“Break My Soul” is Beyoncé’s biggest and most Grammy friendly hit in years.

We never had an undeniable all rounder frontrunner last year but people were VERY convinced that TonyGa’s narrative was gonna win them an AOTY. And it was a convincing argument indeed.

Adele losing, however unlikely, is really not outside the realm of possibility though. It’s really coming down to whether the voters will see it as an Adele und…[Read more]

Literally nobody would be surprised if Adele sweeps. That’s the default considering her Grammy history. The real kii would be Grammy voters surprising everyone and having a different choice for once. Like Jon Batiste this year. Everyone loves a good underdog story.

InB4 somebody tries to act smart and says he got nominated everywhere. Yes, w…[Read more]

Congrats to Beyoncé on the number 1. It’s truly a massive feat. People were waiting and she delivered!

“Thique” has become my favourite off the album. That song is so catchy.

I’m personally predicting an Adele sweep and will pretty much stick with it until something massive happens during nominations (unlikely) but this is her weakest lead for sure. She’s not going home empty handed but I can definitely see her faltering in AOTY and/or BPVA.

The reason? 30 isn’t as undeniable as 21 or 25 and yes, 25’s commerc…[Read more]

I like a good resourceful read every now and then. It’s definitely better than the dumb inflammatory takes that add nothing to the discussion. The only point is that some of y’all are biased and omit things to fit your narrative. Which needs to be countered or cross checked so we can see the entire picture.

This is impressive research actually but I don’t quite get your point. You think they will undercut Harry’s Grammy chances despite him making more money for the label?

The album is definitely a hit, it has had a lot of stability over the week. So far, I think her team managed the rollout well. They’ve started playlisting “Cuff It” so I expect it to be the next single and get good airplay. BMS is already a hit and having like two songs do decently well over the next few months will hold the album up until votin…[Read more]

In the streaming era, it absolutely is. And Beyoncé is 25 years in her career. I just hope she gets another medium to big hit out of this album.

Beyoncé’s website hinted at B7 and B8 so I think the next act is definitely an album and the third act can be a double visual album before the tour starts.

Joaquin’s performance was definitely geared to be Oscar bait.

I’m really excited for the musical tbh. I’ve always wanted to see an older Harley Quinn and Gaga fits the bill. I was shook at one of the edits a fan made yesterday with Gaga as Dr.Harleen Quinn. The resemblance is striking. I hope she keeps the crazy to a minimum during the press tour though.

This doesn’t scream Oscar bait to me but let’s…[Read more]

1. Alien Superstar
2. Thique
3. Heated
4. Virgo’s Groove
5. Summer Renaissance

Worldwide doesn’t really matter at the Grammys but fair enough, just by chart metrics alone “As it was” does seem like the bigger hit.

But do people care about specifics like this? Like has it ever mattered if a song spent 3 weeks at #2 or 4 weeks? I don’t think so. Voters will certainly not. Casual listeners would probably think they’re…[Read more]

“As it was” isn’t a much bigger hit than “Easy on Me”. As far as I remember, both of them spent 10 weeks at #1 with Harry having a slight lead over Adele in streaming.

Either way, they’re both the defining songs of this eligibility period and huge hits in their own right so it’s gonna come down to likability, artist’s individual appeal and cros…[Read more]

I’m glad she removed that Kelis credit. Way more trouble than it was worth.

10 is too much. It kill the exclusivity and purpose of scoring a Grammy nomination. Nothing special about being nominated anymore and it’s a hassle in years like this one where people cannot even name 5 BNA’s.

Girl… you didn’t have to clock gucci like that lmao.

Where is everyone thinking Beyoncé’s Renaissance is going: pop or R&B and why? I personally think it’ll be submitted to progressive R&B and will be allowed to compete there.

BPDGP has a couple of contenders but nothing noteworthy. “Cold Heart” would have been a great winner but apparently it’s not eligible. “We don’t talk about Bruno” and “My Universe” are the frontrunner with “Sweetest Pie” being a distant black horse.