max Steiner**
• Five Graves to Cairo – Miklos Rosza
• Hangmen Also Die! – Hanns Eisler
• Shadow of a Doubt – Dimitri Tiomkin
• The Song of Bernadette – Alfred Newman

Best Original Song
• **“Happiness is a Thing Called Joe” from Cabin in the Sky – Music by Harold Arlen; Lyrics by E. Y. Harburg**
• “Take It Off the E String, Play It on the G String” from Lady of Burlesque – Music and Lyrics by Sammy Cahn and Harry Akst
• “There’s No Two Ways About Love” from Stormy Weather – Music by James P. Johnson and Irving Mills; Lyrics by Ted Koehler
• “They’re Either Too Young or Too Old” from Thank Your Lucky Stars – Music by Arthur Schwartz; Lyrics by Frank Loesser
• “You’ll Never Know” from Hello, Frisco, Hello – Music by Harry Warren; Lyrics by Mack Gordon

Best Sound Recording
• Cabin in the Sky – Douglas Shearer
• **The Ox-Bow Incident – Edmund H. Hansen**
• Phantom of the Opera – Bernard B. Brown
• Sahara – John P. Livadary
• This Land Is Mine – Stephen Dunn

Best Art Direction, Interior Decoration
• Cabin in the Sky – Art Direction: Cedric Gibbons; Interior Decoration: Edwin B. Willis
• **Casablanca – Art Direction: Carl Jules Weyl; Interior Decoration: George James Hopkins**
• The Ox-Bow Incident – Art Direction; James Basevi and Richard Day; Interior Decoration: Frank E. Hughes and Thomas Little
• Phantom of the Opera – Art Direction: Alexander Golitzen and John B. Goodman; Interior Decoration: Russell A. Gausman and Ira S. Webb
• The Song of Bernadette – Art Direction: James Basevi and William S. Darling; Interior Decoration: Thomas Little

Best Cinematography, Black-and-White
• Cabin in the Sky – Sidney Wagner
• Casablanca – Arthur Edeson
• Cat People – Nicholas Musuraca
• **The Ox-Bow Incident – Arthur C. Miller**
• Shadow of a Doubt – Joseph A. Valentine

Best Cinematography, Color
• For Whom the Bell Tolls – Ray Rennahan
• The Gang’s All Here – Edward Cronjager
• **Heaven Can Wait – Edward Cronjager**
• Lassie Come Home – Leonard Smith
• Phantom of the Opera – Hal Mohr and W. Howard Greene

Best Film Editing
• Casablanca – Owen Marks
• Cat People – Mark Robson
• The More the Merrier – Otto Meyer
• Sahara – Charles Nelson
• **Shadow of a Doubt – Milton Carruth**

Best Special Effects
• Air Force – Photographic Effects: Hans F. Koenekamp and Rex Wimpy; Sound Effects: Nathan Levinson
• **Cat People – Photographic Effects: Linwood G. Dunn and Vernon L. Walker; Sound Effects: John L. Cass**
• Heaven Can Wait – Photographic Effects: Fred Sersen; Sound Effects: Roger Heman
• The Phantom of the Opera – Photographic Effects: John P. Fulton, Russell Lawson and Tim Baar; Sound Effects: Joe Lapis
• So Proudly We Hail! – Photographic Effects: Farciot Edouart and Gordon Jennings; Sound Effects: George Dutton

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204427538

15th Alternate Oscars

BEST PICTURE
• 49th Parallel – Michael Powell for General Film Distributors
• Gentleman Jim – Robert Buckner for Warner Bros.
• The Magnificent Ambersons – Orson Welles for Mercury and RKO Radio Pictures
• The Man Who Came to Dinner – Jerry Wald for Warner Bros.
• Now, Voyager – Hal B. Wallis for Warner Bros.
• One of Our Aircraft Is Missing – Michael Powell and Emeric Pressburger for Anglo-Amalgamated Film Distributors
• The Palm Beach Story – Paul Jones for Paramount
• Saboteur – Frank Lloyd for Universal
• Sullivan’s Travels – Paul Jones for Paramount
• **To Be or Not to Be – Ernst Lubitsch and Alexander Korda for United Artists**

BEST DIRECTOR
• Michael Powell – 49th Parallel
• Orson Welles – The Magnificent Ambersons
• Alfred Hitchcock – Sabouteur
• Preston Sturges – Sullivan’s Travels
• **Ernst Lubitsch – To Be or Not to Be**

BEST ACTOR
• Errol Flynn – Gentleman Jim
• Monty Woolley – The Man Who Came to Dinner
• **Joel McCrea – Sullivan’s Travels**
• Alan Ladd – This Gun for Hire
• Jack Benny – To Be or Not to Be

BEST ACTRESS
• Ginger Rogers – The Major and the Minor
• Bette Davis – Now, Voyager
• Claudette Colbert – The Palm Beach Story
• Veronica Lake – Sullivan’s Travels
• **Carole Lombard (posthumously) – To Be or Not to Be**

BEST SUPPORTING ACTOR
• Raymond Massey – 49th Parallel
• Ward Bond – Gentleman Jim
• Van Heflin – Johnny Eager
• **Claude Rains – Now, Voyager**
• Felix Bressart – To Be or Not to Be

BEST SUPPORTING ACTRESS
• Glynis Johns – 49th Parallel
• Gladys Cooper – Now, Voyager
• **Agnes Moorehead – The Magnificent Ambersons**
• Mary Wickes – The Man Who Came to Dinner
• Mary Astor – The Palm Beach Story

BEST ORIGINAL SCREENPLAY
• 49th Parallel – Rodney Ackland and Emeric Pressburger
• One of Our Aircraft Is Missing – Michael Powell & Emeric Pressburger
• Saboteur – Peter Viertel, Dorothy Parker and Joan Harrison
• **Sullivan’s Travels – Preston Sturges**
• To Be or Not to Be – Edwin Justus Mayer and Melchior Lengyel

BEST ADAPTED SCREENPLAY
• Gentleman Jim – Vincent Lawrence and Horace McCoy, based on the novel by James J. Corbett
• **The Magnificent Ambersons – Orson Welles, based on the novel by Booth Tarkington**
• The Major and the Minor – Charles Brackett and Billy Wilder, based on the play by Edward Childs Carpenter
• The Man Who Came to Dinner – Julius J. Epstein and Philip G. Epstein, based on the play by George S. Kaufman and Moss Hart
• Now, Voyager – Casey Robinson, based on the novel by Olive Higgins Prouty

BEST FOREIGN FILM
• **Four Steps in the Clouds (Italy) – Alessandro Blasseti**
• Mashenka (Soviet Union) – Yuli Raizman
• The Murderer Lives at Number 21 (France) – Henri-Georges Clouzot

BEST SHORT CARTOON
• Blitz Wolf – Tex Avery and Fred Quimby
• **The Bulleteers – Dave Fleischer and Max Fleischer**
• Der Fuehrer’s Face – Jack Kinney and Walt Disney
• Pigs in a Polka – Friz Freleng and Leon Schlesinger
• Tulips Shall Grow – George Pal

BEST ART DIRECTION
• The Magnificent Ambersons – Albert S. D’Agostino, A. Roland Fields and Darrell Silvera
• Now, Voyager – Robert M. Haas and Fred M. MacLean
• The Palm Beach Story – Hans Dreier, Ernst Fegte and Sam Comer
• Sullivan’s Travels – Hans Dreier, A. Earl Hedrick and Ray Moyer
• **To Be or Not to Be – Vincent Korda and Julia Heron**

BEST CINEMATOGRAPHY, BLACK-AND-WHITE
• The Magnificent Ambersons – Stanley Cortez
• Now, Voyager – Sol Polito
• Saboteur – Joseph A. Valentine
• **Sullivan’s Travels – John F. Seitz**
• To Be or Not to Be – Rudolph Mate

BEST CINEMATOGRAPHY, COLOR
• Arabian Nights – Milton R. Krasner, William V. Skall and W. Howard Greene
• **The Black Swan – Leon Shamroy**
• Captain of the Clouds – Sol Polito
• Jungle Book – Lee Garmes and W. Howard Greene
• Reap the Wild Wind – Victor Milner and William V. Skall

BEST COSTUME DESIGN
• The Magnificent Ambersons – Edward Stevenson
• Now, Voyager – Orry-Kelly
• **The Palm Beach Story – Irene**
• To Be or Not to Be – Irene
• Yankee Doodle Dandy – Milo Anderson

BEST MAKEUP
• **49th Parallel – George Blackler**
• The Black Swan – Guy Pearce
• Sullivan’s Travels – Wally Westmore
• To Be or Not to Be – Gordon Bau
• Yankee Doodle Dandy – Perc Westmore

BEST ORIGINAL SCORE
• Bambi – Frank Churchill (posthumously) and Edward H. Plumb
• The Gold Rush – Max Terr
• Kings Row – Erich Wolfgang Korngold
• **Now, Voyager – Max Steiner**
• To Be or Not to Be – Werner R. Heymann

BEST ORIGINAL SONG
• ‘Dearly Beloved’ from You Were Never Lovelier – Music by Jerome Kern; Lyrics by Johnny Mercer
• **’Love Is a Song’ from Bambi – Music by Frank Churchill; Lyrics by Larry Morey**
• ‘Pig Foot Pete’ from Hellzapoppin’ – Music by Gene de Paul; Lyrics by Don Raye
• ‘(We’re off on the) Road to Morocco’ from Road to Morocco – Music by Jimmy Van Heusen; Lyrics by Johnny Burke
• ‘White Christmas’ from Holiday Inn – Music and Lyrics by Irving Berlin

BEST SOUND RECORDING
• Bambi – C.O. Slyfield
• **Gentleman Jim – Nathan Levinson**
• The Gold Rush – James L. Shields
• One of Our Aircraft Is Missing – A.W. Watkins
• To Be or Not to Be – Thomas T. Moulton

BEST FILM EDITING
• 49th Parallel – David Lean
• The Magnificent Ambersons – Robert Wise
• Saboteur – Otto Ludwig
• Sullivan’s Travels – Stuart Gilmore
• **To Be or Not to Be – Dorothy Spencer**

BEST SPECIAL EFFECTS
• The Black Swan – Fred Sersen, Roger Heman Sr. and George Leverett
• I Married a Witch – Gordon Jennings, Harry D. Mills and Richard Olson
• Jungle Book – Lawrence W. Butler and William A. Wilmarth
• **One of Our Aircraft Is Missing – Ronald Neame, C.C. Stevens, Frederick Ford and Douglas Woolsey**
• Saboteur – John P. Fulton and Bernard B. Brown

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204421616

14th Alternate Oscars (1941)

OUTSTANDING PRODUCTION
• Ball of Fire – Samuel Goldwyn for RKO Radio
• **Citizen Kane – Orson Welles for RKO Radio**
• The Devil and Daniel Webster – William Dieterle for RKO Radio
• How Green Was My Valley – Darryl F. Zanuck for 20th Century Fox
• Ladies in Retirement – Lester Cowan for Columbia Pictures
• The Lady Eve – Paul Jones for Paramount Pictures
• The Little Foxes – Samuel Goldwyn for RKO Radio
• The Maltese Falcon – Hal B. Wallis for Warner Bros.
• Pepe le Moko – Raymond Hakim and Robert Hakim for Arthur Mayer and Joseph Burstyn
• That Hamilton Woman – Alexander Korda for United Artists

BEST DIRECTOR
• Orson Welles – Citizen Kane
• **John Ford – How Green Was My Valley**
• William Wyler – The Little Foxes
• John Huston – The Maltese Falcon
• Alexander Korda – That Hamilton Woman

BEST ACTOR
• **Orson Welles – Citizen Kane**
• Charles Coburn – The Devil and Miss Jones
• Roddy McDowall – How Green Was My Valley
• Henry Fonda – The Lady Eve
• Humphrey Bogart – The Maltese Falcon

BEST ACTRESS
• Vivien Leigh – That Hamilton Woman
• Ida Lupino – Ladies in Retirement
• Barbara Stanwyck – The Lady Eve
• **Bette Davis – The Little Foxes**
• Wendy Hiller – Major Barbara

BEST SUPPORTING ACTOR
• **Joseph Cotten – Citizen Kane**
• Walter Huston – The Devil and Daniel Webster
• Donald Crisp – How Green Was My Valley
• Peter Lorre – The Maltese Falcon
• Sydney Greenstreet – The Maltese Falcon

BEST SUPPORTING ACTRESS
• Dorothy Comingore – Citizen Kane
• Sara Allgood – How Green Was My Valley
• **Mary Astor – The Maltese Falcon**
• Patricia Collinge – The Little Foxes
• Teresa Wright – The Little Foxes

BEST ORIGINAL SCREENPLAY
• Ball of Fire – Charles Brackett, Billy Wilder and Thomas Monroe
• **Citizen Kane – Herman J. Mankiewicz and Orson Welles**
• The Devil and Miss Jones – Norman Krasna
• The Lady Eve – Preston Sturges and Monckton Hoffe
• That Hamilton Woman – R.C. Sherriff and Walter Reisch

BEST ADAPTED SCREENPLAY
• The Devil and Daniel Webster – Stephen Vincent Benet and Dan Totheroh, based on the short story by Benet
• How Green Was My Valley – Philip Dunne, based on the novel by Richard Llewellyn
• The Maltese Falcon – John Huston, based on the novel by Dashiell Hammett
• Pepe le Moko – Henri La Barthe and Julien Duvivier, based on the novel by La Barthe
• **The Little Foxes – Lillian Hellman, based on her play**

BEST FOREIGN FILM
• **The 47 Ronin (Japan) – Kenji Mizoguchi**
• The Iron Crown (Italy) – Alessandro Blasetti
• Stormy Waters (France) – Jean Grémillon

BEST ANIMATED SHORT FILM
• Boogie Woogie Bugle Boy of Company B – Walter Lantz
• Hiawatha’s Rabbit Hunt – Friz Freleng and Leon Schlesinger
• Lend a Paw – Clyde Geronimi and Walt Disney
• The Night before Christmas – William Hanna and Joseph Barbera
• **Superman – Dave Fleischer and Max Fleischer**

BEST ORIGINAL SONG
• “Baby Mine” from Dumbo – Music by Frank Churchill; Lyrics by Ned Washington
• “Be Honest With Me” from Ridin’ on a Rainbow – Music and Lyrics by Gene Autry and Fred Rose
• **”Boogie Woogie Bugle Boy of Company B” from Buck Privates – Music by Hugh Prince; Lyrics by Don Raye**
• “Chattanooga Choo Choo” from Sun Valley Serenade – Music by Harry Warren; Lyrics by Mack Gordon
• “The Last Time I Saw Paris” from Lady Be Good – Music by Jerome Kern; Lyrics by Oscar Hammerstein II

BEST ORIGINAL SCORE
• **Citizen Kane – Bernard Herrmann**
• How Green Was My Valley – Alfred Newman
• Ladies in Retirement – Morris Stoloff and Ernst Toch
• The Little Foxes – Meredith Willson
• The Maltese Falcon – Adolph Deutsch

BEST CINEMATOGRAPHY
• **Citizen Kane – Gregg Toland**
• How Green Was My Valley – Arthur C. Miller
• Ladies in Retirement – George Barnes
• The Maltese Falcon – Arthur Edeson
• That Hamilton Woman – Rudolph Mate

BEST SOUND RECORDING
• Ball of Fire – Thomas T. Moulton
• Citizen Kane – John O. Aalberg
• How Green Was My Valley – Edmund H. Hansen
• Night Train to Munich – Sydney Wiles
• **That Hamilton Woman – Jack Whitney**

BEST ART DIRECTION-SET DECORATION
• Citizen Kane – Art Direction: Perry Ferguson and Van Nest Polglase; Interior Decoration: Al Fields and Darrell Silvera
• **How Green Was My Valley – Art Direction: Richard Day and Nathan H. Juran; Interior Decoration: Thomas Little**
• Ladies in Retirement – Art Direction: David S. Hall and Lionel Banks; Interior Decoration: George Montgomery
• The Little Foxes – Art Direction: Stephen Goosson; Interior Decoration: Howard Bristol
• That Hamilton Woman – Art Direction: Vincent Korda; Interior Decoration: Julia Heron

BEST COSTUME DESIGN
• Citizen Kane – Edward Stevenson
• The Devil and Daniel Webster – Edward Stevenson
• Ladies in Retirement – Walter Plunkett
• **The Little Foxes – Orry-Kelly**
• That Hamilton Woman – René Hubert

BEST MAKEUP
• **Citizen Kane – Mel Berns**
• Dr. Jekyll and Mr. Hyde – Jack Dawn
• How Green Was My Valley – Guy Pearce
• The Little Foxes – Norbert A. Myles and Perc Westmore
• That Hamilton Woman – Robert Stephanoff

BEST FILM EDITING
• **Citizen Kane – Robert Wise**
• How Green Was My Valley – James B. Clark
• The Little Foxes – Daniel Mandell
• The Maltese Falcon – Thomas Richards
• Pepe le Moko – Marguerite Beaugé

BEST SPECIAL EFFECTS
• **The Devil and Daniel Webster – Photographic Effects: Vernon L. Walker; Sound Effects: James G. Stewart**
• Dr. Jekyll and Mr. Hyde – Photographic Effects: Peter Ballbusch and Warren Newcombe; Sound Effects: Douglas Shearer
• I Wanted Wings – Photographic Effects Farciot Edouart and Gordon Jennings; Sound Effects: Louis Mesenkop
• That Hamilton Woman – Photographic Effects: Lawrence W. Butler; Sound Effects: William H. Wilmarth
• Topper Returns – Photographic Effects: Roy Seawright; Sound Effects: Elmer Raguse

X

Reply

[Gabe Guarin Joined: Feb 23rd, 2017 Topics: 9 Posts: 1201 View Predictions]

#1204418729

13th Alternate Oscars (1940)

OUTSTANDING PRODUCTION
• Foreign Correspondent – Walter Wanger for Walter Wanger Productions and United Artists
• The Grapes of Wrath – Darryl F. Zanuck and Nunnally Johnson for 20th Century Fox
• The Great Dictator – Charlie Chaplin for Charlie Chaplin Productions and United Artists
• His Girl Friday – Howard Hawks for Columbia Pictures
• The Letter – Hal B. Wallis and William Wyler for Warner Bros.
• The Philadelphia Story – Joseph L. Mankiewicz for Metro-Goldwyn-Mayer
• Pinocchio – Walt Disney for RKO Radio Productions
• **Rebecca – David O. Selznick for Selznick International and United Artists**
• The Shop Around the Corner – Ernst Lubitsch for Metro-Goldwyn-Mayer
• The Thief of Bagdad – Alexander Korda for London Films and United Artists

BEST DIRECTOR
• John Ford – The Grapes of Wrath
• Charlie Chaplin – The Great Dictator
• Howard Hawks – His Girl Friday
• George Cukor – The Philadelphia Story
• **Alfred Hitchcock – Rebecca**

BEST ACTOR
• **Henry Fonda – The Grapes of Wrath**
• Charlie Chaplin – The Great Dictator
• Cary Grant – His Girl Friday
• James Stewart – The Philadelphia Story
• Laurence Olivier – Rebecca

BEST ACTRESS
• **Rosalind Russell – His Girl Friday**
• Bette Davis – The Letter
• Katharine Hepburn – The Philadelphia Story
• Joan Fontaine – Rebecca
• Margaret Sullavan – The Shop Around the Corner

BEST SUPPORTING ACTOR
• John Carradine – The Grapes of Wrath
• Jack Oakie – The Great Dictator
• Akim Tamiroff – The Great McGinty
• **George Sanders – Rebecca**
• Walter Brennan – The Westerner

BEST SUPPORTING ACTRESS
• Lucille Ball – Dance, Girl, Dance
• **Jane Darwell – The Grapes of Wrath**
• Paulette Goddard – The Great Dictator
• Judith Anderson – Rebecca
• Ida Lupino – They Drive by Night

BEST ORIGINAL SCREENPLAY
• Foreign Correspondent – Charles Bennett and Joan Harrison
• **The Great Dictator – Charlie Chaplin**
• The Great McGinty – Preston Sturges
• My Favorite Wife – Leo McCarey, Samuel Spewack, and Bella Spewack
• Remember The Night – Preston Sturges

BEST ADAPTED SCREENPLAY
• The Grapes of Wrath – Nunnally Johnson, based on the novel by John Steinbeck
• His Girl Friday – Charles Lederer, based on the play The Front Page by Ben Hecht and Charles MacArthur
• **The Philadelphia Story – Donald Ogden Stewart, based on the play by Philip Barry**
• Rebecca – Robert E. Sherwood and Joan Harrison, based on the novel by Daphne du Maurier
• The Shop Around the Corner – Samson Raphaelson, based on the play Parfumerie/Illatszertár by Miklós László

BEST FOREIGN FILM
• June Night (Sweden) – Per Lindberg
• Vasilisa the Beautiful (Soviet Union) – Alexander Rou
• **The Well-Digger’s Daughter (France) – Marcel Pagnol**

BEST ORIGINAL SCORE
• The Mark of Zorro – Alfred Newman
• **Pinocchio – Leigh Harline, Paul Smith and Frank Churchill**
• Rebecca – Franz Waxman
• The Sea Hawk – Erich Wolfgang Korngold
• The Thief of Bagdad – Miklós Rózsa

BEST ORIGINAL SONG
• “I Concentrate on You” from Broadway Melody of 1940 – Music and Lyrics by Cole Porter
• “Jitterbug Bite” from Dance, Girl, Dance – Music by Edward Ward; Lyrics by Chet Forrest and Bob Wright
• “Our Love Affair” from Strike Up the Band – Music and Lyrics by Roger Edens and George Stoll
• “See What the Boys in the Backroom Will Have” from Destry Rides Again – Music by Frederick Hollander; Lyrics by Frank Loesser
• **“When You Wish Upon a Star” from Pinocchio – Music by Leigh Harline; Lyrics by Ned Washington**

BEST SOUND RECORDING
• Foreign Correspondent – Thomas T. Moulton
• The Grapes of Wrath – Edmund H. Hansen
• His Girl Friday – John P. Livadary
• The Sea Hawk – Nathan Levinson
• **The Thief of Bagdad – A. W. Watkins**

BEST COSTUME DESIGN
• All This, and Heaven Too – Orry-Kelly
• Pride and Prejudice – Adrian
• Rebecca – Irene
• **The Thief of Bagdad – John Armstrong, Oliver Messel and Marcel Vertès**
• Waterloo Bridge – Adrian

BEST MAKEUP
• Abe Lincoln in Illinois – Maurice Seiderman
• The Mortal Storm – Jack Dawn
• Rebecca – Monte Westmore
• The Sea Hawk – Perc Westmore
• **The Thief of Bagdad – Stuart Freeborn**

BEST ART DIRECTION
• Foreign Correspondent – Art Direction: Alexander Golitzen; Set Decoration: Julia Heron
• The Letter – Art Direction and Set Decoration: Carl Jules Weyl
• Port of Shadows – Art Direction and Set Decoration: Alexandre Trauner
• **Rebecca – Art Direction: Lyle R. Wheeler; Set Decoration: Howard Bristol**
• The Thief of Bagdad – Art Direction and Set Decoration: Vincent Korda

BEST CINEMATOGRAPHY, BLACK-AND-WHITE
• Foreign Correspondent – Rudolph Maté
• The Grapes of Wrath – Gregg Toland
• The Great Dictator – Karl Struss and Roland Totheroh
• The Letter – Tony Gaudio
• **Rebecca – George Barnes**

BEST CINEMATOGRAPHY, COLOR
• The Blue Bird – Arthur C. Miller and Ray Rennahan
• Dr. Cyclops – Henry Sharp
• North West Mounted Police – Victor Milner and W. Howard Greene
• Northwest Passage – Sidney Wagner and William V. Skall
• **The Thief of Bagdad – Georges Périnal**

BEST FILM EDITING
• The Grapes of Wrath – Robert L. Simpson
• His Girl Friday – Gene Havlick
• The Letter – Warren Low and George Amy
• **Rebecca – Hal C. Kern**
• The Thief of Bagdad – William Hornbeck and Charles Crichton

BEST SPECIAL EFFECTS
• Dr. Cyclops – Photographic Effects: Farciot Edouart and Gordon Jennings
• The Long Voyage Home – Photographic Effects: R. T. Layton and Ray Binger; Sound Effects: Thomas T. Moulton
• The Sea Hawk – Photographic Effects: Byron Haskin; Sound Effects: Nathan Levinson
• Rebecca – Photographic Effects: Jack Cosgrove; Sound Effects: Arthur Johns
• **The Thief of Bagdad – Photographic Effects: Lawrence W. Butler; Sound Effects: Jack Whitney**

X

Reply