LOL Doubt and Julie & Julia as groundbreaking acting performances. One being the most terrible hamfest of an amateur hour and the other a good but intrascendent performance.

Anyway, for all the questionable names, glad to put different names related to world talent, beyond the Oscar bait ones.

Also if we go for the audience reception, “I’m Not Longer Here” wins over “New Order”. Currently it’s the best second reviewed film per audiences just behind “Another Round”.

Actually not shocking from Mexico considering “New Order” had faced a huge political and social backlash and the Letterboxd ratings collapsed after the domestic release. It was simply too toxic to be submitted.

“I’m No Longer Here” was a hit and has Netflix. Also, better treatment for the lower class in Mexico and their stories (Something lacking…[Read more]

Yes

2013? Adams-Blanchett-Bullock-Dench-Streep

I know the producers are doing the campaign, but I wonder if they missed to ask to AMPAS related to eligibility, considering the director (Heidi Ewing) is full US citizen. For just that, other films were disqualified.

Sure nothing is for certain, but with the exception of Zellweger, the other ones from that list came for actresses with common characteristics:

-A good love affair with the AMPAS
-A good streak of a consolidated career in Hollywood
-A sense of goodwill helped with the desire of another Oscar, especially when some of these came with the…[Read more]

I have a doubt, the question is about who will join to the list, or who can join, cause if this is the latter one, then almost every Hollywood actress can do it, as people are proposing right now.

I know people will say: “Renee Zellweger happened”, but hey, it’s only the 7th performer on that prior list in a group of 180 acting winners (That’s…[Read more]

That would be on moot if only Jharrel was snubbed, but the full show has been snubbed.

And not being a well known name has been a full obstacle there if the show is beloved. Case point: Rebecca Ferguson for “The White Queen” or Sarah Hay for “Flesh and Bone”.

When They See Us is a full American show about race issues.

Unorthodox is an European production about a subject more closely linked to a group formed by international voters.

This is the same group who nominated European productions like “The White Queen”, “Flesh and Bone”, “The Missing” or “The Dresser” or gave surprising wins to other…[Read more]

We know now. Since the moment the ratings came out, the show was DOA. No campaign consideration, no buzz and all the hype from the new world events was sucked up to Watchmen (The more glamorous kid).

David Simon is simply too alienated for the award masses.

Well it didn’t matter at all

It’s not the question of he can get noms for himself or not. It’s about HIS productions. With the sole exception of Scream Queens, all of these got main noms, including acting. Billy Porter won Best Actor. That’s a full record not to be reckoning.

Good he can write good British dramas. Too bad his work in transatlantic waves has been subpar,…[Read more]

Five Words: Emmy Award Winner Ryan Murphy.

Also The Eddy isn’t Damien Chazelle project. He only directed the first two episodes. It’s Jack Thorne, who was behind of the flop “The Aeronauts”.

Well David Simon productions are usually topical or keep stories with considerable political and social message and still failed to reach Emmy noms

-The Deuce – Prostitution and female empowering during #MeToo.
-Show Me a Hero – Political scandal about the gentifrication and corruption in small communities. Oscar Isaac as lead during the peak of…[Read more]

LOL this isn’t exactly true (even less with the UK).

Fellini directed 4 films winners in that category.

Bergman has 3.

Yep. Also we can’t forget Ledger was first choice to play the lead in “Drive”.

Agreed.

Even David Harbour is far for granted. Considering his recent mouth disease to badmouthing fans of “Hellboy” and the “cool factor” lost… Also, supporting actor tends to be linked with the series, unless there’s a hierarchy (Jon Voight, Mandy Patinkin), usually defended by Showtime.