Reputation also started off with a 78 and then dropped.

This was surprisingly boring.

Lover will be frontloaded and only be nominated in Pop Vocal Album. As Tokyo Toni has said, can we move the fuck on? Imagine how tired we are.

My fucking God, you Swifties acting like anyone actually cares about this shit.

Well, unlike This is America, Shallow had a whole hit of a movie attached to it that had Oscar buzz galore ever since its release on festival runs in the beginning of September of last year. Everybody knew Gaga was winning the Oscar, the rehearsed and overdramatic speeches, the aggressive campaigning and it was a ballad so it definitely had many…[Read more]

Not to mention that even with all of that, it’s not like ASIB as a whole was irresistable when it came to winning. What started off as a frontrunner to multiple categories ended as the token Shallow show.

These comparisons aren’t great. Adele is Adele. 24K Magic was in a category against two rap songs (Story of OJ and Humble), a low-key R&B song (Redbone), and Despacito. They were never gonna reward the first three and Bruno was also SWEEPING the night, so? Lady Antebellum had two major successful albums back to back so it’s no shock why they won…[Read more]

We’re not saying it can’t win. What I’m saying is that the logic of it being a lock isn’t consistent. You’re looking at the win without looking at the circumstances around the win. That was last year with no strong frontrunner and when ASIB’s era still had media hype. It didn’t win solely because of ASIB, it also won because the category was…[Read more]

I do see the point of voters taking a liking to Gaga over Ariana, Billie, or other newer acts simply because she has more of a base than they do (would one count her as a vet?). What I don’t agree with is the notion that Gaga is all of a sudden a Grammy fave. Joanne winning was an anomaly due to an insanely weak category and the ASIB hype lead…[Read more]

Grammys like to play catch up, so I wouldn’t be surprised if Middle Child popped up in ROTY or something like that or even “a lot”.  I’m not a fan of J. Cole whatsoever but I wouldn’t be upset with him winning in this terrible year.

OUATIH’s only chances for wins are Supporting Actor and Screenplay, the former being extremely likely. I can see Brad Pitt as a critics fave and the industry finally rewarding him.

Rap has been horrifically tragic this year to the point where J. Cole is competitive for a WIN.

So we’re supposed to just guess where things are submitted and assuming everybody in contention submits?

Wait what?

She’s not getting into any of the GF categories.

Taylor has been releasing shamelessly bad tracks back to back and only the delusional Swifter Dusters are convincing themselves that this is quality music.

It has a shot but I feel like there’s a snob factor against Halsey that they’ll purposely prevent a nom for her. At least a handful of voters.

The year is weaker this time but I still don’t know. R&B panel is unpredictable. I’m not saying Solange is a lock or anything. And there’s no project this year that really seems like a hard hitting passion pick and she does have critical acclaim for this so it’s not like she can’t make it.

When I Get Home is scattered and ambiguous but I liked it. It’s much more free spirited and actually encapsulates of what it means to be “out there”, unlike Billie Eilish who tries too hard with the whole weird schtick. It’s definitely not on the same level as A Seat At the Table but it’s still better than most of the contenders. She’d be an…[Read more]

Yall put too much into a position instead of longevity and genuine interest. You cannot use the “well at least Taylor’s singles reached #2” as a jab at Ariana when Break Up With Your Girlfriend, I’m Bored also peaked at #2 and then dropped like a rock. Taylor’s singles have been frontloaded like no other. Being #2 doesn’t mean it was a…[Read more]